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Hereford Cathedral is proud of its four stained-glass windows commemorating Traherne, but these volumes are as glorious a memorial. DAILY TELEGRAPH [Christopher Howse]

Fruits of the most recent research on the worlds of the eleventh and twelfth centuries.

The seventeenth century was one of the most dramatic periods in Scotland's history, with two political revolutions, intense religious strife culminating in the beginnings of toleration, and the modernisation of the state and its infrastructure. This book focuses on the history that the Scots themselves made.

Follows the evolution of the Orient as a positive literary device in German literature and demonstrates how it was used to explore subjectivity and the possibility of wholeness.For centuries, Europe's eastward gaze has been wary if not hostile. Medieval man envisaged grotesque beings at the world's edge and scanned the steppes and straits on the immediate horizon for the Asian or Arab hordes that might swarm across them. Through the Crusades, the early modern era, and the age of imperialism, Europeans regarded the Eastern subject as requiring both "e;discovery"e; and conquest. Conveniently, the "e;Oriental"e; came to represent fanaticism, terrorism, moral laxity, and inscrutability, among other stereotypes. The list of German literary works that reinforced negative cliches about the East is long, but Orienting the Self argues for the presence in the Germanliterary tradition of a powerful perception of the East as the scene of desire, fantasy, and fulfillment. It follows the evolution of the Orient as a literary device and demonstrates how it was used to explore subjectivity and the possibility of wholeness. The five works treated in this study - Parzival, Fortunatus, Effi Briest, Heinrich von Ofterdingen, and The Magic Mountain - are narratives of development in which the encounter with the East is central to the progression toward selfhood and the promise of fulfillment. Debra N. Prager is Associate Professor of German at Washington and Lee University.

The first broad treatment of German genre fiction, containing innovative new essays on a variety of genres and foregrounding concerns of gender, environmentalism, and memory.

Essays on the modern reception of the Middle Ages, built round the central theme of the ethics of medievalism.Ethics in post-medieval responses to the Middle Ages form the main focus of this volume. The six opening essays tackle such issues as the legitimacy of reinventing medieval customs and ideas, at what point the production and enjoyment of caricaturizing the Middle Ages become inappropriate, how medievalists treat disadvantaged communities, and the tension between political action and ethics in medievalism. The eight subsequent articles then build on this foundation as they concentrate on capitalist motives for melding superficially incompatible narratives in medievalist video games, Dan Brown's use of Dante's Inferno to promote a positivist, transhumanist agenda, disjuncturesfrom medieval literature to medievalist film in portrayals of human sacrifice, the influence of Beowulf on horror films and vice versa, portrayals of war in Beowulf films, socialism in William Morris's translation of Beowulf, bias in Charles Alfred Stothard's Monumental Effigies of Great Britain, and a medieval source for death in the Harry Potter novels. The volume as a whole invites and informs a much larger discussion on such vital issues as the ethical choices medievalists make, the implications of those choices for their makers, and the impact of those choices on the world around us. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Mary R. Bowman, Harry Brown, Louise D'Arcens, Alison Gulley, Nickolas Haydock, Lisa Hicks, Lesley E. Jacobs, Michael R. Kightley, Phillip Lindley, Pascal J. Massie, Lauryn S. Mayer, Brent Moberley, Kevin Moberley, Daniel-Raymond Nadon, Jason Pitruzello, Nancy M. Resh, Carol L. Robinson, Christopher Roman, M.J. Toswell.

A comprehensive account of Goethe's relationship to Arabian culture, mediated by his interest in certain poets and texts and by his highly nuanced attitude toward Islam.

Captures the learning process of Nazi-era literary exiles following in the footsteps of legendary literary exemplars of exile.

Reconstructs through testimonial literature the repression of women during the Franco years and recovers the writings of some of the forgotten post-war women novelists.

Essays shedding fresh and significant light on Gower's poetry, major and minor, as it was received, read, and re-produced in England and in Iberia from the fourteenth to the twentieth centuries.

Explores the concept of "e;distant reading"e; and its application to the analysis of nineteenth-century German literature and culture, drawing on a range of approaches from the emerging digital humanities field.In nineteenth-century Germany, breakthroughs in printing technology and an increasingly literate populace led to an unprecedented print production boom that has long presented scholars with a challenge: how to read it all? This anthology seeks new answers to the scholarly quandary of the abundance of text. Responding to Franco Moretti's call for "e;distant reading"e; and modeling a range of innovative approaches to literary-historical analysis informed by theburgeoning field of digital humanities, it asks what happens when we shift our focus from the one to the many, from the work to the network. The thirteen essays in this volume explore the evolving concept of "e;distant reading"e;and its application to the analysis of German literature and culture in the long nineteenth century. The contributors consider how new digital technologies enable both the testing of hypotheses and the discovery of patterns and trends, as well as how "e;distant"e; and traditional "e;close"e; reading can complement each another in hybrid models of analysis that maintain careful attention to detail, but also make calculation, enumeration, and empirical descriptioncritical elements of interpretation. Contributors: Kirsten Belgum, Tobias Boes, Matt Erlin, Fotis Jannidis and Gerhard Lauer, Lutz Koepnick, Todd Kontje, Peter M. McIsaac, Katja Mellmann, Nicolas Pethes, Andrew Piper and Mark Algee-Hewitt, Allen Beye Riddell, Lynne Tatlock, Paul A. Youngman and Ted Carmichael. Matt Erlin is Professor of German and Chair of the Department of Germanic Languages and Literatures, and Lynne Tatlock is Hortense and Tobias Lewin Distinguished Professor in the Humanities, both at Washington University in St. Louis.

An examination of the links between radicalism in Victorian England, and the Risorgimento movement in Italy.

An examination of the complex interrelationship between charity birth control clinics and the commercial marketplace in the United States through the 1970s.

Cultural and literary historians investigate the unique literary bridge between German-speaking women and the "e;New World,"e; examining novels, films, travel literature, poetry, erotica, and photography.In a 1798 novel by Sophie von La Roche, a European woman swims across a cold North American lake seeking help from the local indigenous tribe to deliver a baby. In a 2008 San Francisco travel guide, Milena Moser, the self-proclaimed "e;Patron Saint of Desperate Swiss Housewives,"e; ponders the guilty pleasures of a media-saturated world. Wildly disparate, these two texts reveal the historical arc of a much larger literary constellation: the literature of German-speaking women who interact with the New World. In this volume, cultural historians from around the world investigate this unique literary bridge between two hemispheres, focusing on New-World texts written by female authors from Germany, Austria, or Switzerland. Encompassing a broad range of genres including novels, films, travel literature, poetry, erotica, and even photography, the essays include women's experiences across both American continents. Many of the primary literary texts discussed in this volume are available in the online collections of Sophie: A Digital Library of Works by German-Speaking Women (http://sophie.byu.edu/). Contributors: Christiane Arndt, Karin Baumgartner, Ute Bettray, Ulrike Brisson, Carola Daffner, Denise M. Della Rossa, Linda Dietrick, Silke R. Falkner, Maureen O. Gallagher, Nicole Grewling, Monika Hohbein-Deegen, Gabi Kathofer, Thomas W. Kniesche,Julie Koser, Judith E. Martin, Sarah C. Reed, Christine Rinne, Tom Spencer, Florentine Strzelczyk, David Tingey, Petra Watzke, Chantal Wright. Rob McFarland and Michelle Stott James are both Associate Professors of German at Brigham Young University.

Documents the profound societal changes that occurred in Accra, the capital city of the Gold Coast colony (modern Ghana), during the peak decades of British colonial rule, 1920-1950.

The sequel to Richard Maunder's The Scoring of Baroque Concertos

This Companion offers an overview and assessment of Mario Vargas Llosa's large body of work, tracing his development as a writer and intellectual in his essays, critical studies, journalism, and theatrical works, but above all in his novels.

Focusses on the years that Eca de Queiros lived in Paris and shows how the periodicals he conceived and edited were modeled on dozens of Victorian and American publications.Eca de Queiros' work has primarily been studied within the context of French literature and culture. This book presents a different Eca. Focusing on the years that he lived in Paris, it demonstrates how the periodicals he himselfconceived and edited were modeled on dozens of Victorian ones such as the Contemporary Review, the Review of Reviews or the Idler, as well as on some American ones such as the Forum, the Arena, and the North American Review. This book shows us an Eca who is undeniably an Anglophile, an Eca long seduced by the diversity and originality of English thought, an Eca increasingly distant from the French cultural model which had marked his education. Teresa Pinto Coelho is Full Professor and Chair in Anglo-Portuguese Studies at the Universidade Nova de Lisboa.

A reconsideration of Arthurian compilations in the late middle ages, looking at the complex ways in which they reshape their material for new audiences.The late-medieval adaptions and compilations of the Arthurian story are a European phenomenon that has sparked both mystification and controversy. Often dismissed as nostalgic recreations that attempt to halt the literary tide, these ambitious projects saw adaptors from across Western Europe combining a vast array of prose and verse sources from different languages into encyclopedic narrative chronologies of King Arthur and his court. Ranging from ornate verse adaptations to heavily condensed prose works, the resulting texts reflect a process of translating, cutting and arranging Arthurian material into new literary incarnations, which nonetheless retain recognisable versions of the Arthurian story. This study re-evaluates Malory's Morte Darthur and four broadly contemporary European romance collections, including Jean Gonnot's French BN.fr.112 manuscript, Ulrich Fuetrer's German Buch der Abenteuer, the Dutch Lancelot Compilation, and the Italian Tavola Ritonda, in the context of this adaptive process. In doing so, it investigates how the adaptors respond to the shared structural and stylistic challenges of incorporating new material into the well-known story of King Arthur and comes to intriguing conclusions about the ways in which the narrative demands of late Arthurian adaptations invited authors to populate the Arthuriancourt with new and more complex protagonists. Miriam Edlich-Muth currently teaches Old and Middle English language and literature at the University of Cambridge.

An exploration of how music and musicians have moved between North America and Europe and the positive exchanges that have resulted.

An examination of museums in China, surveying their development from the nineteenth century, and looking in particular at their incredible recent proliferation.Museums in China have undergone tremendous transformations since they first appeared in the country in the late nineteenth century. Futuristic, state-of-the-art museums have today become symbols of China's global cultural, economic and technological prominence, and over the last two decades, the number of Chinese museums has increased at an unprecedented rate, with China set to become the country with the highest number of museums in the world. But why have museums become so important? This book, based on extensive research in a number of the museums themselves, examines recent changes in their display methods, narratives, actors and architectural style. It also considers their representations of Chinese national identity, millenarian history and extraordinary cultural diversity. Through an analysis of the changes affecting not only what we observe through museums, but also the very medium of observation (i.e. museums themselves), this book provides a unique, original and timely exploration of the ongoing changes affecting Chinese society, and an evaluation of their consequences. Dr Marzia Varutti is apost-doctoral fellow at the Centre for Museum Studies, Department of Culture Studies and Oriental Languages, University of Oslo.

This edited volume brings together leading scholars to explore the emergence of the stress concept and its ever-changing definitions since the 1940s.

Edition, translation and full critical study of a hitherto marginalised text, bringing it to full attention for the first time.The Old English poem known popularly as the Descent into Hell, found on folios 119v to 121v of the Exeter Book, has to date received little critical attention, perhaps owing to various contextual problems and lacunae on theleaves that contain it. This first full-length study offers a full account of the poem, together with an edition of the text and facing translation. It aims to resolve some of the poem's vexing issues and provides a varietyof possible interpretations of the poem. The in-depth literary analysis seeks to enrich modern scholarly perceptions of the poem, suggest a more appropriate title, and contribute to continued scholarly discussion and analysis of the Exeter Book and its compilation. It provides a guide towards understanding the poem's main theme, presents the text in light of its position in ecclesiastical history, and sheds fresh light into its place and significance within the corpus of Old English poetry. M.R. Rambaran-Olm received her PhD from the University of Glasgow.

First comprehensive examination of the ways in which printers, publishers and booksellers adapted and rewrote Arthurian romance in early modern France, for new audiences and in new forms.Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions for readers. This book is the first full-length study of what happens to Arthur at the beginning of the age of print. It explores the fascinations of Arthurian romance in the sixteenth and early seventeenth centuries, from the magnificent presentation volumes offered by Antoine Verard or Galliot du Pre in the early years of the century to the perfunctory abbreviated Lancelot published by Benoit Rigaud in Lyon in 1591; from PierreSala's dutiful "e;translation"e; of Yvain to Jean Maugin's exuberant rewriting of the prose Tristan; from attempts at "e;new"e; romance like the little-known Giglan to the runaway best-seller Amadis de Gaule.The book's primary focus is the techniques and stratagems employed by publishers and their workshops to renew Arthurian romance for a new readership: the ways in which the publishers, the translators and the adapters of the Renaissance tailor romance to fit new cultural contexts. Their story - which is the story of the rise and fall of one of the great genres of the Middle Ages - allows privileged insights into socio-cultural and ideological attitudes in the France of the Renaissance, and into issues of literary taste, particular patterns of choice and preference. Jane H.M. Taylor is Emeritus Professor of French at Durham University.

Text with facing translation of two important Old English texts.

The relationship between Anglo-Saxon kingship, law, and the functioning of power is explored via a number of different angles.The essays collected here focus on how Anglo-Saxon royal authority was expressed and disseminated, through laws, delegation, relationships between monarch and Church, and between monarchs at times of multiple kingships and changing power ratios. Specific topics include the importance of kings in consolidating the English "e;nation"e;; the development of witnesses as agents of the king's authority; the posthumous power of monarchs; how ceremonial occasions wereused for propaganda reinforcing heirarchic, but mutually beneficial, kingships; the implications of Ine's lawcode; and the language of legislation when English kings were ruling previously independent territories, and the delegation of local rule. The volume also includes a groundbreaking article by Simon Keynes on Anglo-Saxon charters, looking at the origins of written records, the issuing of royal diplomas and the process, circumstances, performance and function of production of records. GALE R. OWEN-CROCKER is Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Ann Williams, Alexander R. Rumble, Carole Hough, Andrew Rabin, Barbara Yorke, Ryan Lavelle, Alaric Trousdale

A comprehensive survey and analysis of the Presbyterian community in its important formative period.The Presbyterian community in Ulster was created by waves of immigration, massively reinforced in the 1690s as Scots fled successive poor harvests and famine, and by 1700 Presbyterians formed the largest Protestant community in the north of Ireland. This book is a comprehensive survey and analysis of the Presbyterian community in this important formative period. It shows how the Presbyterians formed a highly organised, self-confident community which exercised a rigorous discipline over its members and had a well-developed intellectual life. It considers the various social groups within the community, demonstrating how the always small aristocratic and gentry component dwindled andwas virtually extinct by the 1730s, the Presbyterians deriving their strength from the middling sorts - clergy, doctors, lawyers, merchants, traders and, in particular, successful farmers and those active in the rapidly growing linen trades - and among the laborious poor. It discusses how Presbyterians were part of the economically dynamic element of Irish society; how they took the lead in the emigration movement to the American colonies; and how they maintained links with Scotland and related to other communities, in Ireland and elsewhere. Later in the eighteenth century, the Presbyterian community went on to form the backbone of the Republican, separatist movement. ROBERT WHAN obtained his Ph.D. in History from Queen's University, Belfast.

The first genuinely interdisciplinary study of creativity in early modern England

This book describes the "glory years" of Ira Aldridge's first Continental tour, during which he won more awards and honors, often conferred by royalty, than any other actor of his day.

Drawing on oral-history interviews and other sources, this work provides fascinating accounts of how Soviets, Jews, and Roma fared in the Russian city of Smolensk under the 26-month Nazi occupation.