Böcker utgivna av Boydell & Brewer Ltd

A new survey of major Templar landholdings offers fresh insights into key questions about their medieval history.

First printed edition of a hugely significant source of knowledge of a turbulent period in England's history.

Groundbreaking new approach to the idea of treason in medieval England, showing the profound effect played by gender.Conflicts over treason tormented English political society in the later Middle Ages. As legal and political historians have shown, treason was always a constitutional matter as well as a legal one because it was pivotal in mediating the relationship between English kings, their political subjects and the abstraction of the crown. However, despite renewed interest in constitutional history, there has been no extended examination of treason in medieval England since the 1970s. This pioneering study presents a new interpretation of treason, not only as a legal construct, a political weapon and a tool for constitutional thinking, but also as a cultural category, aligning it withquestions of gender, vernacularity and national identity. It examines cases from the 1380s to the 1420s, revealing how kings defended their claims to sovereign authority by using the laws of treason to bind their mortal male bodies to the enduring body politic of the realm, and explains how that body politic was masculinised through its entanglement in contests over manly honour and homosocial loyalties. Drawing on evidence from trial records, legislationand chronicles, it illuminates the ways in which cultural ideals of manhood reinforced or subverted government responses to crises of legitimacy, and demonstrates that gender conditioned understandings of treason in the politicalarena as well as the definitions embedded in statutes and case law. At the same time, it explores the varied ways men defended themselves from accusations of treason by invoking, and in the process helping to transform, shared beliefs about what it meant to be a man in medieval England. E. AMANDA MCVITTY is a Lecturer in History in the School of Humanities, Massey University, Aotearoa New Zealand.

How did composers and performers use the lost art of pantomime to explore and promote the Enlightenment ideals of free expression?This book explains the relationships between music, pantomime and freedom in pre-Revolutionary France. It argues that composers and performers recognized their agency when they attempted, from the 1730s through the end of the OldRegime, to revive a lost art called 'pantomime' for their compositions. In musical settings of pantomimes in French operas and instrumental works, leading composers of the time - Rameau, Rousseau, Gluck, and Salieri - used pantomime as a type of expressive dance and acting style that marked an aesthetic rupture between Louis XIV's absolutist governance and the Enlightenment ideals of free expression. In musical settings of pantomime, these composers cultivated various forms of freedom theorized in Enlightenment writings: artistic freedom for the composer; freedom as self-governance; interpretive freedom for spectators; freedom of action for performers; and freedom from dance convention. Thus, pantomime was not only a dance genre; it also functioned as an expressive medium for top performers and invited spectators to draw their own interpretative conclusions. Placing the cultural phenomenon of pantomime in the intellectual context of the Enlightenment, the book explains how composers helped develop thinking and feeling subjects in pre-Revolutionary France. HEDY LAW is Associate Professor of Musicology at the University of British Columbia, Vancouver.

Fresh insights into the development of the tournament as an opportunity for social display.

The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre.

New essays on the cultural representations of the relationship between Britain and China in the nineteenth century, focussing on the Amherst diplomatic problem.On 29 August 1816, Lord Amherst, exhausted after travelling overnight during an embassy to China, was roughly handled in an attempt to compel him to attend an immediate audience with the Jiaqing Emperor at the Summer Palace of Yuanming Yuan. Fatigued and separated from his diplomatic credentials and ambassadorial robes, Amherst resisted, and left the palace in anger. The emperor, believing he had been insulted, dismissed the embassy without granting it animperial audience and rejected its "e;tribute"e; of gifts. This diplomatic incident caused considerable disquiet at the time. Some 200 years later, it is timely in 2016 to consider once again the complex and vexed historical andcultural relations between two of the nineteenth-century world's largest empires. The interdisciplinary essays in this volume engage with the most recent work on British cultural representations of, and exchanges with, Qing China,extending our existing but still provisional understandings of this area of study in new and exciting directions. They cover such subjects as female foot binding; English and Chinese pastoral poetry; translations; representationsof the trade in tea and opium; Tibet; and the political, cultural and environmental contexts of the Amherst embassy itself. Featuring British and Chinese writers such as Edmund Spenser, Wu Cheng'en, Thomas De Quincey, Oscar Wilde, James Hilton, and Zhuangzi, these essays take forward the compelling and highly relevant subject for today of Britain and China's relationship. Peter J. Kitson is Professor of English at the University of East Anglia;Robert Markley is W.D. and Sara E. Trowbridge Professor of English at the University of Illinois. Contributors: Elizabeth Chang, Peter J. Kitson, Eugenia Zuroski-Jenkins, Zhang Longxi, Mingjun Lu, Robert Markley, EunKyung Min, Q.S. Tong

First full-length study of the campaigns led by Henry of Lancaster in Aquitaine, including a detailed biographical study of the individuals involved.

Howard demonstrates that Machiavellian discourse had a profound impact on early modern Spanish prose treatises.

A study of the first great global stock market crash and and its impact on the peripheries of the British state

An examination of Argentina's "Dirty War" in films made after the advent of democracy in 1983.

The epic tales of medieval France, called chansons de geste, or "songs of deeds", provided the chief means of cultural and imaginative expression in the French language for over one hundred and fifty years (c.1100-1250), during one of the most significant periods of social change in the history of Western civilisation. Yet they remain largely unknown to most English-speaking readers of the twenty-first century. In Heroes of the Old French Epic (Boydell, 2005) Michael Newth translated a selection of the traditional militaristic narratives dominated by male heroes. This oral-based epic genre was increasingly influenced by the ethos of romance, and the present volumeoffers full English verse translations of six more of these songs, each chosen this time to illustrate the range of roles gradually accorded to women in these originally militaristic narratives. Four key narrative roles have beenselected - woman as helpmeet, woman as lover, woman as victim, and woman as spiritual model - in order to illustrate some major changes in the social status of women that took place during the period of this popular genre's existence. These poems are a key witness to the final stages of the chansons de geste before they were overtaken by the new fashion for the fictions of courtly romance. Apart from "The Capture of Orange", which has never been translated into modern English verse, none of the poems have yet appeared in English translation.

First full investigation in English into the role played by chivalric ideology, and its violent results, in late medieval Castile.The Kingdom of Castile in the late Middle Ages suffered from regular civil strife, warfare, dynastic contests, and violence, such that only a century before the birth of the Spanish Empire, it is difficult to imagine a successfulworld empire centered in this tumultuous realm. The chaos that marked this period of Castilian history was not mere chance, but the result of key historical developments which have not been fully examined in Anglophone scholarship. This book explores the roots of the disorder that plagued Castile in the fourteenth and fifteenth centuries, identifying the ideology of chivalry and its knightly practitioners as the chief instigators of the violence thatdestabilized the kingdom. The author argues that chivalry was far from being a code of good behaviour, scrupulously observed, but rather encouraged knights to avenge themselves violently upon their neighbours, pursue a zealous holy war against Islam, and tear at the social fabric of Castilian society. Their powerful ideas and values shaped the course of Castilian history in the crucial years before the unification of the Spanish kingdoms. SAMUEL A. CLAUSSEN is Assistant Professor of History at California Lutheran University.

Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewaltigung: coping with an uncertain but also unwritten future.Since its beginnings, German Science Fiction (or SF) has engaged with social change and technological progress, often drawing from utopian thought. The writer Kurd Lawitz challenged the authoritarian Wilhelmine order; later, filmdirector Fritz Lang provided a searing critique of Weimar society. Meanwhile utopian thinkers like Ernst Bloch and Herbert Marcuse insisted on the possibility of hope, even in the face of totalitarianism. During the Cold War, German utopian writing and filmmaking were vital both as a warning and as a creative imagining of possible futures. More recently, as rapid scientific and technological advances have continued, literary and cinematic responses have become increasingly dystopian in outlook, reflecting fears connected with globalization, advances in artificial intelligence and genetic engineering, and persistent challenges like climate change, hunger, migration, and terrorism. This book explores German SF's responses to the question how humanity can match technological advances with social, ethical, and moral progress. It surveys German utopian thought and the German SF tradition-both literary andcinematic-providing close readings of selected works that paradoxically reflect boundless optimism for the possibility of change and increasing pessimism in its likelihood. English translations are provided throughout. Building onits rich tradition but now confidently entering the mainstream, German SF attempts Zukunftsbewaltigung: coping with an uncertain but also unwritten future. Ingo Cornils is Professor of German Studies at the University of Leeds.

A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.In 1959, King Kong, an interracial jazz opera, swept across South Africa and became a countrywide phenomenon. Its performances sold out, its LP record was widely heard, and its cast became recognized celebrities. Featuring an African composer, cast, and orchestra but predominantly white directors and producers, this interracial production seemed completely distinct from any other theatrical production in the country's history. Despite being staged over a decade after the enacting of apartheid, the interracial collaboration met widespread acclaim that bridged South Africa's racial, political, ethnic, and class fissures. Widely considered a watershed moment within the history of South African theater and music, King Kong encapsulated key currents within South African cultural history. Author Tyler Fleming's gripping narrative unpacks the life of the musical, from the emergence of the heavyweight boxer "e;King Kong"e; Dlamini to the behind-the-scenes dynamics of rehearsals to the musical's 1961 tour of Britain and the later experience of cast members living in exile for their opposition to apartheid. Opposing Apartheid on Stage: "e;King Kong"e; the Musical explores the history of this jazz opera and its enduring legacy in both South African history and global popular culture.

Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.

A close examination of the prayers in Chaucer's poetry sheds significant new light on his poetic practice.

First detailed exploration of the role played by Bohemian tradition and customs in the court of Richard II.

First full survey of how transhumance operated in Ireland from the sixteenth century to the beginning of the twentieth.WINNER: American Conference for Irish Studies Donald Murphy Prize for Distinguished First BookCommendation, Publication Prize in Irish History, NUI Awards 2021The rearing of cattle is today a fairly sedentary practice in Ireland, Britain and most of north-west Europe. But in the not-so-distant past it was common for many rural households to take their livestock to hill and mountain pastures for the summer. Moreover, ethnographic accounts suggest that a significant number of people would stay in seasonal upland settlements to milk the cows and produce butter and cheese. However, these movements all but died out in the nineteenth and twentieth centuries, meaning that today transhumance is mainly associated with Alpine and Mediterranean landscapes. This book is the first major interdisciplinary approach to the diversity and decline of transhumance in a northern European context. Focusing on Ireland from c.1550 to 1900, it shows that uplands were valuable resources which allowed tenant households to maintain larger herds of livestock and adapt to global economic trends. And it places the practice in a social context, demonstrating that transhumance required highly organized systems of common grazing, and that the care of dairy cows amounted to a rite of passage for young women in many rural communities.

The idea of what an "eyewitness" account is here scrutinised through examination of key Crusading texts.

A new investigation into the twelfth-century accounts of the First Crusade, showing their complex relationship with the Bible.

Major interdisciplinary study of medieval church porches, bringing out their importance and significance.The church porches of medieval England are among the most beautiful and glorious aspects of ecclesiastical architecture; but in comparison with its stained glass, for example, they have been relatively little studied. This book, the first detailed study of them for over a century, gives new insights into this often over-looked element. Focussing on the rich corpus of late-medieval East Anglian porches, it begins with two chapters placing them in a broad cultural outline and their context; it then moves on to consider their commissioning and design, their architecture and ornamentation, their use and their meaning. This book will appeal to all those interested in church fabric and function. Dr HELEN LUNNON, an Honorary Researcher in the School of Art, Media and American Studies at the University of East Anglia, is Head of Learning at Norwich Castle Museum and Art Gallery.

This book explores the exchange of music, musicians and musical practice between Britain and the Continent in the period c.1500-1800.

Revealing much about the workings of the musical world, these conversations will not only be essential reading for composers and composition students, but also contemporary music lovers more generally

Bringing the existence and significance of the lost riches of Henry VIII back to life, this book sheds new light on Henrician and Tudor court culture.

The Codex Buranus, compiled, in all likelihood, in South Tyrol in the first half of the thirteenth century, has fascinated modern scholars and performers ever since its rediscovery in 1803. Its diverse range of texts (some famously featuring in Carl Orff's Carmina Burana) and music gives testimony to the intensely vibrant, plurilingual, and multicultural milieu in which the Codex Buranus was compiled, but poses a challenge to modern users. Perhaps more so than many other medieval manuscripts, it is an artefact which demands, and benefits from, an interdisciplinary approach. The chapters here, from scholars in a variety of fields, enable the less well-known aspects of the Codex Buranus; textual, musical, and artistic; to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition. They also examine questions of its reception history and audience. TRISTAN E. FRANKLINOS is a British Academy Postdoctoral Fellow at the University of Oxford, and a Junior Research Fellow of Trinity College, Oxford. HENRY HOPE has taught at the universities of Oxford and Bern; his research centres on the musical aspects of Minnesang. Contributors: Gundela Bobeth, Charles E. Brewer, Carmen Cardelle de Hartmann, Albrecht Classen, Johann Drumbl, Tristan E. Franklinos, Peter Godman, Henry Hope, Racha Kirakosian, Heike Sigrid Lammers-Harlander, Jonathan Seelye Martin, Michael Stolz, David A. Traill, Kirsten Yri.

A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.In the annals of music history, few figures have dominated the discussion of virtuosity as much as Franz Liszt. A flamboyant performer whose hair-raising technical feats at the piano created a sense of awe-inspiring excitement andan icon whose star power radiated far beyond the realm of music, Liszt was, along with his early model, Paganini, among the first major performer-composers to define himself principally by virtuosity. Featuring new essays by an international group of preeminent scholars, Liszt and Virtuosity offers a reevaluation of the concept and practices of virtuosity as shaped and defined in Liszt's multifaceted oeuvre, as well as a reconsiderationof Liszt's relation to other major and lesser-known musical figures, including Czerny, Schubert, Chopin, Brahms, Debussy, and Marie Jaell. Set in the context of larger trends within the fields of music history, musicanalysis, intellectual history, and performance studies, these capacious explorations demonstrate that Liszt's uniqueness and significance resided in his ability to transform virtuosity into a revolutionary musical force, pushingthe piano aesthetic to the limits of sound and poetic meaning.

The first thorough theoretical study of Janacek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.

A long-needed overview of, and guide to, the principles behind the treatises on music theory written in ancient Greece and Rome and continuing through the Middle Ages.