Böcker utgivna av Boydell & Brewer Ltd

An important 15th century source throws light on the organisation of what was one of medieval England's wealthiest ports.

A consideration of the metaphor of water in religious literature, especially in relation to women.Women are frequently depicted as unpredictable, difficult to categorise and prone to transformation in medieval religious writings. Water is equally elusive: rivers, wells and seas slip and slide out of the readers' grasp as they alter in metaphorical meaning.This book considers a large span of watery images in a small cluster of late-medieval devotional writings by and for women, in order to explore the association between women and water in the medieval religious imagination. Using writings by Aelred of Rievaulx, Julian of Norwich and a number of anonymous translators - as well as medical, scientific, and encyclopaedic works - it argues for water as an all-purpose metaphor with a particularly resonance for them. Its chapters are organised around a number of particular usages of water as a means of mediation and exchange between the human and the divine, from crossing a stream to dissolving in the peaceful sea of God's love. Through analysis of such recurring tropes, this book reveals that whilst water can be used to hint at transformation of the soul, and greater access to the divine, male authors also use the very same metaphorical material to regulate such access for their female readers.

Exposes the roots of 18th-century musical cosmopolitanism through an investigation of exchanges and collaborations between musicians and dancers from the two major national musical traditions in the early years of the century.This study stems from discoveries in a trove of documents belonging to Charles-Henri de Lorraine, prince de Vaudemont, who served as governor of Milan under the Spanish crown from 1698 to 1706. These documents, together with a mass of other sources - letters, diaries, treatises, libretti, scores - offer a vivid new picture of musical life in Paris and Milan as well as exchanges between France and Italy. The book is both a patronage study and an examination of the contributions by - and the difficulties facing - musicians and dancers who worked across national and cultural boundaries.Music, Dance, and Franco-Italian Cultural Exchange, c.1700 follows the careers of the prince and the French violinist and composer Michel Pignolet de Monteclair. In the context of a renewed fascination with Italian music in the 1690s, Monteclair made a name for himself in Paris as a pedagogue and composer who understood both national styles and blended them in a way that was successful on French terms. Vaudemont hired Monteclair to direct a French violin band and to compose dance music for a series of new operas that observers declared "e;the best in Italy"e; but are virtually unknown today. These productions involved collaborations among a mixed company of French and Italian musicians, dancers, composers, and librettists modeled on the practice of Turinese court operas. The book is an account of the contributions of these figures to the cultural life of Paris, Milan, and other northern Italian states, and to the creative mixing of musical styles, operatic conventions, and dance technique in France and Italy through the 1720s and beyond. The connections fostered by Vaudemont thus played a heretofore unrecognized early role in the development of 18th-century cosmopolitanism, and they attest to both the liveliness and the artistic importance of such exchanges in the era before the well-known travels of Handel, Telemann, and Vivaldi.

Essays considering the representation and perception of hell in a variety of texts.Narratives of a descent to the underworld, of the sights to be seen and the punishments meted out there, have kept a hold on the popular imagination for millennia. The legacy from doctrinal warnings and the deep-set literary markers that identify a place of suffering and alienation continue to stimulate creative exchange and critical thinking. Such work takes risks: it braves the dark and questions the past. The contributions in this volume reflect on the exigency of hell in the stories that we tell. They consider the transfer and repurposing of motifs across genres and generational divides, and acknowledge the sustained immediacy of physical and psychological landscapes of hell. The essays span a wide chronological range and apply various contemporary critical approaches, including cognitive science, performance studies and narratology. This cross-period analysis is complemented by interviews with three creative practitioners: Jeya Ayadurai, director of "e;Hell's Museum"e; in Singapore, the actor Lisa Dwan, who is acclaimed for her dramatisation of Samuel Beckett's late works, and the writer David Almond. From ancient myth and early English sermons to mid-twentieth-century surrealism and current responses to terrorist activities and environmental damage, the literature of hell engages with issues of immediate relevance and asks its audiences to reflect on their cultural history, the meaning of social justice and the nature of embodied existence.

Explores Borges's supreme literary craftsmanship and the intimate puzzles of his fictions.Borges once stated that he had never created a character: 'It's always me, subtly disguised'. This book focuses on the ways in which Borges uses events and experiences from his own life, in order to demonstrate how they become the principal structuring motifs of his work. It aims to show how these experiences, despite being 'heavily disguised', are crucial components of some of Borges's most canonical short stories, particularly from the famous collections Ficciones and El Aleph. Exploring the rich tapestry of symmetries, doubles and allusions and the roles played by translation and the figure of the creator, the book provides new readings of these stories, revealing their hidden personal, emotional and spiritual dimensions. These insights shed fresh light on Borges's supreme literary craftsmanship and the intimate puzzles of his fictions.

Examines the reputation of the Hungarian musician Bela Bartok (1881-1945) as an antifascist hero.This book examines the reputation of the Hungarian composer Bela Bartok (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music.The book argues that the 'Bartokian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartok myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartok into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.

The exciting discovery of new music from the Middle Ages sheds new light on knowledge of the medieval motet.

A new and innovative approach to Latin American Studies which makes an important contribution to contemporary debates about cultural appropriation and the integration of immigrant communities

How can an environment be created in Cuba in which safety is not sacrificed for more open markets and politics?

Conceptualizes the genre of American assassination fiction as a dramatization of the tension between individualism and mass society in US culture.

An examination of hagiographical traditions and their impact.

A nuanced approach to the role played by clerics at a turbulent time for religious affairs.

The fascinating life of Frances Jennings, elder sister of Sarah, Duchess of Marlborough, charting her marriages and changes of fortune, her exile and return, her ambition, political manoeuvring and sincere piety.

This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice.

At the end of the nineteenth century Augustus Hopkins Strong worked to bring modernists and traditional Christians together but found the task more difficult than many imagined.

Throws much new light on questions of gentry honour, the nature and prevalence of early modern elite violence, and the process of judicial investigation in Shakespeare's EnglandThis book offers an analysis of Jacobean duelling and gentry honour culture through the close examination and contextualisation of the most fully documented duel of the early modern era. This was the fatal encounter between a Flintshire gentleman, Edward Morgan, and his Cheshire antagonist, John Egerton, which took place at Highgate on 21 April 1610. John Egerton was killed, but controversy quickly erupted over whether he had died in a fair fight of honouror had been murdered in a shameful conspiracy. The legal investigation into the killing produced a rich body of evidence which reveals in unparalleled detail not only the dynamics of the fight itself, but also the inner workingsof a seventeenth-century metropolitan manhunt, the Middlesex coroner's court, a murder trial at King's Bench, and also the murky webs of aristocratic patronage at the Jacobean Court which ultimately allowed Morgan to secure a pardon. Uniquely, a series of dramatic Star Chamber suits have survived that also allow us to investigate the duel's origins. Their close examination, as Lloyd Bowen shows, calls into question the historiographical paradigm which sees early modern duels as matters of the moment and distinct from, as opposed to connected to, the gentry feud. The book throws much new light on questions of gentry honour, the nature and prevalence of early modern eliteviolence, and the process of judicial investigation in Shakespeare's England. LLOYD BOWEN is Reader in Early Modern History at Cardiff University.

Multi-disciplinary approaches shed fresh light on the Frisian people and their changing cultures.Frisian is a name that came to be identified with one of the territorially expansive, Germanic-speaking peoples of the Early Middle Ages, occupying coastal lands south and south-east of the North Sea. Highly varied manifestations of Frisian-ness can be traced in and around the north-western corner of the European continent in cultural, linguistic, ethnic and political forms across two thousand years to the present day. The thematic studies in this volume foreground how diverse "e;Frisians"e; in different places and contexts could be. They draw on a range of multi-disciplinary sources and methodologies to explore a comprehensive range of social, economic and ideological aspects of early Frisian culture, from the Dutch province of Zeeland in the south-west to the North Frisian region in the north-east. Chronologically, there is an emphasis on the crucial developments of the seventh and eighth centuries AD, alongside demonstrations of how later evidence can retrospectively clarify long-term processes of group formation.The essays here thus add substantial new evidence to our understanding of a crucial stage in the evolution of an identity which had to develop and adapt to changing influences and pressures.

The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches.

A study of the performance of queenship by two Tudor monarchs, showing the strategies they used to assert their power.Catherine of Aragon (r.1509-33) and her sister-in-law Margaret Tudor (r.1503-13) presided as queens over the glittering sixteenth-century courts of England and Scotland, alongside their husbands Henry VIII of England and James IVof Scotland. Although we know a great deal about these two formidable sixteenth-century kings, we understand very little about how their two queens contributed to their reigns. How did these young, foreign women become effective and trusted consorts, and powerful political figures in their own right? This book argues that Catherine and Margaret's performance of queenship combined medieval queenly virtues with the new opportunities for influence and power offered by Renaissance court culture. Royal rituals such as childbirth and the Royal Maundy, courtly spectacles such as tournaments, banquets and diplomatic summits, or practices such as arranged marriages and gift-giving, were all moments when Catherine and Margaret could assert their honour, status and identity as queens. Their husbands' support for their activities at court helped bring them the influence and patronage necessary to pursue their ownpolitical goals and obtain favour and rewards for their servants and followers. Situating Catherine and Margaret's careers within the history of the royal courts of England and Scotland and amongst their queenly peers, this book reveals these two queens as intimately connected agents of political influence and dynastic power. MICHELLE BEER is an independent researcher working in Oakland, California.

This long-awaited autobiography is a must-read for classical musical enthusiasts and those fascinated by some of the twentieth century's star performers. It also offers unique insights into the history of music, the BBC and arts broadcasting in twentieth-century Britain.

Incorporates etymology, history, art, drawing, and reflective writing to support medical students in the integration of the science and humanity of anatomy.

This long-awaited study of the life and music of Anglo-Irish composer Ernest John Moeran (1894-1950) finally provides a full biography of the last senior figure in early twentieth-century British Music to have been without one.This long-awaited study of the life and music of Anglo-Irish composer Ernest John Moeran (1894-1950) finally provides a full biography of the last senior figure in early twentieth-century British Music to have been without one. Although Moeran's work was widely performed during his lifetime, he suffered neglect in the years following his death. It was not until a re-awakening of appreciation for the music of the folksong-inspired English pastoralism in the latter part of the twentieth century that Moeran's tuneful, well-crafted and approachable music began to attract a new audience. However, widely accepted misconceptions about his life and character have obscured a clearunderstanding of both man and composer. Written with the benefit of access to previously unknown or unresearched archives, Ernest John Moeran: His Life and Music strips away a hitherto unchallenged mythological framework, and replaces it by a thorough-going examination and analysis of the life and work of a musician that may reasonably be asserted as having been unique in British music history.

One opens each new volume expecting to find the unexpected - new light on old arguments, new material, new angles. MEDIUM AEVUM

The Archaeology of Oxford in the 21st Century presents the results of eleven excavations carried out by Oxford Archaeology within the historic walled city of Oxford and in the extramural area just to the north. The investigations shed fresh light on the character of medieval Oxford, both before and after the Norman Conquest, and on the early modern city, including its Civil War defences. Of special interest are remains which supply the first very likely medieval Jewish signature in British zooarchaeology. The findings are set within a larger context by a chapter outlining the key findings (by Anne Dodd), a new synthesis of current knowledge of Oxford's archaeology (by David Radford), and an examination of the changing aims and methods of archaeology carried out in the city over the last fifty years (by Tom Hassall). Viewed as a whole, the book represents a significant new contribution to knowledge of Oxford's archaeology and history.

Presents a wealth of original research findings on how medieval ports actually worked, providing new insights on shipping, trade, port society and culture, and systems of regional and international integration.

A valuable resource on the social and economic life of medieval EnglandInquisitions post mortem are the single most important source for the history of medieval English landed society and are indispensable to social, economic, and political historians of the later middle ages; they were compiled with the help of jurors from the area, as a county-by-county record of a deceased individual's land-holdings and associated rights, where the individual held land directly of the crown. It is this explicit connection with land and locality - in economic, social, political, and topographical terms - that makes these documents of such comprehensive interest. This volume calendars the inquisitions and related documents from the short reigns of Edward V and Richard III, from the protectorate to the battle of Bosworth (1483-1485). It looks at 101 individuals across 181 inquisitions and includes valuable information and detailed returns on the estates of the greater aristocracy, among them Henry Bourchier, earl of Essex and William Lord Hastings [d. 1483], alongside lesser landholders, jurors' names and full manorial extents. The volume incorporates not only inquisitions post mortem but also assignments of dower and a proof of age from across the counties of England and the Marches of Wales. It is especially rich in inquisitions relating to the lands of the royal justices and widowed dowagers and documents how many landholders had conveyed lands to trustees, thus escaping royal wardship and prompting remedial legislation by Richard's parliament. Standard information includes medieval descriptions of towns and villages and the charting of land and its descent at all social levels. The volume also provides comprehensive indexes of jurors, persons, places, and subjects.

Edition of the records of a medieval Suffolk eyre reveal rich details of life at the time.

Chronicles the work of Norberto Tavares, a Cabo Verdean musician and humanitarian who served as the conscience of his island nation during the transition from Portuguese colony to democratic republic.Based on twenty years of collaborative fieldwork, Songs for Cabo Verde: Norberto Tavares's Musical Visions for a New Republic focuses on the musician Norberto Tavares but also tells a larger story about postcolonial nation building, musical activism, and diaspora life within the Lusophone sphere. It follows the parallel trajectories of Cabo Verdean independence and Tavares's musical career over four decades (1975-2010). Tavares lived and worked in Cabo Verde, Portugal, and the United States, where he died in New Bedford, Massachusetts at age fifty-four. Tavares's music serves as a lens through which we can view Cabo Verde's transition from a Portuguese colony to an independent, democratic nation, one that was shaped in part through the musician's persistent humanitarian messages.