Böcker utgivna av Bookland Press

This book follows different characters called the Number People who live in the Indigenous community of akihcikan askiy. They reside on their native land alongside many different animals, including turtles, squirrels, and owls. Everyday, the Number People go on a new adventure! Moving from house to house, readers learn how the Number People live. How many things do they each have in their house? How do they spend their free time? Where does Number Four travel? What is Number Nine celebrating? While going about their day-to-day lives, the Number People learn how important it is to live with one another. When all together, they can support and help each other. Read this playful book to learn the Number People's secret formula to friendship!

The Long Burnout is the poetic chronicle of a doctor's burnout, beginning with and continuing past the Covid-19 pandemic. Of course, burnout is a primary concern facing the medical profession today, and probably all of society. The anxiety created by the virus and its endless variants was amplified by difficulties in caring for people, preexisting pressures, and ever-worsening resource scarcities. And, when things seemed darkest, the author suffered the loss of his father, which added grieving to the ordeal. However, a slow process of recovery began thereafter, thanks to a supportive family, exercise and healthy habits, the catharsis of writing, and the tincture of time. These poems express a year of suffering and healing playing out among existential contexts, our place in a world which we are degrading, and a universe we still can't understand. If only we could reverse our own civilization's long burnout to achieve a respectful state of equilibrium with our surroundings: homeostasis, biologically, or the Buddhist idea of Oneness with the world.

This book follows different characters called the Number People who live in the Indigenous community of akihcikan askiy. They reside on their native land alongside many different animals, including turtles, squirrels, and owls. Everyday, the Number People go on a new adventure! Moving from house to house, readers learn how the Number People live. How many things do they each have in their house? How do they spend their free time? Where does Number Four travel? What is Number Nine celebrating? While going about their day-to-day lives, the Number People learn how important it is to live with one another. When all together, they can support and help each other. Read this playful book to learn the Number People's secret formula to friendship!

For over twenty years, John Brady McDonald's day job has been working with youth. Over half of that time was spent as a Frontline Youth Outreach Worker on the streets of Prince Albert, Saskatchewan. During that time, John would write down his thoughts and feelings on scraps of paper and in little black hardcover notebooks, chronicling the struggles and traumas of the youth he worked with and which he himself had also experienced. Never being quite the right fit for his other poetry books, John took these poems and hid them away for years, until now. Recently rediscovered in his archives, John has compiled them, using a 54-year-old typewriter, into a work which gives voice to the experiences and resilience of those youth, along with his own experiences, thoughts and recollections of a poet in the midst of a turbulent moment in time amongst the concrete and asphalt of the city.

The Lilac Girl is a beautifully illustrated story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won't allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam's departure, she leaves the entire place drenched in the color of lilac.

La fille couleur lilas est un bel album illustré racontant le départ de l'artiste et éducatrice palestinienne Tamam Al-Akhal de sa ville natale, Jaffa. Il peint le portrait d'une petite fille, Tamam, qui rêve de retourner dans la maison qu'elle a quittée 75 ans plus tôt, lors de l'exode palestinien. Tamam découvre qu'elle a un don pour le dessin et utilise son imagination pour dessiner sa maison dans sa tête. Une nuit, elle décide de s'y rendre et y trouve une autre petite fille, qui ne lui permet pas d'entrer et lui ferme la porte au nez. Submergée de tristesse, Tamam s'assied dehors et commence à dessiner sa maison sur une feuille de papier. À mesure qu'elle dessine, elle voit les couleurs de la maison s'échapper et la suivre. L'autre fille essaie de faire revenir les couleurs, en vain. Incolore et terne, la maison ressemble alors aux arbres en hiver, nus, désolés et quelconques. Quand Tamam s'en va, les lieux se couvrent de lilas.

Chaque année, l'UNESCO décerne à une ville le titre de Capitale mondiale du livre du 23 avril - la Journée mondiale du livre de l'UNESCO - au 22 avril de l'année suivante. Pendant cette année, la ville sélectionnée s'engage à organiser et à animer plusieurs activités et événements liés aux livres, à la lecture et à la littérature. Ces activités sont mises en oeuvre grâce à un programme qui vise à accroître la sensibilisation à l'alphabétisation et à la lecture ainsi qu'à souligner l'importance des bibliothèques et des librairies et les avantages d'une culture du livre vivante.

When the mix is right and the music tight, the seedy downtown bar shakes with frenetic fusion as students, hipsters, artists, hoods, hookers, and undercover cops ride the same funky beat to the end of the night. This changes after an artist, a punk band drummer, and a homeless man die in a fire discovered to be arson. It is the year of Orwell in a city so cold even Big Brother doesn't bother with it. The uneasy peace between the artists and hoods who hang out in the bar begins to unravel. Survivors of the fire struggle. Scott Kostyk's wife died and guilt overwhelms his grief while igniting a desire to paint. Tony Bender, the arson architect, planning to avoid prison, contends with his competition for the drug trade in the bar and goes to the assistance of Sarah Grant, a Métis woman, dealing with the abuse of her daughter.

High Noon Neptune is a powerful poetry collection that delves into important issues of loss, love, class, and capitalism. Throughout this book, the reader is taken on a journey of survival, where the intersections of identity and oppression are explored with clarity and reverence. The poems shed light on the complexities of living in a society that is rife with discrimination and inequality, and the battles that individuals face to survive within these intersecting systems. This book fearlessly navigates through societal and personal struggles with a sharp wit and bold defiance. With each poem, David Groulx confronts and challenges the societal norms and structures that perpetuate injustice and inequality. High Noon Neptune offers a raw and unapologetic perspective on the realities of navigating life as a marginalized individual. This poetry collection is a powerful testament to the resilience and strength of those who refuse to be silenced and continue to fight for survival.

Does our childhood really end when we are no longer afraid to look under the bed? Join Tommy the magical dwarf, Flammeus the owl, and a host of other original and amusing characters in this lively and inventive collection of adventures for children of all ages, penned by award-winning writer Giorgi Kekelidze and illustrated vibrantly and heart-warmingly by Salome Khotivari.

The Wright family was sharecropping in Alcott, New York. After years of plowing fields and hanging tobacco, they had an opportunity to own a small farm in southern Ontario. Beth, their only daughter, has just turned twelve. The neighbors warn the family not to go into the woods behind their property. They warned anyone who entered the sacred land has never returned, not even animals. After a harsh winter, Beth believes she can set the rabbit traps on her own and steps into the forest. Lost among the endless maples, she follows a small flickering light to a cabin where she meets a kind and gentle man named Isaac. He leads her safely out of the forest. That fond memory of meeting Isaac would always be tucked away in her mind. Ten years have pass and Beth has married, but with the death of her parents and with her divorce finalized, she returns to the homestead along with her two young sons. When a young child has gone missing, Beth steps back into the forest. But things have now changed; she begins to see dark figures moving behind the trees. She escapes and meets a mystical woman in white buckskin. In an instant, Beth is standing at the front door of Isaac's cabin. As she steps inside, she sees the Spirits of two elderly women weeping and a medicine man tending Isaac's wounds. Isaac believes the dog attack was from a man he had seen only minutes before.

Tarte à l'esquimaude: une poétique de l'identité inuit is the French translation of Eskimo Pie: A Poetics of Inuit Identity previously published in English by BookLand Press. This poetry collection examines the author's lived history as an Inuk who was born, raised and continues to live south of sixty. Her writing takes into account the many assimilative practices that Inuit continue to face and the expectations of mainstream as to what an Inuk person can and should be. Her words examine what it is like to feel the constant rejection of her work from non-Inuit people and how she must in some way find the spirit to carry through with what she holds to be true demonstrating the importance of standing tall and close to her words as an Indigenous woman.