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  • av Lisa Robertson
    239,-

    Poetry. Lisa Robertson's latest book of poetry is a work that will be both familiar and fresh to anyone who has read her acclaimed work. THE MEN explores a territory between the poet and a lyric lineage among men. Following a tradition that includes Petrarch's Sonnets, Dante's work on the vernacular, Montaigne, and even Kant, Robertson is compelled towards the construction of the textual subjectivity these authors convey-a subjectivity that honors all the ambivalence, doubt and tenderness of the human. Yet she remains angered by the structure of gender these works advance, and it is this troubled texture of identity that she examines in THE MEN. At once intimate and oblique, humorous and heartbreaking, composed and furious, THE MEN seeks to defamiliarize both who, and what, men are. "In THE MEN, as in much of her work, Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture"--Village Voice. "Robertson writes both from within and against the tradition-splitting, seeding, and suturing the cracks in each ideational edifice.... Her occupations with past forms lead not to a backward-looking poetry but forward to a fresh field of inquiry, an imaginatively created utopia"--Boston Review.

  • - Prose Essays on Noise, Pornography, The Codex, Melancholy, Lucretiun, Folds, Cities and Related Aporias
    av Lisa Robertson
    265,-

    Nilling is a sequence of 6 loosely linked prose essays about noise, pornography, the codex, melancholy, Lucretius, folds, cities and related aporias: in short, these are essays on reading. Lisa Robertson applies an acute eye to the subject of reading and writingtwo elemental forces that, she suggests, cannot be separated.For Robertson, a book is an intimacy, and with keen and insightful language, Nilling's essays builds into a lively yet close conversation with Robertson's "e;masters"e;: past writers, philosophers, and idealists who have guided her reading (and writing) practice to this point.If "e;a reader is a beginner,"e; then even regular readers of Robertson's kind of deep thinking will delight in the infinite folding together of conceptsthe codex, pornography, melancholy, citiesthat on their own may seem banal, but in their twisting intertextuality, make for a scintillating study of reading as a deep engagement.

  • av Meg Remy
    265,-

    "In Begin by Telling, experimental pop sensation and Polaris nominee Meg Remy spins a web out from her body to myriad corners of American hyper-culture. Through illustrated lyric essays depicting memories from early childhood to present day, Remy paints a stark portrait of a spectacle-driven country. These memories are visceral. As though channel surfing, we catch glimpses of Desert Storm, the Oklahoma City Bombing, random street violence, the petrochemical industry, small town Deadheads, a toilet with uterus lining in it, the county STD clinic, and missionaries at the front door. Each is shared through language of the body; the sensation of experiencing many of the defining events and moments of a country. These threads nimbly interweave with probing quotes and statistics, demonstrating the importance of personal storytelling, radical empathy, and the necessity of reflecting on society and one's self within that construct. Immersive and utterly compelling, Begin by Telling is an artifact of our time; a fascinating perspective on American culture."--

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