Böcker utgivna av Bloomsbury Academic

This book focuses on the long history of what is arguably the most prestigious and influential festival in Japan - Kyoto's Gion festival. It explores this history from the festival's origins in the late 10th century to its post-war revival, drawing on Japanese historical studies and archival materials as well as the author's participant observation fieldwork. Exploring the social and political networks that have kept this festival alive for over a millennium, this book reveals how it has endured multiple reinventions. In particular, it identifies how at each historical juncture, different groups have found new purposes for the festival and adapted this costly enterprise to suit their own ends. The history of this festival not only sheds light on the development of Japanese festival culture as a whole, but also offers a window on Kyoto's history and provides a testing ground for recent festival theory.

Focusing on the contemporary period, this book brings together critical age studies and contemporary science fiction to establish the centrality of age and ageing in dystopian, speculative and science-fiction imaginaries. Analysing texts from Europe, North America and South Asia, as well as television programmes and films, the contributions range from essays which establish genre-based trends in the representation of age and ageing, to very focused studies of particular texts and concerns. As a whole, the volume probes the relationship between speculative/science fiction and our understanding of what it is to be a human in time: the time of our own lives and the times of both the past and the future.

This book introduces a compelling new personality to the modernist canon, Marisa Mori (1900-1985), who became the only female contributor to The Futurist Cookbook (1932) with her recipe for "Italian Breasts in the Sun." Providing something more complex than a traditional biographical account, Griffiths presents a feminist critique of Mori's art, converging on issues of gender, culture, and history to offer new critical perspectives on Italian modernism.If subsequently written out of modernist memory, Mori was once at the center of the Futurism movement in Italy; yet she worked outside the major European capitals and fluctuated between traditional figurative subjects and abstract experimentation. As a result, her in-between pictures can help to re-think the margins of modernism. By situating Mori's most significant artworks in the critical context of interwar Fascism, and highlighting her artistic contributions before, during, and after her Futurist decade, Griffiths contributes to a growing body of knowledge on the women who participated in the Italian Futurist movement. In doing so, she explores a woman artist's struggle for modernity among the Italian Futurists in an age of Fascism.

Offering a bold new vision on the history of modern logic, Lukas M. Verburgt and Matteo Cosci focus on the lasting impact of Aristotle's syllogism between the 1820s and 1930s. For over two millennia, deductive logic was the syllogism and syllogism was the yardstick of sound human reasoning. During the 19th century, this hegemony fell apart and logicians, including Boole, Frege and Peirce, took deductive logic far beyond its Aristotelian borders. However, contrary to common wisdom, reflections on syllogism were also instrumental to the creation of new logical developments, such as first-order logic and early set theory. This volume presents the period under discussion as one of both tradition and innovation, both continuity and discontinuity. Modern logic broke away from the syllogistic tradition, but without Aristotle's syllogism, modern logic would not have been born. A vital follow up to The Aftermath of Syllogism, this book traces the longue durée history of syllogism from Richard Whately's revival of formal logic in the 1820s through the work of David Hilbert and the Göttingen school up to the 1930s. Bringing together a group of major international experts, it sheds crucial new light on the emergence of modern logic and the roots of analytic philosophy in the 19th and early 20th centuries.

The concept of 'populism' is currently used by scholars, the media and political actors to refer to multiple and disparate manifestations and phenomena from across both the left and the right ends of the political spectrum. As a result, it defies neat definition, as scholarship on the topic has shown over the last 50 years. In this book, Sebastián Moreno Barreneche approaches populism from a semiotic perspective and argues that it constitutes a specific social discourse grounded on a distinctive narrative structure that is brought to life by political actors that are labelled 'populist'.Conceiving of populism as a mode of semiotic production that is based on a conception of the social space as divided into two groups, 'the People' and 'the Other', this book uses semiotic theory to make sense of this political phenomenon. Exploring how the categories of 'the People' and 'the Other' are discursively constructed by populist political actors through the use of semiotic resources, the ways in which meaning emerges through the oppositions between imagined collective actors is explained.Drawing on examples from Europe, North America and South America, The Social Semiotics of Populism presents a systematic semiotic approach to this multifaceted political concept and bridges semiotic theory and populism studies in an original manner.

Early Childhood Jewish Education explores some of the fundamental questions of early childhood Jewish education in today's societal, moral, and educational debates. The book examines the challenges of transmitting Jewish heritage using developmentally appropriate pedagogy in the context of modern democratic society through the lenses of multiculturalism, gender awareness, and constructivism. Researchers from Israel and the United States consider some of the core Jewish foundational subjects, including teaching the Bible, holidays and ceremonies, Hebrew, Jewish literature, and spirituality, as well as leadership issues in relation to these contemporary debates. The book represents the ongoing collaboration of leading researchers from Israel and the United States who have worked together since 2010 as the International Research Group on Jewish Education in the Early Years.

Introducing materiality into the study of the history of medicine, this volume hones in on communities across the Indian Ocean World and explores how they understood and engaged with health and medical commodities. Opening up spatial dimensions and challenging existing approaches to knowledge, power and the market, it defines 'therapeutic commodity' and explores how different materials were understood and engaged with in various settings and for a number of purposes. Offering new spatial realms within which the circulation of commodities created new regimes of meaning, Histories of Health and Materiality in the Indian Ocean World demonstrates how medicinal substances have had immediate and far-reaching economic and political consequences in various capacities. From midwifery and umbilical cords, to the social spaces of soap, perfumes in early modern India and remedies for leprosy, this volume considers a vast range of material culture in medicinal settings to better understand the history of medicine and its role in global connections since the early 17th century.

This book critically examines contemporary health and wellness culture through the lens of personalization, genetification and functional foods. These developments have had a significant impact on the intersecting categories of gender, race, and class in light of the increasing adoption of digital health and surveillance technologies like MyFitnessPal, Lifesum, HealthyifyMe, and Fooducate. These three vectors of identity, when analysed in relation to food, diet, health, and technology, reveal significant new ways in which inequality, hierarchy, and injustice become manifest. In the book, Tina Sikka argues that the corporate-led trends associated with health apps, genetic testing, superfoods, and functional foods have produced a kind of dietary-genomic-functional food industrial complex. She makes the positive case for a prosocial, food secure, and biodiverse health and food culture that is rooted in community action, supported by strong public provisioning of health care, and grounded in principles of food justice and sovereignty.

Is populism the unsurpassable horizon of our own time or is it a temptation that should at all costs be resisted? Who, and to what end, does the jargon of populism serve? To answer these questions, Alexander Stagnell, Gustav Strandberg, David Payne, and their contributors trace the socio-historical significance of the concept of 'The People' in western philosophy and its relationship to the trend of populist politics today. Bringing together scholars from the fields of aesthetics, critical, cultural and political theory, philosophy, and rhetoric, this volume critically explores the issues facing contemporary society today. With an international team of authors, each chapter speaks to a range of contexts recently affected by populism today, including Sweden, Brazil, Germany, Austria, France, and the UK. As political and economic establishments face a crisis of legitimacy, Populism and The People in Contemporary Critical Thought reveals the shaky foundations on which the concept of 'The People' rests. Engaging with critical theory, feminist theory, Marxism, phenomenology, and psychoanalysis, this collection highlights how 'The People' comes to stand in for both belonging and exclusion, enabling us to see the uses and abuses of such terminology as pressing theoretical and political concerns.

This edited collection explores absence, presence and remembrance in British political culture and memory studies. Comprehensive in its scope, it covers the entire modern period, bringing together the 19th and 20th centuries as well as Britain, Ireland and the Atlantic World.As the first comparative and in-depth study to explore the central and contested place of memory and the invention of tradition in modern British politics, chapters include memorialisation, statue-mania, anniversaries and on the wider impact and invoking of 'dead generations'. In doing so, this book provides a new, exciting and accessible way of engaging with the history of British political culture.

The heroic romance is one of the West's most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero's bride, a prize he wins for slaying monsters. Crucially, although the girl's exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity. Female Heroes in Young Adult Fantasy Fiction explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth's world-creating power and YA's liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero's violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.

What remains and becomes Armenian in a historically informed moment of increased mobility? Taking an anthropological approach with ethnographic data collected from Turkey and Armenia over the course of almost 10 years, this book focuses on themes of migration, human movement, community-making and the conditions that facilitate mobility and place-making. Looking at case studies ranging from bus and taxi drivers travelling between Armenia and Turkey to undocumented migrants deported from Turkey and now living in Armenian cities and Armenian residents of Istanbul, the author provides a vivid description of contemporary non-Muslim life in Turkey through the lives of Armenian Turkish citizens and undocumented migrants from Armenia, as well as Greek, Jewish and Kurdish communities. The author provides both a critical account of how historical and more contemporary forms of violence and structural discrimination have targeted Armenians in the country, and also focuses on the re-articulations and the appropriation of a sense of belonging by these and other minority communities.

Originally published in 1952, al-Din, by prominent Egyptian scholar Muhammad Abdullah Draz (1894-1958), has been critically acclaimed as one of the most influential Arab Muslim studies of universal 'religion' and forms of religiosity in modern times. Written as an introductory textbook for a course in the "History of Religions" at King Fuad I University in Cairo-the first of its kind offered at an Egyptian institution of higher learning-this book presents a critical overview of classical approaches to the scholarly study of religion. While ultimately adapted to an Islamic paradigm, the book is a novel attempt to construct a grand narrative about the large methodological issues of Religious Studies and the History of Religions and in relation to modernity and secularism. Translated for the first time in English by Yahya Haidar, this book demonstrates how the scholarly academic study of religion in the West, often described as 'Orientalist', came to influence and help shape a counter-discourse from one of the leading Arab Muslim scholars of his time.

WINNER OF THE 2023 MIDDLE EAST LIBRARIANS ASSOCIATION BOOK AWARD.The Franklin Book Programs (FBP) was a private not-for-profit U.S. organization founded in 1952 during the Cold War and was subsidized by the United States' government agencies as well as private corporations. The FBP was initially intended to promote U.S. liberal values, combat Soviet influence and to create appropriate markets for U.S. books in 'Third World' of which the Middle East was an important part, but evolved into an international educational program publishing university textbooks, schoolbooks, and supplementary readings. In Iran, working closely with the Pahlavi regime, its activities included the development of printing, publishing, book distribution, and bookselling institutions.This book uses archival sources from the FBP, US intelligence agencies and in Iran, to piece together this relationship. Put in the context of wider cultural diplomacy projects operated by the US, it reveals the extent to which the programme shaped Iran's educational system. Together the history of the FBP, its complex network of state and private sector, the role of U.S. librarians, publishers, and academics, and the joint projects the FBP organized in several countries with the help of national ministries of education, financed by U.S. Department of State and U.S. foundations, sheds new light on the long history of education in imperialist social orders, in the context here of the ongoing struggle for influence in the Cold War.

This is the first major study to comprehensively analyze the art and architecture of the archdiocese of Bari and Canosa during the Byzantine period and the upheaval of the Norman conquest. The book places Bari and Canosa in a Mediterranean context, arguing that international connections with the eastern Mediterranean were a continuous thread that shaped art and architecture throughout the Byzantine and Norman eras. Clare Vernon has examined a wide variety of media, including architecture, sculpture, metalwork, manuscripts, epigraphy and luxury portable objects, as well as patronage, to illustrate how cross-cultural encounters, the first crusade, slavery and continuities and disruptions in the relationship with Constantinople, shaped the visual culture of the archdiocese. From Byzantine to Norman Italy will appeal to students and scholars of Byzantine art, the medieval Mediterranean and the Italo-Norman world.

Challenging Bruce McCormack's paradigm of post-Kantian Barth scholarship, this book builds on the interpretative model that Sigurd Baark developed in 2018. This model interprets Barth's innovative adoption of an Anselmian mode of theological speculation, against the intellectual-historical background of the idealist tradition of speculative metaphysics that culminated in Hegel. This book argues that Barth adopted the Anselmian mode of speculation in which immediate self-identity between subject, object, and act is found in the triune God alone, while the speculative identity that enables human knowledge of God is none other than the identity between God-in-and-for-Godself and God-for-us. Exploring the nationalistic dimension of speculative metaphysics in 19th-century Germany, Tseng identifies this as an important aspect of the context of Barth's development of a Christocentric form of speculative theology.

In this new book, Austin Stevenson argues that it is not the 'divinity' of Jesus that causes problems for historians, but his humanity. To insist that Jesus was fully human, as both theologians and historians do, still leaves us with the question of what it means to be human. It turns out that theologians and historians often have different answers to this question on both a philosophical and a theological register. Furthermore, historians frequently misunderstand the historiographical implications of classical Christology, and thus the compatibility between traditional beliefs about Jesus and critical historical inquiry. Through close engagement with the thought of Thomas Aquinas (c.1225-74), this book offers a new path toward the reconciliation of these disciplines by focusing on human knowledge and subjectivity, which are central issues in both historical method and Christology. By interrogating and challenging the normative metaphysical assumptions operative in Jesus scholarship, a range of possibility is opened up for approaches to Jesus that are genuinely historical, but not naturalistic.

This volume investigates the question of how both Assyria and Judah could remember the war of 701 BCE as their respective victory. Whilst surveying available evidences for historical reconstructions, Paul S. Evans compares the Sennacherib's Third Campaign with the War of 1812 between Canada and the USA as an example of disputed victory from military history. Evans examines Assyrian and biblical texts to evaluate the conflict and argues that rather than being intentionally deceptive in their accounts of the events, both sides had reasons to perceive the war as a victory. This examination of military narratives also illustrates how the fluctuating support for wartime leaders in 1812 is analogous to positive and negative oracles regarding Jerusalem's leadership during the war years. With differing opinions regarding the success of the Sennacherib's Third Campaign, this book presents an interesting discussion of the events and demonstrates how our understanding of the war between Assyria and Judah can be illuminated by military history.

Contributors to this volume examine the various collections of canonical sub-units in the canon, considering the state of the question regarding each particular collection. The chapters introduce the issues involved in sub-collections being accepted in the canon, summarize the historical evidence of the acceptance of these collections, and discuss the compositional evidence of "canonical consciousness" in the various collections. The contributors consider paratextual evidence, for example, the arrangement of the books in various manuscripts, the titles of the books, and also include evidence such as the presence of catchwords, framing devices, and themes.The book begins with a consideration of the two overarching collections - the Old and New Testaments. Next, several sub-collections within the Hebrew Bible (OT) are considered, including the Torah, Prophets, the Megilloth, the Twelve (both in their Masoretic Text and Septuagint forms), and the Psalter. In addition, sub-collections in the New Testament include the four-fold Gospel, the Pauline Collection (usually with Hebrews in the early manuscripts), the function of Acts within the New Testament, the Praxapostolos (Acts along with the Catholic Epistles), and the function of Revelation as the end of the canon.

Joshua D. A. Bloor argues that the purification of the consciousness of sin, via Jesus' perpetual heavenly blood offering, is a vital motif for understanding Hebrews' sacrificial argumentation, and vice-versa. Jesus' 'objective' earthly achievements are many, yet only his 'subjective' heavenly blood offering purges the heavenly tabernacle and subsequently the consciousness of sin. Bloor views the Levitical cult as having a positive role in Hebrews, with Levitical 'guilt' foreshadowing and informing Hebrews' notion of the 'consciousness of sin'. Levitical sacrifices could purge the consciousness, but only Jesus' heavenly blood can offer complete perpetual purgation. This blood is a qualitative type of purgation which continually speaks in heaven, offering eternal assurance for the recipients regarding their consciousness of sin. Bloor begins with the 'defiled consciousness' and situates the world of Hebrews within cultic defilement, enabling the consciousness of sin and its cosmic implications to be properly understood. From here, the solution to a defiled consciousness is explored by examining Hebrews' cultic argumentation. Bloor highlights the distinctive purposes inherent in both Jesus' earthly and heavenly achievements, with the latter concerned particularly with Yom Kippur imagery and the purgation of the consciousness. Bloor concludes by differentiating between Jesus' session, present heavenly activity and perpetual heavenly blood offering. Throughout this volume, Bloor engages, critiques and advances current discourse concerning the nature and timing of Jesus' offering in Hebrews.

This book widens the understanding of salvation from a narrow focus on the crucifixion of Jesus Christ to one which is inseparable from creation theology. In this analysis of the Thomist and Irenaean sources of Edward Schillebeeckx's creation faith, God's absolute saving presence to humanity is found to be intrinsic to his creative action. This becomes most explicit in God's humanity in the life, death and resurrection of Jesus Christ. Lewis argues that Jesus is both God's invitation to humanity and is himself the perfect human response to God. Because of this, Jesus' followers are called to be engaged in God's saving action, by working to remove suffering from people and to build a better world in which all may flourish.Schillebeeckx's theology is sometimes thought to divide into two disconnected halves, a pre- and post-Vatican II version. The way in which Schillebeeckx's Christological soteriology has developed over his theological career, before and after Vatican II, is here examined using the Annales model of continuity and change. This book finds that Schillebeeckx both breaks with the language of Chalcedon while remaining adamantly faithful to the truth which it expresses. The final chapters discover how Schillebeeckx's ideas and methods are crucially relevant in an analysis of contemporary social suffering in Ciudad-Juárez by Nancy Pineda-Madrid, and in the project of the Catholic Dialogue School in Flanders by Lieven Boeve.

This is a detailed investigation into the nature of Nebuchadnezzar's animalising affliction in Daniel 4 and the degree to which he is depicted as actually becoming an animal. PeterAtkins examines two predominant lines of interpretation: either Nebuchadnezzar undergoes a physical metamorphosis of some kind into an animal form; or diverse other readings that specifically preclude or deny an animal transformation of the king. By providing an extensive study of these interpretative opinions, alongside innovative assessments of ancient Mesopotamian divine-human-animal boundaries, Atkins ultimately demonstrates how neither of these traditional interpretations best reflect the narrative events. While there have been numerous metamorphic interpretations of Daniel 4, these are largely reliant upon later developments within the textual tradition and are not present in the earliest edition of Nebuchadnezzar's animalising affliction. Atkins' study displays that when Daniel 4 is read in the context of Mesopotamian texts, which appear to conceive of the human-animal boundary as being indicated primarily in relation to possession or lack of the divine characteristic of wisdom, the affliction represents a far more significant categorical change from human to animal than has hitherto been identified.

Chingboi Guite Phaipi examines how biblical texts reinforced female subjugation in Northeast Indian tribal societies after tribes had accepted Christianity in the early 20th century. Phaipi shows how most tribal groups reinforced women's subordinate status by invoking newly authoritative biblical texts such as the creation stories in Genesis 1, 2 and 3.Phaipi studies the creation stories in Genesis to offer broader readings for Christian tribal communities that are communal, traditional, and struggling to retain their women and girls, particularly those who are educated. This volume recognizes and respects tradition, traditional communities, and the enduring witness of faithful lives in tribal communities at the same time as offering ways forward with respect to unworthy cultural practices and preferences that have been legitimised by the Bible. This book offers a contextually sensitive and scholarly reading of the Bible, with particular attention to the ways patriarchal norms in biblical narratives are perpetuated, rather than considered and reformed.

The first collection to engage with "Instapoetry," this open access book explores the aesthetics and ideologies of the 21st century's most popular poetic form.When Instagram was created as a photo-sharing app dominated by filtered selfies, few thought that it would have any impact on the literary world. A decade later, the best-seller lists are regularly dominated by poets whose careers started on Instagram, and their success has led to a wider resurgence in poetry reading. Instapoetry, a notably diverse movement, exists in many different languages and cultures, and it is notably hospitable to writers who are young, female, working class, and from recent immigrant or ethnic minority groups. Yet, as a genre, Instapoetry has often been subject to abuse in the literary press: even those writers frequently identified as Instapoets frequently reject the label in their eagerness to be viewed as "real" poets. Reading #Instapoetry interrogates the practices and implications of Instapoetry as an art form. Refusing to simply condemn the simplicity and seeming artlessness of Instapoems, contributors ask how we can develop a literary-critical language that accounts for the hashtagging and graphic design elements that are key to the form. Digital humanities sampling and analysis methods are used to account for the many flows and commonalities within the hashtags that order the Instapoetry universe. The scholars also ask questions regarding the late capitalist ideologies, in particular the casualization of poetic labor, that lie at the heart of the Instapoetry endeavor, and the ways that these may undercut the supposedly woke messages of feminist celebration and self-empowerment that are common to many Instapoems.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence onbloomsburycollections.com.

This book establishes the global cultural and political significance of MGM's 1940 film The Mortal Storm. A watershed cultural event, The Mortal Storm played a significant role in the raucous political debate over American intervention vs. isolationism between 1938 and 1941. Based on Phyllis Bottome's 1938 blockbuster anti-Nazi novel, the film adaptation triggered the first hostile Congressional investigation of Hollywood for ostensibly propagandizing for war. Hollywood and the Nazis on the Eve of War exposes the anti-Semitism that underwrote Congressional antipathy to the film industry. Integrating detailed accounts of this fraught political context into the struggles to make the film, this book resets our understanding of Hollywood's complicated responses to the global threat of Nazism. Analysis of newly discovered archival documents and successive drafts of the film's scripts reveals a little known but transformative Hollywood story. The contested process of producing The Mortal Storm turns out to be shaped by Hollywood's anxieties about representing the fate of Europe's imperiled Jews. A historical saga in its own right, the struggle to name the Jew as Hitler's primary victim is revelatory in American film history of the late 1930s.Set among other anti-Nazi films of the period, the story of this extraordinary struggle illuminates the fears, hostility, and heroic efforts of everyone involved in making The Mortal Storm, including MGM mogul Louis B. Mayer, producers and directors Sidney Franklin, Frank Borzage, and Victor Saville, the unstinting efforts of author Phyllis Bottome, actor Jimmy Stewart, and introducing screenwriter Claudine West who fought for the inclusion of the Jew.

There are numerous scholarly works on Alfred Hitchcock's Psycho (1960). Some of these works have explored its Gothic potentials. However, no detailed effort has yet been made to explore one of its major motifs - taxidermy. Taxidermy as an art of corporeal preservation has effectively been used in mainstream body horror films years after Psycho was released. Yet Psycho was one of the first films to explore its potentials in the Gothic genre at a time when it was relegated to a low form of art. Alfred Hitchcock's Psycho and Taxidermy focuses on taxidermy as a cultural practice in both Victorian and modern times and how it has been employed both metaphorically and literally in Hitchcock's films, especially Psycho. It also situates Psycho as a crucial film in the filmic continuum of body horrors where death and docility share a troubled relationship.