Böcker utgivna av Bloomsbury Academic

In this volume leading scholars assess the contributions of Max Reinhardt, Leopold Jessner and Harley Granville Barker to European theatre. Their work represents the cultural shift from traditional theatre practices of the 19th century to the rise of Modernism and its means of establishing theatre as an art form in its own right. Uncovering the theories and visions of theatre held by Reinhardt, Jessner and Barker, this volume establishes the contribution and importance of these directors in the development of modern theatre and their significance alongside the better-known names of Stanislavski and Brecht.

This volume provides a fresh assessment of the pioneering practices of theatre directors Jerzy Grotowski, Peter Brook and Eugenio Barba, whose work has challenged and extended ideas about what theatre is and does. Contributors demonstrate how each was instrumental in rethinking and reinventing theatre's possibilities: where it takes place - whether in theatres or beyond - and who the audience might then be, as well as how actors train and perform, highlighting the importance of the group and collaboration. The volume examines their role in establishing intercultural dialogues and practices, and the wider influence of this work on theatre. Consideration is also given to each director's documentation of their practice in print and film and the influence this has had on 21st-century performance.

This volume surveys and assesses the contributions of Vsevolod Meyerhold, Erwin Piscator and Bertolt Brecht to theatre-making, which richly exemplify the range of ways that directors address dramatic material, theatrical space and their audiences. Their directorial work marks an unmistakeable interest in developing the political potential of theatre in the early 20th century, although each director offered more to their actors, collaborators and spectators than simply the staging of politics and the political.

This volume examines the work of directors Jacques Copeau, Theodore Komisarjevsky and Tyrone Guthrie. It explores in detail many of the directors' key productions, including Copeau's staging of Molière's The Tricks of Scapin, Komisarjevsky's signature season of Chekhov plays at the Barnes Theatre and Guthrie's pioneering direction of Shakespeare's plays in North America. This study argues that their work exemplifies the complexity and novelty of the role of theatre directing in the first three-quarters of the 20th century, as Komisarjevsky was in the middle of the genesis of directing in Russia, Copeau launched his directorial career just as the role was gaining definition, and Guthrie was at the vanguard of directing in Britain, at last shaking off the traditions of the actor-manager to formulate the new role of artistic director.

In her first collection of plays, Olivier award-winning playwright and screenwriter Morgan Lloyd Malcolm's talent for writing complex female characters is on dazzling display. Belongings (2011): "Malcolm's writing is sharp and witty but also very powerful in places. Her use of humour can be shocking but it helps to balance out the weighty issues being explored: guilt, gender and family politics, sex as both a commodity and a weapon. Touching, funny and brutal, this is - on many levels - an impressive first work." - ExeuntThe Wasp (2015): "Morgan Lloyd Malcolm's two-hander is sprung like a bear trap, a play with very sharp teeth." - The StageMum (2021): "Lloyd Malcolm, who resurrected a 17th-century feminist poet for her riotous 2018 hit Emilia, here spills the dark side of modern maternity: exhausted anxiety, love-hate co-dependency, what happens when your very worst fears come true." - Evening StandardWhen The Long Trick's Over (2022): "Grief can feel like drowning. And in Morgan Lloyd Malcolm's play about a swimmer with the challenge to cross the Channel, it is voluminous." - GuardianThe Passenger (2021): Originally commissioned and produced by Shakespeare's Globe, this piece recounts the experience of the author's childhood terrors. A shadowy figure who follows. Has it followed us here? How will she escape him? The Passenger was staged as a part of the first Terrifying Women showcase at the Golden Goose Theatre, London, in October 2021.Morgan Lloyd Malcolm's play Emilia became a hit show in summer 2018 before transferring to the West End in 2019, winning three Olivier awards. Her adaptation of her play The Wasp completed filming at the end of 2022 starring Naomie Harris and Natalie Dormer and directed by Guillem Morales. Her play Belongings was shortlisted for the Charles Wintour Most Promising Playwright Award. She formed Terrifying Women with Abi Zakarian, Sampira and Amanda Castro in 2021 with an aim to producing more horror in theatre.

This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.

The Encyclopaedia of Shakespeare's Language is the first comprehensive account of Shakespeare's language to use computational methods derived from corpus linguistics - methods of choice for today's historical linguist. Volume 3 focuses on keywords in Shakespeare's plays. Play keywords are derived by conducting a statistical comparison between the words in one play with those in all the other plays. For characters, the statistical comparison is made between the vocabulary of one character and that of all the other characters in the same play. These keywords are then used to create 'linguistic profiles' of each play and main character. The profiles show how patterns of words around keywords contribute to themes in plays and characterization of the protagonists. For example, we reveal how the simple word 'Goodnight' contributes to dramatic tension in Julius Caesar, or how in Romeo and Juliet, Juliet's most distinctive yet apparently innocuous words, 'if', 'yet' and 'but', create an important aspect of her character.

Using insights drawn from the experiences of professional linguists working in a range of domains, this book is an essential resource to help you recognize the value and relevance of your skills and training as a linguist in the job market. No matter where you are in your career - just starting a first job or reflecting back on 30 years - this book provides an interpretive frame for catalyzing momentum around what comes next. Encouraging you to approach your career with agency and curiosity, Anna Marie Trester details the myriad ways that linguists can contribute meaningfully to the world of work. Exploring the connections between linguistics as a field of study and a way of thinking, she details the ways in which the powerful observational and analytical skills and abilities cultivated by a background in linguistics can be employed in a diverse range of professional workspaces. With activities, exercises, and a review of career literature, Employing Linguistics helps you seek and create opportunities as you choose what challenges to focus on next.

Call it batida, kuduro, Afro house, Lisbon bass: anyone with a keen ear for contemporary developments in global electronic dance music can't fail to have noticed the rise in popularity and influence of Lisbon-based DJs such as DJ Marfox, DJ Nervoso and Nídia. These DJs and producers have brought the sound of the Lisbon projects to the wider world via international club nights, festival appearances, recordings and remix projects for a range of international artists.This book uses the 2006 compilation DJs do Guetto as a prism for exploring this music's aesthetics and its roots in Lusophone Africa, its evolution in the immigrant communities of Lisbon and its journey from there to the world. The story is one of encounters: between people, sounds, neighborhoods, technologies and cultural contexts. Drawing on reflections by DJ Marfox and others, the book establishes DJs do Guetto as a foundation stone not only for a burgeoning music scene, but also for a newfound sense of pride in a place and a community.

Interviews from the Edge presents a selection of conversations, drawn from 50 years of the international journal New Orleans Review, that dive head-first into the most enduring aesthetic and social concerns of the last half century. From reflections on the making of literature and films to personal accounts of writing inside racial divides and working against capital punishment, the writers, poets, and activists featured in this book offer not only a fresh perspective on our present struggles but also perhaps a way through them-for writers and readers alike. "I think it's frightfully important, and this is really much more difficult than it sounds, only to say what you absolutely believe." - Christopher Isherwood "Most American writers probably do not think of their writing as a kind of activism. And it shouldn't have to be-I don't think we can impose that on writers-but it can be. I think for many writers, the ones I admire-it is." - Viet Thanh Nguyen "Do you become a writer because you desire to become famous and make a lot of money? Or do you become a writer because there's something you discovered, this spark, this flash, that you want to share with other human beings knowing that they can enter into the words too?" - Sister Helen Prejean "The hardest part of developing a style is that you have to learn to trust your voice. If I thought of my style, I'd be crippled. Somebody else said to me a long time ago in France, 'Find out what you can do, and then don't do it.'" - James Baldwin "As I have grown older, I have come to see that the romantic notion of the outsider in love with death doesn't solve a thing. It only makes life worse. We have to find ways to create communities." - Valerie Martin

Science Fiction is illuminated by world class scholars and fiction writers, who introduce the history, concepts and contexts necessary to understanding the genre. Their groundbreaking approach provides insights into today's SF world and makes learning how to read Science Fiction an exciting collaborative process for teachers and students.

This open access book is the sixteenth volume in the Swedish Studies in European Law, reflecting the series aim to explore the variety of issues and dilemmas that European law faces in specific areas of EU law and policy, as well as overarching questions of EU institutional and constitutional law. In this volume, experts explore the development of the role of Europe and European law in the field of taxation. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Swedish Studies Network.

More has been said about the Hart-Fuller debate than can be considered healthy or productive even within the precious world of jurisprudential scholarship - too much philosophising about how law has revelled in its own abstractness and narrowness. But the mission of this book is distinctly and determinedly different - it is not to rework these already-rehashed ideas, but to reject them entirely. Rather than add to the massive jurisprudential literature that has been generated by all and sundry, the book criticises and abandons the project that Hart and Fuller set in motion. It contends that the turn that was taken in 1957 has led down a series of cul-de-sacs, blind alleys, and dead-ends to nowhere useful or illuminating. It is more than past time to leave their debate behind and strike out in an entirely new and more promising direction. The book insists that not only law, but also all theorising about law, is political in all its derivations, dimensions, and directions.

This authoritative new work sets out the key tenets of the principles and process of criminal law in Indonesia. Focusing on substantive criminal law, starting from its definition, history, principles, and interpretation, it goes on to explore a criminal offence and its elements, criminal fault and liability, causation, and other issues. The author is a leading scholar, experienced both in practice and teaching in the field. Comparative criminal lawyers will welcome this important new work.

In this book, leading international thinkers take up the demanding challenge to rethink our understanding of social justice at work and our means for achieving it - at a time when global forces are tearing the familiar fabric of our working lives and the laws regulating them. When fabric is torn we can see deeply into it, understand its structural weaknesses, and imagine alterations in the name of resilience and sustainability. Seizing that opportunity, the authoritative commentators examine the lessons revealed by the pandemic and other global shocks for our ideas about justice at work, and how to advance that cause in the world as we now find it. The chapters deliver critical re-assessments of our goals, explore our new challenges, and creatively re-imagine trajectories for progress on two global fronts - via international institutions and by a myriad of other transnational techniques. These forward-looking essays are in honour of Francis Maupain, whose international career and scholarly writing are inspiring models for those who, in a changing world, seize opportunities for creativity in the pursuit of global justice at work.

"This book engages in a theological critique of the legal frameworks and theoretical approaches of Australia, the US and England to create a peaceful coexistence of difference which supports both religious freedom and equality. It develops a new framework for reconciling religious freedom and discrimination in Western liberal democracies and presents a unique approach to practically supporting both religious freedom and equality as fundamentally important objectives which promote more compassionate and cohesive communities. The book applies the idea of peaceful coexistence of difference by assuming the dignity and goodwill of different people and perspectives, and proceeds upon shared virtues such as love which are affirmed by all"--

Harrowing eyewitness account of one of the most crucial battles of World War II. Nazi Germany's titanic struggle for Leningrad

One of the most active areas in the field of second language acquisition, language learning motivation is a burgeoning area of research. Yet the plethora of new ideas and research directions can be confusing for newcomers to the discipline to navigate. Offering concise, bite-size overviews of key contemporary research concepts and directions, this book provides an invaluable guide to the contemporary state of the field. Making the discussion of key topics accessible to a wider audience, each chapter is written by a leading expert and reflects on cutting-edge research issues. From well-established concepts, such as engagement and learning goals, to emerging ideas, including contagion and plurilingualism, this book provides easy to understand overviews and analysis of key contemporary themes. Helping readers understand a field which can appear highly technical and overwhelming, Researching Language Learning Motivation provides valuable insights, perspectives and practical applications.

Adopting the modernist master Vladimir Nabokov as its guide, Nabokov in Motion: Modernity and Movement is an exploration of the radically changing social, historical, technological, and literary culture of the early 20th century, a time when modes of communication and transportation, especially, were changing society in drastic and profound ways. Across seventy microchapters that are by turn serious, ironic, informative, and playful, and which take on topics such as automobiles, trains, airplanes, electricity, elevators, advertisements, telegraphs, and telephones, Yuri Leving offers new ways to understand Nabokov, Russian literature, and technology, modernism, and world material culture. Nabokov's writings are analyzed against a broad context of prose and poetry and from the point of view of what Leving calls the poetics of urbanism in literature. Nabokov in Motion is a ground-breaking exploration of urban and material themes in literature and creates a complex and vibrant cultural fabric of which Nabokov is the master weaver.

Modeselektor, the Berlin electronic duo consisting of Gernot Bronsert and Sebastian Szary, released Happy Birthday! in 2007, an album that mixed emotion, humor, and party excess. Through this album, this book presents a unique window into the histories of Berlin techno, European rave culture, and electronic music. By emphasizing Happy Birthday! as a network of collabs, genres, and insider winks, it highlights key features in Modeselektor's career: above all, the beginnings of Moderat, the famous project between Modeselektor and Apparat, as well as the connections to groups and artists as diverse as Thom Yorke, Ellen Allien, Paul St. Hilaire, Otto von Schirach, Scooter, and Jones & Stephenson. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.