Böcker utgivna av Bloodaxe Books Ltd

Soul Feast is a companion to the hugely popular poetry anthology Soul Food, offering up a further feast of thoughtful poems to stir the mind and feed the spirit, bringing hope and light in dark, uncertain times. The original Soul Food anthology (2007) achieved its wide popularity by word of mouth. For many thousands of readers feeling adrift in the early years of the 21st century, the poems in that book offered support and sustenance. This new compilation once again shows how poetry can help sustain our search for meaning in the face of even more destructive and disorientating events. All these poems are universal illuminations of the meaning of life, speaking to readers of all faiths as well as to seekers and non-believers. Drawn from many traditions, Soul Feast includes work by poets ranging from Lal Ded and Tukaram to Pessoa, Borges, Cummings and Langston Hughes, as well as poems by celebrated contemporary poets such as Ellen Bass, Imtiaz Dharker, Jane Hirshfield and Naomi Shihab Nye. This is a book to keep by the bedside or to keep with you when travelling.

Focusing on the earliest weeks and months of the pandemic, Aoife Lyall's The Day Before beautifully captures the ordinary moments in life that crystallise in the face of crisis and threat. These intimate and meticulous poems mark the lived experience of someone who must navigate a world she no longer understands, exploring first steps and last breaths, milestones, millstones, emigration, fly-tipping and the entire world to be found in the space behind the front door. Tender, challenging, and historically significant, The Day Before asks what it means when home is the one place you cannot leave, and the one place you cannot go.

Nicole Sealey began making erasures from the US Department of Justice's 2015 report detailing bias policing and court practices in the city of Ferguson, Missouri, three years after the murder of Michael Brown by Ferguson police. She revisits that investigation in an act of erasure that reimagines the entire original text as it strips it away.

A poet of existential magnitude, deep intellect and playful subversion, America's Nicole Sealey writes poems that are restless in their empathic, lucid awareness of what it means to be human. This is first UK edition of her first book-length collection is published at the same time as her new book, The Ferguson Report: An Erasure.

To Abandon Wizardry, Matthew Caley's seventh collection, explores a world where it's harder and harder to tell what's real and what's not. Where our political and cultural reality seems so unbelievable, we search for a plot and find one that comes from the Harry Potter playbook. Our screens full of wonders, our streets full of decay.

MacGillivray draws together her extensive research into the life and work of Norwegian-Shetlandic poet Kristján Norge, who vanished from the Outer Hebrides in 1961, presenting two previously unpublished poetry manuscripts by Norge, Optik: A History of Ghost and Ravage, and a work of fiction, The Wind of Voices.

Hot on the heels of her previous collection Men Who Feed Pigeons, Selima Hill's Women in Comfortable Shoes is the 21st book of poetry from "the UK's Emily Dickinson". This collection presents eleven contrasting but well-fitting sequences of short poems relating to women, including: Fishface, in which a disobedient young girl is sent to a Catholic convent school to give her mother a break; Fridge, in which trucks, geese and fridges speak of death, grief and absence; and Girls without Hamsters, which deals with an older woman's obsession with a spider-legged young man.Writing with her trademark wit and originality, Selima Hill looks closely at the complications and contradictions that define our lives and relationships.

Serious, comic, brave, cowardly, engaged, disengaged, urgent, unurgent, chattering chiffchaff, talking horses, unpretentious, pretentious: Mark Waldron's expansive fifth collection encompasses it all.There are a series of fairytale poems, and others which give unfettered voice to the character of Marcie, a character who has appeared in Mark Waldron's previous books. But behind the humour and playfulness, there is always something deeply unmeant, meant. Readers of Mark Waldron's previous collections will find all of his trademark wit and imagination here, as well as new poetic territory as Waldron continues to develop his distinctive voice.

Marjorie Lotfi's award-winning debut collection is a book of two halves, each a meditation on the idea of home, both the places we start and end up in our lives. Spanning a childhood in Iran dislocated by revolution, through years as a young woman in America, to her current home in Scotland, these poems ask what it means to come from somewhere else, what we carry with us when we leave, and how we land in a new place and finally come to rest. Winner of the James Berry Poetry Prize.

In her award-winning debut collection Kaycee Hill frankly explores coming of age as a woman - and the intricacies of connection and memory - against an urban-pastoral landscape.Raging with vivid, smoky lyricism and full-blooded imagery, Kaycee Hill's poems are both a beginning and a continuation. Reflecting on her life and those in it, as well as first-times, underground scenes and the female body, she looks towards what is unflinchingly personal, and also outwards: towards family and strangers, nature and place, and a world that shapeshifts before us.Hot Sauce is a searing first collection that captures the visceral vulnerabilities of navigating life on the cusp. Winner of the James Berry Poetry Prize.

Notable for its moral engagement, Aleš Šteger's poetry is acutely precise in its observation and concentration. Multi-layered and technically versatile, ingenious and inventive, his poetry is adventurous and playful yet serious in intention, and incessantly curious in its investigations. He loves to ambush the reader with the unexpected.

Spanning twenty years and five collections, Brenda Shaughnessy's Liquid Flesh: New & Selected Poems introduces new readers to one of America's most audacious and thrilling poets.

Ahren Warner's fourth collection is one-part phantasmagoria, one-part brutal document, with equal measures of irony and sincerity. It is a book compulsively drawn to a world in which identity and performance have become indistinguishable, where violence and inadequacy are so often the corollaries of love.

What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? Chen Chen continues his exploration of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings and the COVID-19 pandemic.

The Glimmer is a many-voiced meditation on the time-span of life and purpose of art.In an artists' colony in Mexico, a taxidermist tends animals in their after-life, contemplating what remains of us after death. Among the artists she encounters are a painter of miniatures, a war photographer, a light artist, a ghazal singer, and dancers from Tanzteater Wuppertal, as they reflect on the impulse to make work and meaning in a world where value is increasingly monetised. Within the extended narrative are self-contained poems ranging in form from syllabics and ghazals to OULIPO-inspired anagram poems, drawing on found text and verbatim speech to bring a choir of voices to life. The title work is followed by two elegies.The Glimmer is Shazea Quraishi's second full-length book of poetry, following her debut, The Art of Scratching.

A poetry collection on inheritance, loss, and the relationship between real and imagined lives.In Little Silver, moments of crisis - a near-drowning, a fall down a mine-shaft, the death of a friend - prompt reflection on the stories 'we tell ourselves about our / selves', and on the sheer strangeness of existing in our bodies and in time. The book's title sequence responds to the recent demolition of Jane Griffiths' childhood home, whose absence appears as 'a little silvering between the trees'. Setting its absence against the memory of 'Little Silver', a small enclave of houses in Exeter that she passed on the way home from school (and whose name fascinated her), she considers the gap between the two as the space of the imagination: the origins of her writing.Other poems centre on the theme of childlessness and the relationship between that and other kinds of making; a sequence centred on conversations between an artist and her imaginary children concludes when the daughter asks 'So if we existed the tree could stand alone?' The emphasis in these poems is on inventiveness and endeavour, on lifelines and human traces.

When knowledge is ours at the tap of a key, what is it we're accumulating, and is it at the expense of another, more intuitive, kind of knowing?The word 'fool' derives from the Latin follis, one of whose meanings is 'empty-headed person'. Such mindlessness is not quite imaginable, but perhaps it is possible that by unknowing a thing we can start to see it differently. There's a lot the fool doesn't know - otherwise they wouldn't be a fool - but can anyone be trusted to know anything?A low-level hum of discordance runs through these poems: between inner and outer worlds, between the sceptical and the wondering mind. Ideas of belief and truth play out in various ways, often through lone figures, fools maybe, thinking aloud, continually distracted by the necessary performance of being. Already an established and respected name in the world of poetry and drama, Fool is Greta Stoddart's fourth collection. Her third collection Alive Alive O was published by Bloodaxe in 2015. In 2023, Greta Stoddart won a Cholmondeley Award, a prize which recognises a poet's body of work.

America's much celebrated poet-undertaker Thomas Lynch is renowned for his thought-provoking poems on life, faith, doubt and death. This new retrospective shows the passage of his work over time, 'a pilgrimage of sorts through growing old and facing death - subjects that caregivers know all too well.

High Desert is a psychedelic journal of end-times and ode to the American Southwest. Exploring such key events as the First Red Scare, the Tulsa Race Massacre and the West Coast's wildfire epidemic, Naffis-Sahely's reflections on class, race, and nationalism chart the region's hidden histories from the Spanish Colonial Era to the recent pandemic.

Anne Rouse is a keenly observant writer of spiky satirical portraits and shapely lyrics of the ordinary and the bizarre. Her perspective in Ox-Eye - the term for a small cloud presaging a storm - is one of apprehension in poems relating to personal and social change. Ox-Eye is her fifth collection from Bloodaxe.

Jo Clement's first collection confronts Romantic impressions of British Gypsy ethnicity and lyrically lays them to rest. Her poems consider notions of otherness, trespass, and craft. Compelled by a brutal Gypsy, Roma, and Traveller diasporic legacy, Outlandish tenderly praises the poem-as-protest and illuminates a hidden and threatened culture.

In this highly accomplished debut collection Sarah Wimbush journeys through myth and memory with poetry rooted in Yorkshire. From fireside tales of Romany Gypsies and Travellers, through pit villages and the haunt of the Miners' Strike, to the subliminal of everyday - with poems on typists, pencil sharpeners and learning to drive in a Ford Capri.

John Agard has been broadening the canvas of British poetry for the past 40 years with his mischievous, satirical fables which overturn all our expectations. His ninth Bloodaxe collection, Border Zone, explores a far-reaching canvas of British/Caribbean transatlantic connections, sweeping across centuries and continents.

Blending the sacred and the everyday, Amali Gunasekera's second collection The Golden Thread is a search for grace through the deep process of transmuting emotional trauma into peace.

Fairoz is a a powerful portrayal of human vulnerability, a book-length poetry sequence in which Moniza Alvi explores an imagined teenage girl's susceptibility to extremism. The book's fragmented, collaging narrative draws together fairytale elements, glimpses of Fairoz's thoughts, and pieces of dialogue.

These intimate, visceral and often wickedly funny poems journey through darker days of new parenthood, teasing out anxieties over violence against women and the destruction of our environment. It's Jessica Traynor's third collection, following Liffey Swim (2014) and The Quick (2019) from Ireland's Dedalus Press. Poetry Book Society Recommendation.

Diana Anphimiadi is one of the most widely revered Georgian poets of her generation. Her boldly inventive work reflects an exceptionally curious mind and glides between classical allusions and surreal imagery. She revivifies ancient myths and tests the reality of our senses against the limits of sense. Georgian-English dual language edition.