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Two short novels of "Time Crime" and "Oomphel in the Sky" by Henry Beam PiperAbout Henry Beam Piper: Henry Beam Piper (March 23, 1904 - c. November 6, 1964) was an American science fiction writer. He wrote many short stories and several novels. He is best known for his extensive Terro-Human Future History series of stories and a shorter series of "Paratime" alternate history tales.He wrote under the name H. Beam Piper. Another source gives his name as "Horace Beam Piper" and a different date of death. His gravestone says "Henry Beam Piper". Piper himself may have been the source of part of the confusion; he told people the H stood for Horace, encouraging the assumption that he used the initial because he disliked his name. On a copy of Little Fuzzy given to Charles O. Piper, Beam's cousin and executor, he wrote "To Charles from Henry." Piper's stories fall into two groups: stark space opera, such as Space Viking, or stories of cultural conflict or misunderstanding, such as Little Fuzzy or the Paratime stories.A running theme in his work is that history repeats itself; past events will have direct and clear analogues in the future. The novel Uller Uprising is the clearest example of this, being based on the Sepoy Mutiny. A similar example is the very title of Space Viking, although the novel is not a direct reinterpretation of a specific historical precedent. A later theme in the book involves the takeover of a planet in a manner reminiscent of the rise of Adolf Hitler.Piper's characterization was rooted in the notion of the self-reliant man, able to take care of himself and both willing and able to tackle any situation that might arise. This is exemplified in a bit of dialogue in his short story "Oomphel in the Sky" (1960): He actually knows what has to be done and how to do it, and he's going right ahead and doing it, without holding a dozen conferences and round-table discussions and giving everybody a fair and equal chance to foul things up for him.As a result, his stories tend towards the heroic, and the conflict is usually driven externally.Piper was interested in general semantics. It is explicitly mentioned in Murder in the Gunroom, and its principles, such as awareness of the limitations of knowledge, are apparent in his later work. (wikipedia.org)

Henry Beam Piper (March 23, 1904 - c. November 6, 1964) was an American science fiction writer. He wrote many short stories and several novels. He is best known for his extensive Terro-Human Future History series of stories and a shorter series of "Paratime" alternate history tales.He wrote under the name H. Beam Piper. Another source gives his name as "Horace Beam Piper" and a different date of death. His gravestone says "Henry Beam Piper". Piper himself may have been the source of part of the confusion; he told people the H stood for Horace, encouraging the assumption that he used the initial because he disliked his name. On a copy of Little Fuzzy given to Charles O. Piper, Beam's cousin and executor, he wrote "To Charles from Henry." Piper's stories fall into two groups: stark space opera, such as Space Viking, or stories of cultural conflict or misunderstanding, such as Little Fuzzy or the Paratime stories.A running theme in his work is that history repeats itself; past events will have direct and clear analogues in the future. The novel Uller Uprising is the clearest example of this, being based on the Sepoy Mutiny. A similar example is the very title of Space Viking, although the novel is not a direct reinterpretation of a specific historical precedent. A later theme in the book involves the takeover of a planet in a manner reminiscent of the rise of Adolf Hitler.Piper's characterization was rooted in the notion of the self-reliant man, able to take care of himself and both willing and able to tackle any situation that might arise. This is exemplified in a bit of dialogue in his short story "Oomphel in the Sky" (1960): He actually knows what has to be done and how to do it, and he's going right ahead and doing it, without holding a dozen conferences and round-table discussions and giving everybody a fair and equal chance to foul things up for him.As a result, his stories tend towards the heroic, and the conflict is usually driven externally.Piper was interested in general semantics. It is explicitly mentioned in Murder in the Gunroom, and its principles, such as awareness of the limitations of knowledge, are apparent in his later work. (wikipedia.org)

Death Comes for the Archbishop is a 1927 novel by American author Willa Cather. It concerns the attempts of a Catholic bishop and a priest to establish a diocese in New Mexico Territory. The novel is based on the life of Jean-Baptiste Lamy (1814-1888), and partially chronicles the construction of the Cathedral Basilica of St. Francis of Assisi. The capture of the Southwest by the United States in the Mexican-American War is the catalyst for the plot."The Padre of Isleta", Anton Docher is identified as the character of Padre de Baca.Among the entities mentioned in the novel are Los Penitentes, a flagellant lay confraternity in Southern Colorado and New Mexico that still operates today. The novel was reprinted in the Modern Library series in 1931. It was included in Life Magazine's list of the 100 outstanding books of 1924-1944. It was also included on Time's 100 Best English-language Novels from 1923 to 2005 and Modern Library's list of the 100 best English-language novels of the 20th century and was chosen by the Western Writers of America to be the 7th-best "Western Novel" of the 20th century.James Paul Old of Valparaiso University uses Death Comes for the Archbishop as a literary example of the notion that religious faith is able to develop and maintain strong social bonds in nascent democratic political orders. He argues that even though Cather's early novels, such as My Ántonia, typically represent religious characters as closed-minded, her personal religious realignment at the time allowed her to alter her perspective and develop more positive religious characters, in this case Catholic ones. And while some of her contemporary critics found her out of step with the experiences of common people, later critics, such as Old, praised her for a "search for a basis of order and cultural stability beyond the confines of contemporary secular culture."Additionally, scholars note that Latour's character is not strictly placed within the male-female binary, but instead, as Jennifer A. Smith argues, "oscillates between norms of femininity and masculinity." In developing a theory that Cather had questioned her own gender in the 1920s, Patrick W. Shaw suggests that "fundamental double entendres" and "elaborate image clusters" throughout the novel support a reading of sexual disregularity and ambiguity. (wikipedia.org)