Muriel, or The Time of Return was director Alain Resnais' first color feature, and its film stock immediately set it apart from many other French movies of the early 1960s. Appearing hot on the heels of Resnais' arthouse smashes Hiroshima mon amour and Last Year at Marienbad, Muriel failed to attract the same attention as its predecessors, and the film's initial domestic release yielded indifferent box office results. This lukewarm response could perhaps be attributed to Muriel's probing of the still fresh wounds inflicted by the Algerian War, as the French public of the time held little appetite for further discussion of what was widely viewed as a messy, dispiriting conflict. Yet time has allowed Muriel to slowly emerge as Alain Resnais' masterpiece, and its exquisite distillation of its director's preoccupations marks it out as the quintessential Resnais film. Looking for Muriel examines both the film and its setting of Boulogne-sur-Mer, and also delves into numerous related areas, including the Algerian War, the French New Wave cinema movement, the Second World War, and the wider careers of both Alain Resnais and Muriel's incomparable star, Delphine Seyrig. Muriel's intricate editing and complex script are also discussed, as are other films which touch on similar themes. Darren Arnold is a film critic and author of Devil's Advocates: The Devils and The Pocket Essential Spike Lee. He lives near London with his family.
The great story of EDGAR KENNEDY who appeared in over 400 Hollywood films spanning four decades.
Fibber McGee and Molly was one of broadcasting's greatest triumphs, reaching its height during the 1940s when millions of Americans tuned in Tuesday evenings to hear radio's royal couple welcome the Old Timer, Gildersleeve, Mrs. Uppington, Mayor LaTrivia, Doctor Gamble, and other visitors who came calling at the most famous address in Comedyland, 79 Wistful Vista. A listening favorite in many homes from the Depression right into the Space Age, Fibber McGee and Molly was unique in that it aired in three different formats: thirty-minute productions, fifteen-minute episodes, and vignettes heard on NBC Monitor. This guide to over 1300 episodes covers all three formats of the series with entries listing date of broadcast, title, cast, summary, musical numbers, running gags, and comments designed to enhance the enjoyment of listeners and readers. Features of the second revised and enlarged edition include additional entries from the early years of the program and five appendices (one tabulating all openings of that famous hall closet). Clair Schulz, a dedicated listener to vintage radio recordings since 1974, served as Archives Director at the Museum of Broadcast Communications and contributed to the MBC's Encyclopedia of Radio. He is also the author of an episode guide to The Great Gildersleeve. On the Screen, On the Air, On My Mind, a collection of his writings about motion pictures and radio programs, has been published by BearManor Media.
"Some of the sharpest writing ever from a comic genius." -Kurt Luchs, Talking Book Review "Good sentence structure." -Chevy Chase Philip Austin, one of America's great comedy writer/performers and one quarter of the notorious Firesign Theatre, was the editor and main contributor of an alternative-universe 1930s-era New Yorker that never was. Influenced in equal parts by the noir of Hammett,the deeply personal short stories of Saroyan, and the barn-burning surrealism of the MarxBrothers, he wrote stories of The Old Detective, a shamus who hung out in a tatty pink-plaster bungalow telling tales of exotic babes shooting craps in a barrel; wood-peckers who solved mysteries; mountaineers who worked laterally across miles of urban city streets; and housewives of Fresno who abandoned their homes and dug tunnels below their neighborhood. The 18 stories in this collection cover all this territory and more, delving into Phil's love of dogs, the Pacific Northwest, state fairs, and school lunch menus. A must-have for anyone who's enjoyed his work in or out of the Firesign Theatre. PHILIP AUSTIN was born in Denver, Colorado in 1941 and grew up in Fresno, California. He attended Bowdoin College, Fresno State College, and UCLA. In the 1960s he was a member of the Center Theatre Group in Los Angeles and was Program Director for Drama and Literature at KPFK-FM, where in 1966 he met his future collaborators in the Firesign Theatre-Peter Bergman, David Ossman, and Philip Proctor. The Firesign Theatre went on to write and perform more than 23 albums over 40 years, several of which featuring Austin's best-known character, Nick Danger. The group's album Don't Crush That Dwarf, Hand Me the Pliers was inducted into the Library of Congress' Recording Registry in 2005. As a writer he published many short stories and wrote several screenplays, including the never-produced Grateful Dead movie Brokedown Palace and the novel Beaver Teeth. He died in 2015.
For the first time, all one hundred sixty eight episodes of Hogan's Heroes are celebrated in these pages, including plot synopses, production notes, and critical assessments of each adventure. Included specifically for this book are all new comments and anecdotes from Hogan's alumni: producer and director, Jerry London, director, Bruce Bilson, and guest star performers Victoria Carroll, Ruta Lee, Marlyn Mason, and Alan Oppenheimer, along with over fifty photographs, many never before published. Get set to tunnel your way back to Stalag 13 for a revisit and re-appreciation of one of the most outrageous comedy drama programs in the history of network television. It's Hogan's Heroes: The Definitive Episode Guide.
For the first time, all one hundred sixty eight episodes of Hogan's Heroes are celebrated in these pages, including plot synopses, production notes, and critical assessments of each adventure. Included specifically for this book are all new comments and anecdotes from Hogan's alumni: producer and director, Jerry London, director, Bruce Bilson, and guest star performers Victoria Carroll, Ruta Lee, Marlyn Mason, and Alan Oppenheimer, along with over fifty photographs, many never before published. Get set to tunnel your way back to Stalag 13 for a revisit and re-appreciation of one of the most outrageous comedy drama programs in the history of network television. It's Hogan's Heroes: The Definitive Episode Guide.
"A keen wind had come up that wailed through the streets. With Caine was Peter, the Ancient, Master Khan, Steadman and Rykker. The 'Magnificent Seven' looked around the streets where they would be fighting. None of them spoke. The ambiance weighed heavily on them. Peter looked up at the rooftops that surrounded the streets. Steadman and Rykker also took note of the rooftops. More of the ruined buildings crowded in around them. It was a setting that did not sit well with our heroes." One of the most prolific writers of his generation, Michael Sloan has written and produced over 300 hours of prime time television, including such cult TV series as 'THE EQUALIZER' (which he created), the original 'BATTLESTAR GALACTICA', 'HARDY BOYS & NANCY DREW MYSTERIES', new episodes of 'ALFRED HITCHCOCK PRESENTS', the new 'OUTER LIMITS', 'KUNG FU: THE LEGEND CONTINUES' and 'MYSTERY WOMAN', Hallmark Channel's most successful TV series.Sloan was also the show runner on 'THE MASTER' (which he created), 'McCLOUD' and 'BJ & THE BEAR.' He has written and produced several TV Movies, including 'EARTHQUAKE IN NEW YORK', 'FREEFALL', 'RETURN OF THE MAN FROM U.N.C.L.E.', 'RIVIERA' and three hugely successful 'RETURN OF THE SIX MILLION DOLLAR MAN & THE BIONIC WOMAN' movies. He has written and produced several features including 'MOMENTS', 'MAX HAVOC: RING OF FIRE', 'ALIEN AGENT' and 'ART OF WAR II: BETRAYAL, starring Wesley Snipes. He has had a successful thriller play, 'UNDERGROUND', mounted in the West End of London.
Early radio comedy scripts by Jack Benny.
Early radio comedy scripts by Jack Benny.
Interviews with famous Irish authors.
This meticulously researched book explores the concept of fame in all its fleeting glory and confounding inconsistency. Why do so many entertainers do so much better financially than peers who have comparable resumes? Author Donald Jeffries also examines a subject he is quite familiar with; the myriad of unnatural deaths which have plagued the entertainment industry since the dawn of Hollywood. The deaths of John Lennon, Elvis Presley, Marilyn Monroe, Natalie Wood, and many others are scrutinized in exacting detail. Jeffries communicated with many older entertainers during the course of researching the book, and their perspectives are included here. On Borrowed Fame will be of great interest to fans, celebrities, and anyone with even a cursory affinity for the world of show business. If you're anything like me, and have a hard time not looking at the car crash as you drive by: You will love this book. I'm dyslexic and have difficulty reading but found it even more difficult stopping. The book showed me how very lucky I've been, pursuing my passions; Acting, Class A Speedway Racing and Inventing.- Billy Gray, Father Knows Best, The Day the Earth Stood StillDonald Jeffries' On Borrowed Fame is indeed a revelatory and painful experience. It paints the big picture of the price of Fame in Hollywood. One that mercilessly illustrates through fact and story the real price paid by many of my colleagues and myself. Fame is not a blessing, it's a curse. This book is a witness to the carnage and horrible truth of the matter. Fame is not what it appears to be on the outside. Fame is a glamorous car wreck. Fame sucks. This is an important book that tells us all as fellow human beings that attention must be paid.I congratulate Mr. Jeffries for having had the courage to write it.- Nick Mancuso,¿Paris 2020"It's possible to be a musician in the biggest band imaginable, and within a few years be forced to work a regular job." That ominous statement is echoed throughout Donald Jeffries' whirlwind of woe in the world of entertainment, On Borrowed Time. Those household name actors in your favourite TV shows you assumed were well paid and would surely always have a firm foothold in show business? Not so much it turns out, as stated here: "A regular on a television series is at least as likely to have their acting career end when their show does." The arbitrary payment structures that seem to have been made up on the spot, the blatant rip offs and the sheer number of early and often suspicious Hollywood deaths that were rarely investigated would make anyone think twice about being an actor. What an eye opener this book is!- Graham Parker, singer-songwriter
"After months of auditioning I am very proud to announce that I am a member of The Actors Studio. The greatest school of the theater. It houses great people like Marlon Brando, Julie Harris, Arthur Kennedy, Elia Kazan..." Unpublished James Dean letter to Winslow family-Summer 1952James Dean, Fairmount, Indiana & Farming: Conversations with Marcus Winslow tells the story of James Dean and the Midwestern family that raised him through the eyes of the boy who thought of him as an older brother, more than a cousin. When East of Eden was released in early 1955, James Dean instantly became a star, but tragically he died before Rebel Without a Cause (1955) and Giant (1956) solidifi ed that stardom. Coupled with never-before published letters and a treasure trove of photographs, Marcus recalls Dean and the farm and the fans and how Jimmie's incandescent fame changed the lives of the Winslow family and his hometown forever. Marcus Winslow is the President of James Dean, Inc. and still lives on the family farm where Dean was raised. Leith Adams retired from Warner Bros. in 2013 and was co-editor of James Dean: Behind the Scene (1990).
"I could tell that Tony really wanted to shoot a war movie as much as he wanted to shoot a horror one!" Screenwriter Peter Atkins War is Hell Making Hellraiser III Hell on Earth - A thorough chronicle of the journey on the battlefield of Hellraiser III Hell on Earth It provides unproduced script treatments for Hell on Earth by writer Peter Atkins. An Examination of Hell on Earth's story, themes, and conclusion - Details on filming locations and special effects - Features never-before-seen photos. A breakdown of the entire film and making of with trivia and the legacy of Pinhead and the cenobites... Interviews with Cast & Crew Behind the scenes photos And much more! "Danny's incredible book shines an overdue light on a most worthy sequel. Fans of Hell on Earth will find themselves in heaven with this wonderful retrospective." - Dustin McNeill, Author Taking Shape: Developing Halloween From Script to Scream "Superbly researched...enjoyably written and packed full of information and interviews...this is the definitive chronicle of the making of Hellraiser III: Hell on Earth." - Jon Towlson, Author Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present "Danny Stewart has created the ultimate making-of book.This is a nuts and bolts look at the way films are made. Highly recommended for anyone who appreciates film." - Andrew J. Rausch, Author My Best Friend's Birthday: The Making of a Quentin Tarantino Film
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