Böcker utgivna av Beacon Press

A love letter to queer of color theory and how it has helped the author to discover himself, reclaim identities, celebrate queer joy, and work towards liberationMarcos Gonsalez found his greatest source of joy when he encountered queer theory in college. As they put it, "queers and college go together like peanut butter and jelly," and for them, this was especially true. Seeing himself reflected in the work José Esteban Muñoz was life-changing: Muñoz's theory of disidentification empowered Gonsalez to reclaim their Latinx and queer identities--and inspired him to push back against the largely-white monolith of queer theory.In the sophisticated yet intimately disarming prose of In Theory, Darling, Gonsalez takes his copy of Disidentifications to the gay bar, to the classroom, to their childhome and beyond, inviting us to go along with him as he limns the queerness of reality TV, mourns the victims of the Pulse nightclub massacre, searches for their uncle in Paris Is Burning, looks for Muñoz's legacy in the streets of New York, and situates themself in the lineage of the queer elders who have come before him.Conversational yet deeply analytical, intimate yet wide-ranging, youthful yet sophisticated, Gonsalez's essays crackle with intellectual energy--and remind us just how life-giving theory can be.

"A queer Black feminist debunks the myth of rainbow solidarity, repositioning Black and Latinx LGBTQ+ people at the forefront of queer pasts, presents, and futures"--

In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "e;child freak,"e; she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.

In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With documentaries like I Am Not Your Negro bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in ';The Harlem Ghetto' to a sobering ';Journey to Atlanta.' Notes of a Native Soninaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright's work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise. Notes is the book that established Baldwin's voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin's own search for identity as an artist, as a black man, and as an American.

"A young South Asian American woman's story of reconnecting with her identity, family, and heritage through sustainable farming"--

"A political and intellectual history of American counterculture and the historical figures who redefined mainstream understandings of freedom, culture, art, and politics-from The Beat Generation to Basquiat"--

A tale of 2 NYC affordable housing co-ops’ struggle over privatization, public goods, and the future of American housingThe American Dream of homeownership is becoming an American Delusion. As renters seek an escape from record-breaking rent hikes, first-time buyers find that skyrocketing interest rates and historically low inventory leave them with scant options for an affordable place to live. With home valued more than ever as a commodity, even social housing programs meant to insulate families from cut-throat markets are under threat—sometimes by residents themselves.In Homes for Living, urban planner and oral historian Jonathan Tarleton introduces readers to 2 social housing co-ops in Brooklyn and Manhattan. Longtime residents of St. James Towers and Southbridge Towers lock horns over whether to maintain the rules that have kept their homes affordable for decades or to cash out at great personal profit, thereby denying future generations the same opportunity to build thriving communities rooted in mutual care.With a deft hand for mapping personal histories atop the greater housing crisis, Tarleton explores housing as a public good, movements for tenant rights and Indigenous sovereignty, and questions of race and class to lay bare competing visions of what ownership means, what homes are for, and what neighbors owe each other.

A violence prevention expert helps women and other targets of gender-based violence discern fact from fiction, improve their personal safety, and support social changePersonal safety shouldn’t mean living in fear, nor should it come at the expense of political progress.There are two kinds of safety choices: those that disrupt power structures and those that leave them unquestioned. Safety decisions that challenge power inequities require more fortitude, but they also lead to real change.Every time we alter our lives to avoid violence, we are making a political statement, whether we intend to or not. Crossing the street to avoid a homeless person says one thing. Not leaving your kid alone with a parish priest in the wake of a clergy sexual abuse crisis says another.In The Cost of Fear, nationally recognized leader in abuse prevention Meg Stone returns the focus to empowerment and shows us safety strategies that really work. Stone argues there are two opposing philosophies of how to make people safer, one of which exacerbates victim-blame (safety through compliance) and the other challenges it (safety through resistance).Deeply researched, The Cost of Fear includes interviews with people who have used their bodies to stop violence, those who teach self-defense as part of political organizing, as well as organizations that are effectively preventing sexual violence by inviting people to speak up for themselves.Stone gives readers practical strategies for keeping themselves and their loved ones safer and shows how personal safety is an essential part of political change, especially for an injustice as intimate as gender-based violence.

"A Haitian-born, Boston-based poet explores the personal and political stories of the Haitians who were part of Congo's 1960s decolonization movement"--

"An acclaimed historian narrates the stories of newly emancipated children who were re-enslaved by white masters through apprenticeships and their parents fights to free them"--

From the son of legendary civil rights organizer Robert P. Moses: a brilliant, unflinching memoir about becoming Black in America that interweaves voices from 3 generations of the Moses family"Omo Moses has written an epic reaffirmation of Black diasporic life and a clarion call for justice. The White Peril is destined to be read and cherished.” —Junot Díaz, Pulitzer Prize for Fiction recipient and author of The Brief Wondrous Life of Oscar WaoIn The White Peril, Omo Moses deftly interweaves his own life story with excerpts from both his great-grandfather's sermons and the writings of his father, the civil rights activist Bob Moses. The result is a powerful chorus of voices that spans 3 generations of an African American family, all shining a light on the Black experience, all calling fiercely for racial justice.Omo was born in 1972 in Tanzania, where his parents had fled to escape targeted harassment by the US government. He did not encounter white supremacy until the family moved back to America when he was 4. Here, he learned what it meant to be Black. He came of age in a Black enclave of Cambridge, Massachusetts, became a passionate basketball player, lived in the shadow of his father’s Civil Rights work but did not feel like a part of it until his college basketball career came to an unceremonious end. Unsure what to do next, he took up his father’s offer to go with him to Mississippi and teach math to Algebra Project students. Omo didn’t know it yet, but it was among those young people that he would find his purpose.This book is at once a coming-of-age story, a multigenerational family memoir, an epic father-son road trip, a searing account of the Black male experience, and a work that powerfully revives Rev. Moses’s demand for liberation.

"An urgent examination of the invisibility of Black women and girls as victims of targeted killings, and the lack of police intervention and media coverage"--

For readers of Andrea Elliott and Matthew Desmond, the former CEO of the Coalition for the Homeless breaks through the highly destructive misinformation surrounding our homeless neighbors Conservative think tanks like the Manhattan Institute disseminate anti-homeless myths in the media, legislatures, and the larger culture, claiming that our homeless neighbors cause their own predicament and that the best we can do is manage the problem. Drawing on her deep legal knowledge, policy expertise, and decades of frontline service, Mary Brosnahan cuts through the misinformation to deliver two important messages: that homelessness ultimately stems from a lack of investment in affordable housing; and that the greatest myth of all is that we should have no hope. In fact, the proven solutions are well documented, and the ability to enact them depends on us all. Brosnahan takes a nationwide look from New York to Detroit, Philly to L.A., and from rural areas such as Cumberland County, Pennsylvania to debunk 15 widespread misconceptions, including: that the problem is inevitable (in fact, Housing First approaches have shown great success)that "handouts" cause homelessness (in fact, the primary causes are flat wages and high rent)that homeless people need to prove that they're "ready" to receive aid (in fact, enforcing hurdles is far more expensive and less effective than Housing First).With brilliant insight, Brosnahan showcases how by dispelling these pervasive myths rooted in fear, we can embrace the affordable, housing-based solutions that will bring our impoverished neighbors home.

"Profound and revelatory, Racial Innocence tackles head-on the insidious grip of white supremacy on our communities and how we all might free ourselves from its predation. Tanya Katerí Hernández is fearless and brilliant. ...What fire!" --Junot Díaz Ahora disponible en español, el primer libro exhaustivo sobre la antinegritud en la comunidad latina que desenmascara la idea equivocada de que los latinos están "exentos" de racismo debido a su origen étnico y multicultural Now available in Spanish, the first comprehensive book about anti-Black bias in the Latino community that unpacks the misconception that Latinos are "exempt" from racism due to their ethnicity and multicultural background Inocencia racial sacando a la luz las voces silenciadas de las víctimas afrolatinas y afroamericanas de la antinegritud de los latinos. Mediante estudios de caso jurídicos que prueban el discrimen, Hernández, profesora afrolatina de Derecho experta en 'CRT' la teoría crítica de la raza, desmiente la alegación de que la cultura de los latinos, por ser mestiza, los escuda del prejuicio. Con ejemplos diversos que nunca llegan a los titulares e incluyen los contextos del trabajo, el mercado de vivienda, las escuelas, los lugares de recreación y la justicia criminal, Hernández prueba la existencia del racismo latino. Inocencia racial demuestra que el racismo en Estados Unidos es complejo y multifacético, y que es posible que un grupo históricamente marginado --que ahora constituye el segundo grupo racial/étnico más grande de los Estados Unidos-- sea víctima de discrimen y a la vez discrimine. Este análisis pionero, valiente y urgente de la antinegritud latina y cómo enfrentarla correctamente impugnará y transformará nuestras discusiones acerca de la raza. Racial Innocence excavates the otherwise silenced voices of the Afro-Latino and African American victims of Latino anti-Blackness. Hernández, an Afro-Latina law professor and expert in critical race theory, exposes the claim that Latinos' racially mixed culture shields them from bias by showing how legal case studies prove discrimination. Through varied examples from around the country, including the workplace, the housing market, schools, places of recreation, and criminal justice contexts that never make the headlines, Hernández proves the existence of Latino racism. Racial Innocence demonstrates that US racism is complex and multifaceted, and that it's possible for a historically marginalized group--now the second-largest racial/ethnic group in the United States--to experience discrimination while simultaneously being discriminatory. Bold and urgent, this trailblazing analysis of Latino anti-Blackness, and how to properly address it, will challenge and transform our conversations about race.

A timely companion to the New York Times bestseller For White Folks Who Teach in the Hood...and the Rest of Y'all Too Progressive white educators on the challenges and reimaginings of anti-racist education, cultural responsiveness, and sustained liberatory learning practices Designed for educators by educators, From White Folks Who Teach in the Hood is the white teachers' guide to effective multicultural, anti-racist pedagogy. Over 20 educators are featured in this book, representing different types of schools, different geographies, different durations of experience in the classroom, and different depths of experience in interrogating their whiteness. Throughout the text, nationally renowned educators and coeditors Dr. Christopher Emdin and sam seidel offer feedback and perspective on how to incorporate the practices and wrestle with the ideas outlined by the contributors. Replete with practical reflections and actionable exercises, this book explores among other things: --identity formation, healing, and growth in the early years of a teacher's career --the restrictive, harmful nature of standardization and the power of localization as a tool for transformation --hip-hop as a vehicle for promoting culture and authenticity within the classroom --whiteness as a racial identity and intentional anti-racist teacher trainings to identify and unlearn white supremacy From White Folks Who Teach in the Hood is the essential classroom companion for every white teacher committed to fostering productive learning spaces that respect the races, cultures, and identities of their students. It offers all readers a window into the essential work that must be done to transform our nation's schools from sites of harm to sites of healing.

SELECTED BY MAHOGANY L. BROWNE FOR THE NATIONAL POETRY SERIESAn irreverent poetry collection that wrestles with questions of family, mortality, cultural history, and identity from the Filipinx-American experience "you showed him your teeth, you dared him to look into your mouth to see the metal bands straightening your jaw into an American smile."—from Field Guide for AccidentsBorn in the United States to Filipino immigrants, poet Albert Abonado is no stranger to the language of periphery. Neither wholly “American” nor Filipino, Field Guide for Accidents’s speakers are defined by what they are not: not white enough to be born in America, not Asian enough to feel at home in the Philippines. Abonado’s poetry illuminates the strange and surreal in domestic routine, suturing wounds of love, grief, and the contradiction of being Filipinx-American, two identities bound with a hyphen that resists negation. What results is a growing exposure to a world mired in paradox.The poems in Field Guide for Accidents experiment with the constraints of the poetic line, shaping forms that exhume what tend to haunt us in the silence. In Field Guide for Accidents, memory becomes augmented with the imaginary; suspicion collides with superstition, while spirituality crosses paths with scientific fact. A mother returns to her son as a boat. A stew is prepared with blood yet masked as chocolate. The living eat with the dead in memories built like houses. Mythic, bloodthirsty creatures in Pinoy folklore prey on an exhausted poet. Research conducted in hindsight provides new avenues to explore regret.For many third-culture kids of the Asian-American diaspora, there is no such thing as a success story for “fitting in.” What matters more is finding where you belong. Spooning images from hand to mouth, the poems in Field Guide for Accidents struggle with what it means to consume and be consumed by American culture.

"In a time of climate crisis and housing shortages, a bold, visionary call to replace current wasteful construction practices with an architecture of reuse"--