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Some say the streets of New York City are paved with gold, full of wealth and opportunity. In 1911, five young immigrant women search for their promise of the American Dream while working at the Triangle Shirtwaist Factory.But battling poverty and dangerous working conditions, can they keep their dreams alive?Or will it all turn to ashes?REVIEWS***** "This is a beautiful piece of storytelling."- Plays to see***** "As the audience left this impressive production, I could hear some of them talking about Grenfell, reminding us how little things have changed in over a hundred years."- British Theatre Guide**** "Paved with Gold and Ashes is a masterfully crafted piece which allows a glimpse into the very real running themes of classism, racism, and sexism. It's powerful in delivery, clear in intent, and has the potential to truly pack-a-punch." -- everything-theatre.co.uk"A striking piece of theatre, a significant piece of history." ̶ oughttobeclowns.com*****"Thurston's agonising and attentive descriptions of the factory fire is one of the most effective pieces of dramatic writing I have ever seen. Set against a red glow, the fire is brought to life with words and words alone. What is said and described is horrible and unfair. Thurston's writing provides an unflinching mirror to today, where the malpractice of economic giants still persists. Thurston reminds us that there is nothing accidental about these catastrophes that result in the murder of citizens and employees - they are the final movement in a larger process, of what happens when those who have worked tirelessly in order to maintain a dream of the future, are disregarded by those who are living that dream." ̶ broadwaybaby.com

Phanatasmagoria is a political play exploring how power, censorship and tradition can silence debate.

A moving play celebrating the lives of 3 heroines: balloonist Dolly Shepherd, suffragette Constance Lytton, and explorer Violet Cressy-Marks.

Feminist Theatre Then & Now - Celebrating 50 Years of women theatre makers in the UK and Ireland and their battle to make their voices heard, have their work produced professionally, and promote social justice. Here, the pioneers and leading lights of the newly energised feminist theatre movement continue to fight for an equitable, diverse and inclusive theatre which speaks for all. In 30+ essays, covering three generations, the interviews and essays in this book give important insight into the lived experience of women working in theatre and what it takes to rise in an industry where race, gender, class and parenthood can be serious obstacles to success. Interviews and essays by playwrights, directors, producers and actors including: Asian Women's Theatre in Britain by Rukhsana Ahmad Derby Theatre by Sarah Brigham Interview with Moira Buffini Intersectional Feminism at Work by Kelly Burke The Personal was very Political by Clair Chapwell Behind The Lines by Alison Child How Feminism has Influenced my Playwriting by April de Angelis Interview with Suzanne Gorman Clean Break by Anna Herrmann Interview with Hannah Khalil The Women in Theatre Lab by Polly Kemp and Jennifer Tuckett Persistence, Expression and Evolution by Peta Lily Interview with Roberta Livingston Ecofeminism by Bibi Lucille The Third World of Irish Women by Jaki McCarrick Monstrous Regiment by Mary McCusker Open Clasp Theatre by Catrina McHugh Interview with Suzie Miller Interview with Ann Mitchell Interview with Rebecca Mordan Interview with Amy Ng Untold Stories by Maeve O'Neill Girls' Night Out by Rachel O'Regan Interview with Kaite O'Reilly Sphinx by Sue Parrish and Susan McGoun Interview with Julia Pascal Out of the Attic - WTW by Cheryl Robson and Anna Birch Scylla's Bite by Rebekah Smith and Abbie Lowe Interview with Dame Rosemary Squire Women in their own Words by Lucy Stevens Stella Quines & After by Gerda Stevenson Differences Matter by SuAndi Theatre from a Lesbian Perspective by Clare Summerskill Interview with Imy Wyatt Corner Index