Böcker utgivna av Aperture

"Aperture is proud to bring this best-selling and indispensable title back into print, coinciding with the fiftieth anniversary of Diane Arbus's groundbreaking solo exhibition at the Museum of Modern Art, New York. Diane Arbus: Revelations explores the origins, scope, and aspirations of this wholly original force in photography. The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career"--

Overpass is about what it means to move through the landscape. Walking along a vast network of centuries-old footpaths through the English countryside, artist Sam Contis focuses on stiles, the simple structures that offer a means of passage over walls and fences and allow public access through privately owned land. In her immersive sequences of black-and-white photographs, they become repeating sculptural forms in the landscape, invitations to free movement on one hand and a reminder of the history of enclosure on the other. Made from wood and stone, each unique, they appear as markers pointing the way forward, or decaying and half-hidden by the undergrowth. An essay by writer Daisy Hildyard contextualizes this body of work within histories of the British landscape and contemporary ecological discourses. In an age of rising nationalism and a renewed insistence on borders, Overpass invites us to reflect on how we cross boundaries, who owns space, and the ways we have shaped the natural environment and how we might shape it in the future.

Bettina is the first monograph to showcase the work of the previously unsung artist Bettina Grossman, whose wildly interdisciplinary practice spanned photography, sculpture, textile, cinema, drawing, and more.An eccentric personality fully dedicated to her art, Bettina lived in the famous Chelsea Hotel from 1968 until her death in late 2021. In her tiny studio, she produced and accumulated a considerable body of work, much of which has remained unseen and unpublished until now. Her interests ranged from geometric and abstract studies, drawn from observations of people on the street, to pieces that transformed language into graphic, abstract “verbal forms.” Incorporating strategies of chance and the abstraction of everyday form through repetition and seriality, Bettina pushed the photographic medium to and beyond its limits. As Robert Blackburn, artist and founder of the Printmaking Workshop, astutely observed of Bettina’s work: “The photography, film, sculpture are as one, for the photographic medium is employed not only for documentation but as an endless source of inspiration from which other disciplines emerge—and merge.”Bettina was the winner of the Luma Rencontres Dummy Book Award Arles 2020 and is copublished by Aperture and Éditions Xavier Barral.

"'Revolution is love: a year of Black Trans Liberation' is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in activism, advocacy, and community. In June 2020, activists Qween Jean and Joela Rivera founded the Stonewall Protests, weekly actions centering Black trans and queer identities that took place across New York City." "This book gathers twenty-four photographers who share images and words on the demonstrations, preserving this legacy as it unfolded."--Back flap of printed paper wrapper.

A Kind of Prayer presents the first-ever survey dedicated to the late Cree artist Kimowan Metchewais and his singular body of work on Indigenous identity, community, and colonial memory. After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes-including the artist's body, performative self-portraiture, language, landscapes, and everyday subjects-and served as the source material for works in other media, such as painting and collage. Metchewais's exquisitely layered works offer a poetic meditation on his connection to home and land, while challenging conventional narratives and representations of Indigeneity. Metchewais was a contemporary artist of stunning originality, and until now, his work has been woefully understudied and underexposed. A Kind of Prayer is a comprehensive overview that showcases this essential artist's astonishing vision.

"A collection of essays by Sunil Gupta offers an unparalleled firsthand account of the influential photographer and curator's practice since the 1970s"--

Aperture magazine presents “Celebrations,” an issue that considers how photographs envision ceremonies, festivities‚ and allow us to discover euphoria in the everyday.Throughout the issue, photographers portray exuberance against a backdrop of political strife in Beirut, pursue the thrill of wanderlust, excavate family histories, and respond to the powerful, constant urge to gather. Whether in Kinshasa’s vibrant nightlife of the 1950s and ’60s or London’s sweaty dance floors of our era, jubilation carries on, despite an ongoing, and unpredictable, pandemic.In “Celebrations,” Lynne Tillman contributes a survey of landmark images of celebration through the years, by artists from Malick Sidibé and Peter Hujar to LaToya Ruby Frazier. Several profiles and essays—including Alistair O’Neill on Jamie Hawkesworth, Moeko Fuiji on Rinko Kawauchi, Tiana Reid on Shikeith, Mona El Tahawy on Miriam Boulos, and Anakwa Dwamena on Marilyn Nance’s views of Lagos, Nigeria during FESTAC '77—reveal the celebratory gestures embedded in vibrant portraiture, serene slants of light, unbound queer desire, and joyous cross-cultural exchange.

The first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy.Shikeith describes the work as "leaning into the uncanny,” visualizing ritual and the process of excavating Black men's erotic potential, the better to exorcise the "intangible presences that haunt their bodies and psyches.” The men's faces and bodies glisten with sweat (and tears)—the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as "an ideal, a warm depiction that insists on concrete possibility for another world.” In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy. Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.

Sales PointsA stellar group of critics and artists distills the wisdom of artist and educator Richard “Chip” Benson A rich, wide-ranging account of a unique and innovative figure who made a lasting impact on the medium of photographyFor everyone interested in the American lineages of photographic craft, community, and mentorship

Delegation is the first comprehensive monograph by Apsáalooke artist Wendy Red Star, whose photography recasts historical narratives with wit, candor, and a feminist, Indigenous perspective.Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. Whether referencing nineteenth-century Crow leaders or 1980s pulp fiction, museum collections or family pictures, she constantly questions the role of the photographer in shaping Indigenous representation. Including a dynamic array of Red Star's lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist's singular vision.Copublished by Aperture and Documentary Arts

Justine Kurland, known for her utopian photographs of American landscapes and their fringe communities, has spent the better part of the last twelve years on the road.

Sales PointsThe first major monograph by rising star Zora J Murff, recipient ofthe inaugural Next Step Award, a partnership between Apertureand Baxter St at the Camera Club of New YorkAn incisive, autobiographic retelling of the struggles and epiphaniesof a young Black artist working to make space for himself andhis communityA generous book, elegantly designed by WORK/PLAY, an interdisciplinarypartnership between artists and designers Kevin andDanielle McCoyOther titles by artist:OMAHA, by Zora J Murff. Kris Graves Projects, 2018, $300.00 USD Corrections, by Zora J Murff. Aint-Bad Editions, 2015, $40.00 USD

This fall, Aperture magazine presents an issue exploring the idea of cosmologies—the origins, histories, and local universes that artists create for themselves.In an exclusive interview, Greg Tate speaks to Deana Lawson about how her monumental staged portraits trace cosmologies of the African diaspora. “What I’m doing integrates mythology, religion, empirical data, dreams,” says Lawson, whose work is the subject of major solo exhibitions this year at the Solomon R. Guggenheim Museum, New York, and Institute of Contemporary Art, Boston.In an in-depth profile of Judith Joy Ross and her iconic portraiture, Rebecca Bengal shows how a constellation of strangers is brought together through Ross’s precise, empathic gaze. “Ross is guided by a rapt, intense, wholehearted belief in the individual,” Bengal writes.A portfolio of Michael Schmidt’s acutely observed work from the 1970s and ’80s reveals the realms within realms of a once divided Berlin, while Feng Li’s surprising black-and-white snapshots zigzag between absurdist dramas in various Chinese cities. Ashley James distills the surreal visions of Awol Erizku’s still lifes and tableaux; Casey Gerald contributes a sweeping ode to Baldwin Lee’s stirring 1980s portraits of Black Southern subjects; and Pico Iyer meditates on Tom Sandberg’s grayscales marked by both absence and reverence.Throughout “Cosmologies,” artists cast their attention on the great mysteries of both personal and shared lineages, tracking their locations in space, time, and history, and reminding us of the elegant enigmas that can be unraveled close to home.

As We Rise presents an exciting compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. As Teju Cole describes in his preface, "Too often in the larger culture, we see images of Black people in attitudes of despair, pain, or brutal isolation. As We Rise gently refuses that. It is not that people are always in an attitude of celebration--no, that would be a reverse but corresponding falsehood--but rather that they are present as human beings, credible, fully engaged in their world.? Drawn from Dr. Kenneth Montague's Wedge Collection in Toronto--a Black-owned collection dedicated to artists of African descent--As We Rise looks at the multifaceted ideas of Black life through the lenses of community, identity, and power. Artists such as Stan Douglas, LaToya Ruby Frazier, Barkley L. Hendricks, Texas Isaiah, Liz Johnson Artur, Seydou Keïta, Deana Lawson, Jamel Shabazz, and Carrie Mae Weems, touch on themes of agency, beauty, joy, belonging, subjectivity, and self-representation. Writings by Isolde Brielmaier, Ugochukwu-Smooth C. Nzewi, Mark Sealy, Teka Selman, and Deborah Willis among others provide insight and commentary on this monumental collection.

Gillian Laub's photographs of her family from the past twenty years, now collected in one volume, explore the ways society's biggest questions are revealed in our most intimate relationships. Family Matters reveals Laub's willingness to confront ideas of privilege and unity, and celebrates the resiliency and power of family-including the family we choose-in the face of divisive rhetoric.

The San Quentin Project collects a largely unseen visual record of daily life inside one of America's oldest and largest prisons, demonstrating how this archive of the state is now being used to teach visual literacy and process the experience of incarceration.

The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and “lives” of images—their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times.  Volume 2 in this series, Analogy, Attunement, and Attention, addresses the complex relationships that the reproducible image creates with its viewers, their bodies, their minds, and their sense of the physical and metaphysical world. The selection addresses the image’s role in the social constitution of individual and collective identity, in social practices of resistance to the structural violences of racism, or in relation to state exercises of power. Of particular importance in this volume are questions of our changing relationship to space and to selfhood as mediated by the image and by the many networked technologies and norms built around it. Essays in the volume ask: what modes of attention are required of us as viewers and agents of image circulation? The question of how image technologies provide us with an array of freedoms is here combined with and read against the many ways images are deployed to reorient, repress, or reduce our field of vision—thus affecting our capacity to see and to act in social space. Contributions by

Sales PointsThird volume in The Lives of Images, part of An Aperture Reader Series, built to meet the needs of today's students and practitioners of photography Stanley Wolukau-Wanambwa gathers essays by the most essential voices addressing the field's critical issuesA crucial broadening of perspectives on contemporary theories of photographyAdditional Comp TitlesThe Civil Contract of Photography, by Ariella Azoulay. 9781890951894, $24.95 USD (Zone Books, 2013)Photography's Other Histories, by Christopher Pinney. 9780822331131, $26.95 USD (Duke University Press, 2003)

Sales PointsThe only book to explore this influential artist’s previously unseen photographic practice Barry McGee is an iconic leading figure in contemporary visual culture Essential for lovers of graffiti and street artAdditional CompsBeautiful Losers: Contemporary Art and Street Culture. 9781933045306, $39.95 USD (DAP Book, 2005) Barry McGee: T.H.R. 9788862080965, $49.95 USD (Damiani, 2010)Barry McGee. 9781935202851, $49.95 USD (DAP, 2012)Barry McGee. 9788862086165, $35.00 USD (Damiani, 2018)Kaws: Where the End Starts. 9780929865362, $55.00 USD (Modern Art Museum of Fort Worth, 2017)Wolfgang Tillmans: Abstract Pictures. 9783775740814, $50.00 USD (Hatje Cantz, 2015)Ed Templeton: Wayward Cognitions. 9780985361129, $45.00 USD (Um Yeah Arts, 2014)Margaret Kilgallen: That's Where the Beauty IS. 9780934324878, $49.95 USD (Aspen Art Museum, 2019)

This summer, Aperture presents a special issue focused on the relationship between photography, urbanism, and activist trajectories from Delhi. Guest edited by Rahaab Allana, the Alkazi Foundation's lead curator, the issue explores multiple incarnations of the city¿s photographic culture, from O. P. Sharmäs experimental works from the 1960s to Aditi Jain¿s intimate tableaux of Delhi¿s trans community today. Interviews with revered writer Arundhati Roy and with Bangladesh¿s best-known photojournalist, Shahidul Alam, illuminate sites of protest in the city and throughout South Asia. Skye Arundhati Thomas revisits Sheba Chhachhi¿s feminist staged portraits from the 1980s and ¿90s. Featuring a cross section of dynamic image-makers and thinkers, such as Jyoti Dhar, Sunil Gupta, Ishan Tankha, and Anshika Varma, and emerging voices Uzma Mohsin and Prarthna Singh, the issue is a distinctive meditation on regionalism, politics, and identity, through archival and contemporary photographic viewpoints.

Made for young readers, five to eight years old, this book features portraits that celebrate the diverse beauty of human skin. Through Angélica Dass's words and pictures, the book celebrates diversity as humankind's most powerful resource and inspires readers to rethink how we see each other.

Marking the one-year anniversary of New York¿s shutdown due to the COVID-19 pandemic, Aperture magazine¿s ¿New York¿ issue honors the city through photographs and essays by visionary artists and writers, from Roe Ethridge and Rosalind Fox Solomon to Hilton Als and Joseph O¿Neill. In ¿New York,¿ acclaimed photojournalist Philip Montgomery speaks with the New York Times Magazine¿s director of photography, Kathy Ryan, about covering the city¿s hospitals at the height of the pandemic. Irina Rozovsky contributes magisterial, sun-dappled visions of Brooklyn¿s Prospect Park landscape. Hua Hsu writes poignantly about the archival photographs that emerged after a fire at the Museum of Chinese in America. Antwaun Sargent speaks with the founders of See In Black, an initiative to support Black photographers and communities. And Tanisha C. Ford profiles Jamel Shabazz, whose indelible images of 1980s street culture are icons of style and joy. Our lives and our city have been transformed over the past year, yet this issue reminds us of how much there is to discover, and relish, when New York comes roaring back.

This winter, in the wake of a pandemic, global protest movements, and a dramatic presidential election in the United States, Aperture releases ¿Utopia,¿ an issue that shows that other ways of living are possible¿when the collective will exists.In ¿Utopia,¿ artists, photographers, and writers envision a world without prisons, document visionary architecture, honor queer space and creativity, and dream of liberty through spiritual self-expression. They show us that utopia is not a far-fetched scheme, but rather a way of reshaping our future.In a profile, Salamishah Tillet considers Tyler Mitchell¿s visions of Black people resting in open green space, a democratizing landscape in which Mitchell continuously asks himself: ¿What are the things that I can do to lessen the inherent hierarchies in the photography-shoot structure of seeing and being seen?¿ Sara Knelman shows the freeing possibilities of the feminist collage works of Lorna Simpson, Mickalene Thomas, Sara Cwynar, and Alanna Fields. Julian Rose speaks with the filmmaker Matt Wolf about his latest documentary, Spaceship Earth (2020), which follows the people who created Biosphere 2 in 1991. And Antwaun Sargent traces Black queer artists¿ journeys into immersive desire. ¿Utopiä also includes compelling portfolios by David Benjamin Sherry, Allen Frame, and Balarama Heller, whose respective works span time and geography, from bohemian New York to a Hare Krishna retreat in India.¿The utopian imagination tends to stir when the world feels simultaneously wrecked and malleable,¿ the writer Chris Jennings notes, in a series of reflections by writers such as Olivia Laing and Nicole R. Fleetwood. Notions of utopia shouldn¿t be restricted to the fantasy of a fully realized ideal society, or the outsize, often failed, sometimes disastrous schemes and social experiments of the past. Instead, we might consider utopia a mode of vision and thought that shields us from hopelessness.

Sales Points Photographs at the center of inquiry into the history of slavery in the US Essential reading for students of photography, representation, and US historyIncludes singularly important contributions by scholars of African American history and photographyAdditional Comp TitlesEnvisioning Emancipation: Black Americans and the End of Slavery, by Deborah Willis. 9781439909850, $59.50 USD (Temple University Press, 2012)Delia's Tears: Race, Science, and Photography in Nineteenth-Century America. 9780300115482, $69.00 USD (Yale University Press, 2010)Hidden Witness: African American Images from the Dawn of Photography to the Civil War. 9780312245467 (St. Martins Press, 2000)

Ming Smith's poetic and experimental images are icons of twentieth-century African American life. One of the greatest artist-photographers working today, Smith moved to New York in the 1970s and began to make images charged with startling beauty and spiritual energy. This long-awaited monograph brings together four decades of Smith's work, celebrating her trademark lyricism, distinctively blurred silhouettes, dynamic street scenes, and deep devotion to theater, music, poetry, and dance-from the "Pittsburgh Cycle" plays of August Wilson to the Afrofuturism of Sun Ra. With never-before-seen images, and a range of illuminating essays and interviews, this tribute to Smith's singular vision promises to be an enduring contribution to the history of American photography. Copublished by Aperture and Documentary Arts