Böcker utgivna av Anomie Publishing

Matters of Life and Death is a limited-edition publication documenting the recent paintings of celebrated Dallas-based British artist Richard Patterson (b.1963). Exploring subjects including abstraction and figuration, portraiture and personae, and fetishism and the male gaze, Patterson's paintings are complex, cryptic and, at times, haunting.

Daphne Oram (1925¿2003) was one of the central figures in the development of British experimental electronic music. Having declined a place at the Royal College of Music to become a music balancer at the BBC, she went on to become the co-founder and first director of the BBC Radiophonic Workshop. Oram left the BBC in 1959 to pursue commercial work in television, advertising, film and theatre, to make her own music for recording and performance, and to continue her personal research into sound technology ¿ a passion she had had since her childhood in rural Wiltshire. Her home, a former oasthouse in Kent, became an unorthodox studio and workshop in which, mostly on a shoestring budget, she developed her pioneering equipment, sounds and ideas. A significant part of her personal research was the invention of a machine that offered a new form of sound synthesis ¿ the Oramics machine. Oram¿s contribution to electronic music is receiving considerable attention from new generations of composers, sound engineers, musicians, musicologists and music lovers around the world. Following her death, the Daphne Oram Trust was established to preserve and promote her work, life and legacy, and an archive created in the Special Collections Library at Goldsmiths, University of London. One of the Trust¿s ambitions has been to publish a new edition of Oram¿s one and only book, An Individual Note of Music, Sound and Electronics, which was originally published in 1972. With support from the Daphne Oram Archive, the Trust has now been able to realize this ambition. An Individual Note is both curious and remarkable. When commissioned to write a book, she was keen to avoid it becoming a manual or how-to guide, preferring instead to use the opportunity to muse on the subjects of music, sound and electronics, and the relationships between them. At a time when the world was just starting to engage with electronic music and the technology was still primarily in the hands of music studios, universities, and corporations, her approach was both innovative and inspiring, encouraging anyone with an interest in music to think about the nature, capabilities and possibilities that the new sounds could bring. And her thinking was not limited to just the future of the orchestra, synthesizer, computer and home studio, but ventured, with great spirit and wit, into other realms of science, technology, culture and thought. An Individual Note is a playful yet compelling manifesto for the dawn of electronic music and for our individual capacity to use, experience and enjoy it. This new edition of An Individual Note features a specially commissioned introduction from the British composer, performer, roboticist and sound historian Sarah Angliss.

This is the first major monograph on one of Britain's most dynamic artists, Wolfe von Lenkiewicz. With an introduction by art critic Edward Lucie-Smith and an essay by writer and editor Richard Dyer, this beautifully designed hardback book presents an impressive selection of works by the artist between 2009 and 2015.

'Breathless' is the first monograph on the emerging British painter Benjamin Senior. His paintings conjure up a world that is delightful, curious, quirky, and distinctly his own.

'Three Books' by Tamara Tracz is a very special three-hardback-volume slipcased book. It is, first and foremost, a story that follows several generations of a family as their lives unfold in various cities, countries and continents during the course of the twentieth century.

Sarah Medway's abstract paintings are a delicate, evocative and sincere investigation into the nature of light as it manifests itself through the myriad environments that surround us.

This monograph on Iranian-born, Brooklyn-based painter Kamrooz Aram (b.1978) presents the Palimpsest series, which was in part inspired by graffiti on the streets of New York, and its constant painting-over by the authorities, only for it to become covered again in graffiti.

The paintings and etchings of Robert Fry (b.1980) navigate a complex visual language that bridges the figurative and the abstract in a way that is evocative of body and mind, matter and spirit, life and death. The artist's first monograph, features texts by Mamuka Bliadze, Anthony Fry and Jane Neal, and is accompanied by around sixty illustrations.

London and Seoul-based Korean artist Meekyoung Shin (b.1967) is internationally renowned for her sculptures that probe the mis- and re-translations that often emerge when objects of distinct cultural and historical specificity are dislocated from their original context.

Anna Freeman Bentley (b. Freeman, 1982) is a painter based in London. Her practice explores the built environment, architecture, and interiors, inviting emotive, psychological, and semiotic readings of space.