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Anne Beddingfeld is on her own and ready for adventures when one comes her way. She sees a man die in a tube station and picks up a piece of paper dropped nearby. The message on the paper leads her to South Africa as she fits more pieces of the puzzle together about the death she witnessed, a murder in England the next day, and attempts to kill her on the ship en route to Cape Town.

Goethe's Faust complicates the simple Christian moral of the original legend. A hybrid between a play and an extended poem, Goethe's two-part "closet drama" is epic in scope. It gathers together references from Christian, medieval, Roman, eastern, and Hellenic poetry, philosophy, and literature. The composition and refinement of Goethe's own version of the legend occupied him for over sixty years (though not continuously). The final version, published after his death, is recognized as a great work of German literature. The story concerns the fate of Faust in his quest for the true essence of life ("was die Welt im Innersten zusammenhält"). Frustrated with learning and the limits to his knowledge, power, and enjoyment of life, he attracts the attention of the Devil (represented by Mephistopheles), who makes a bet with Faust that he will be able to satisfy him; a notion that Faust is incredibly reluctant towards, as he believes this happy zenith will never come. This is a significant difference between Goethe's "Faust" and Marlowe's; Faust is not the one who suggests the wager.

A revised edition followed in 1787. It was one of the most important novels in the Sturm und Drang period in German literature and influenced the later Romantic movement. Goethe, aged 24 at the time, finished Werther in five-and-a-half weeks of intensive writing in January-March 1774. Sadly the book led to some copycat suicides, first-ever recorded.

The best macabre story from Algernon Blackwood.

Hercule Poirot and Captain Hastings travel to Merlinville-sur-Mer, France, to meet Paul Renauld, who has requested their help. Upon arriving at his home, the Villa Genevieve, local police greet them with news that he has been found dead that morning. Renauld had been stabbed in the back with a letter opener and left in a newly dug grave adjacent to a local golf course. His wife, Eloise Renauld, claims masked men broke into the villa at 2 am, tied her up, and took her husband away with them. Upon inspecting his body, Eloise collapses with grief at seeing her dead husband. Monsieur Giraud of the Sûreté leads the police investigation, and resents Poirot's involvement; Monsieur Hautet, the Examining Magistrate, is more open to sharing key information with him.Poirot notes four key facts about the case: a piece of lead piping is found near the body; only three female servants were in the villa as both Renauld's son Jack and his chauffeur had been sent away; an unknown person visited the day before, whom Renauld urged to leave immediately; Renauld's immediate neighbour, Madame Daubreuil, had placed 200,000 francs into her bank account over recent weeks. When Renauld's secretary, Gabriel Stonor, returns from England, he suggests blackmail, as his employer's past is a complete mystery prior to his career in South America. Meanwhile, Hastings unexpectedly encounters a young woman he met before, known to him as "Cinderella", who asks to see the crime scene, and then mysteriously disappears with the murder weapon. Poirot later travels to Paris to research the case's similarities to that of a murder case from 22 years ago, which has only one difference - the killer, Georges Conneau, later confessed to the crime, in which he and his lover, Madame Beroldy, had plotted to kill her husband and claim that the murder was carried out by masked intruders; both disappeared soon afterwards.

In his "Author's Note" in this edition of Nostromo, Joseph Conrad provides a detailed explanation of the inspirational origins of his novel. There he relates how, as a young man of about seventeen, while serving aboard a ship in the Gulf of Mexico, he heard the story of a man who had stolen, single-handedly, "a whole lighter-full of silver". As Conrad goes on to relate, he forgot about the story until some twenty-five years later when he came across a travelogue in a used-book shop in which the author related how he worked for years aboard a schooner whose master claimed to be that very thief who had stolen the silver.

The work describes the abrupt cessation of this lifestyle, followed by Candide's slow and painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting Leibnizian optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best" in the "best of all possible worlds". Candide has enjoyed both great success and great scandal. Immediately after its secretive publication, the book was widely banned to the public because it contained religious blasphemy, political sedition, and intellectual hostility hidden under a thin veil of naïveté. However, with its sharp wit and insightful portrayal of the human condition, the novel has since inspired many later authors and artists to mimic and adapt it. Today, Candide is recognized as Voltaire's magnum opus.

The story takes place in the fictional village of Highbury and the surrounding estates of Hartfield, Randalls, and Donwell Abbey and involves the relationships among individuals in those locations consisting of "3 or 4 families in a country village". The novel was first published in December 1815 while the author was alive, with its title page listing a publication date of 1816. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters and depicts issues of marriage, gender, age, and social status. Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like." In the first sentence, she introduces the title character as "Emma Woodhouse, handsome, clever, and rich."Emma is spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray.

To develop this work, Du Bois drew from his own experiences as an African American in the American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works in the field of sociology. In The Souls of Black Folk, Du Bois used the term "double consciousness", perhaps taken from Emerson ("The Transcendentalist" and "Fate"), applying it to the idea that black people must have two fields of vision at all times. They must be conscious of how they view themselves, as well as being conscious of how the world views them. Each chapter in The Souls of Black Folk begins with a pair of epigraphs: text from a poem, usually by a European poet, and the musical score of a spiritual, which Du Bois describes in his foreword ("The Forethought") as "some echo of haunting melody from the only American music which welled up from black souls in the dark past". Columbia University English and comparative literature professor Brent Hayes Edwards writes: It is crucial to recognize that Du Bois ... chooses not to include the lyrics to the spirituals, which often serve to underline the arguments of the chapters: Booker T. Washington's idealism is echoed in the otherworldly salvation hoped for in "A Great Camp-Meeting in the Promised Land", for example; likewise the determined call for education in "Of the Training of Black Men" is matched by the strident words of "March On".Edwards adds that Du Bois may have withheld the lyrics to mark a barrier for the reader, to suggest that black culture-life "within the veil"-remains inaccessible to white people.In "The Forethought", Du Bois states: "Leaving, then, the world of the white man, I have stepped within the Veil, raising it that you may view faintly its deeper recesses,-the meaning of its religion, the passion of its human sorrow, and the struggle of its greater souls." He concludes with the words: "...need I add that I who speak here am bone of the bone and flesh of the flesh of them that live within the Veil?"

THE MILLION DOLLAR BOND ROBBERYThe fiancée of Philip Ridgeway asks Poirot to prove his innocence. Ridgeway is the nephew of Mr Vavasour, the joint general manager of the London and Scottish Bank and a million dollars of bonds have gone missing whilst in his care. Poirot meets Ridgeway at the Cheshire Cheese to hear the facts of the case: Ridgeway was entrusted by his uncle and the other general manager, Mr Shaw, with taking a million dollars of Liberty bonds to New York to extend the bank's credit line there. The Kidnapped Prime MinisterTowards the end of the First World War, Hastings calls on Poirot in his rooms to discuss the sensational news of the day - the attempted assassination of the Prime Minister, David MacAdam. They are interrupted by two visitors: Lord Estair, Leader of the House of Commons and Bernard Dodge, a member of the War Cabinet. The Adventure of the "Western Star"Poirot receives a visit from Miss Mary Marvell, the famous American film star on her visit to London. She has received three letters, handed to her by a Chinese man, which warn her to return her fabulous diamond jewel, the "Western Star", to where it came from - the left eye of an idol - before the next full moon. Her husband, Gregory Rolf, who bought it from a Chinese man in San Francisco, gave Mary the jewel three years ago.

Mueller and a team of U.S. Justice Department investigators were assigned to investigate accusations of collusion between President Donald Trump and the Russian government during the 2016 presidential election.

The medieval stained glass panels of Notre-Dame de Paris had been replaced by white glass to let more light into the church.This explains the large descriptive sections of the book, which far exceed the requirements of the story. A few years earlier, Hugo had already published a paper entitled Guerre aux Démolisseurs (War to the Demolishers) specifically aimed at saving Paris' medieval architecture.The agreement with his original publisher, Gosselin, was that the book would be finished that same year, but Hugo was constantly delayed due to the demands of other projects. In the summer of 1830, Gosselin demanded that Hugo complete the book by February 1831. Beginning in September 1830, Hugo worked nonstop on the project thereafter. The book was finished six months later.

This volume (1867) is a critical analysis of the political economy, meant to reveal the contradictions of the capitalist mode of production, how it was the precursor of the socialist mode of production and the class struggle rooted in the capitalist social relations of production. The first of three volumes of Das Kapital was published on 14 September 1867, dedicated to Wilhelm Wolff and was the single volume published in Marx's lifetime.

The Manifesto of the Communist Party (German: Manifest der Kommunistischen Partei), more commonly known as The Communist Manifesto, is a short book. It was written by the German Marxist political theorists Karl Marx and Friedrich Engels in 1848. The book was originally written in the German language.

Heavily influenced by Dostoyevsky's Crime and Punishment and The Brothers Karamazov,The agents' boss later arrives and holds a mini-tribunal in the room of K.'s neighbor, Fräulein Bürstner. K. is not taken away, however, but left "free" and told to await instructions from the Committee of Affairs. He goes to work, and that night apologizes to Fräulein Bürstner for the intrusion into her room. At the end of the conversation he suddenly kisses her.In 1999, the book was listed in Le Monde's 100 Books of the Century and as No. 2 of the Best German Novels of the Twentieth Century.

"In whatever way you find God most, and you are most aware of God, that is the way you should follow. But if another way presents itself, quite contrary to the first, and if, having abandoned the first way, you find God as much in the new way as in the one you left, then that is right. But, the noblest and best thing would be this: if a person were to come to such equality, with such calm andcertainty that one could find and enjoy God in any way and in all things, without having to wait for anything or chase after anything: that would delight me!... Every work helps towards this.If anything does not help towards this, you should let it go." With these words Meister Eckhart set out to Avignon to defend himself from Pope John XXII who seemed to have set up two tribunals to inquire into the case of heresy.After his death Eckhart was largely forgotten but he gained recent revival from nondualist spiritual teachers who have based their own teaching on Eckhart's sermons.

This book is not intended for philosophers by profession, who will find nothing in it that has not been already set forth in other writings of the same author. It ought to be intelligible to all readers who are able generally to understand a book at all. To those who only wish to repeat, in somewhat varied order, certain phrases which they have already learned by rote, and who mistake this business of the memory for understanding, it will probably be found unintelligible.It ought to attract and animate the reader, and to elevate him above the world of sense, to a transcendental region;¿-¿at least the author is conscious that he has not entered upon his task without such inspiration. Often, indeed, the fire with which we commence an undertaking disappears during the toil of execution; and thus, at the conclusion of a work, we are in danger of doing ourselves injustice upon this point. In short, whether the author has succeeded in attaining his object or not, can only be determined by the effect which the work shall produce on the readers to whom it is addressed,¿-¿and in this the author has no voice.

Set in London in 1886, the novel follows the life of Adolf Verloc, a secret agent. Verloc is also a businessman who owns a shop which sells pornographic material, contraceptives and bric-a-brac. He lives with his wife Winnie, his mother-in-law, and his brother-in-law, Stevie. Stevie has a mental disability, possibly autism, which causes him to be excitable; his sister, Verloc's wife, attends to him, treating him more as a son than as a brother. Verloc's friends are a group of anarchists of which Comrade Ossipon, Michaelis, and "The Professor" are the most prominent. Although largely ineffectual as terrorists, their actions are known to the police. The group produces anarchist literature in the form of pamphlets entitled F.P., an acronym for The Future of the Proletariat.Writing near the peak of the British Empire, Conrad drew, among other things, on his native Poland's national experiences and on his own experiences in the French and British merchant navies, to create short stories and novels that reflect aspects of a European-dominated world-including imperialism and colonialism-and that profoundly explore the human psyche.

These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight. One night, the boy's nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favorite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.One day, the boy comes down with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfected-all his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvelous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he has become Real to the boy who truly loves him, she will take him away with her and "turn [him] into Real" to everyone.The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.

The author sets forth fundamentally the birth, sympathy, and antipathy of all beings; how all beings originally arise out of one eternal mystery, and how that same mystery begets itself in itself from eternity to eternity; and likewise how all things, which take their original out of this eternal mystery, may be changed into evil, and again out of evil into good; with a clear and manifest demonstration how man has turned himself out of the good into the evil, and how his transmutation is again out of the evil into the good: Moreover, herein is declared the outward cure of the body; how the outward life may be freed from sickness by its likeness or assimulate, and be again introduced into its first essence; where also, by way of parable and similitude, the Philosopher's Stone is with great life described for the temporal cure; and along with it the holy Corner Stone, Christ alone, for the everlasting cure, regeneration, and perfect restitution of all the true, faithful, eternal souls. In a word, his intent is to let you know the inward power and property by the outward sign; for nature has given marks and notes to everything, whereby it may be known; and this is the Language of Nature, which signifies for what everything is good and profitable: And herein lies the mystery, or central science of the high philosophical work in the true spagiric art, which consummates the cure, not only for the body, but for the soul.

The book is written in the third person, but is mostly written from the perspective of Niel Herbert, a young man who grows up in Sweet Water and witnesses the decline of Mrs. Forrester, for whom he feels very deeply, and also of the West itself from the idealized age of noble pioneers to the age of capitalist exploitation.

In general the stories in The Adventures of Sherlock Holmes identify, and try to correct, social injustices. Holmes is portrayed as offering a new, fairer sense of justice. The stories were well received, and boosted the subscriptions figures of The Strand Magazine, prompting Doyle to be able to demand more money for his next set of stories. The first story, "A Scandal in Bohemia", includes the character of Irene Adler, who, despite being featured only within this one story by Doyle, is a prominent character in modern Sherlock Holmes adaptations, generally as a love interest for Holmes. Doyle included four of the twelve stories from this collection in his twelve favourite Sherlock Holmes stories, picking "The Adventure of the Speckled Band" as his overall favourite.

Since Carroll was a mathematician at Christ Church, it has been suggested that there are many references and mathematical concepts in both this story and Through the Looking-Glass; examples include: In chapter 1, "Down the Rabbit-Hole", in the midst of shrinking, Alice waxes philosophic concerning what final size she will end up as, perhaps "going out altogether, like a candle"; this pondering reflects the concept of a limit. In chapter 2, "The Pool of Tears", Alice tries to perform multiplication but produces some odd results: "Let me see: four times five is twelve, and four times six is thirteen, and four times seven is-oh dear! I shall never get to twenty at that rate!" This explores the representation of numbers using different bases and positional numeral systems: 4 × 5 = 12 in base 18 notation, 4 × 6 = 13 in base 21 notation, and 4 × 7 could be 14 in base 24 notation. Continuing this sequence, going up three bases each time, the result will continue to be less than 20 in the corresponding base notation. (After 4 × 12 = 19 in Base 39, the product would be 4 × 13 = 1A in Base 42, then 1B, 1C, 1D, and so on.) In chapter 7, "A Mad Tea-Party", the March Hare, the Hatter, and the Dormouse give several examples in which the semantic value of a sentence A is not the same value of the converse of A (for example, "Why, you might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!"); in logic and mathematics, this is discussing a converse relation. Also in chapter 7, Alice ponders what it means when the changing of seats around the circular table places them back at the beginning. This is an observation of addition on the ring of integers modulo N. The Cheshire cat fades until it disappears entirely, leaving only its wide grin, suspended in the air, leading Alice to marvel and note that she has seen a cat without a grin, but never a grin without a cat. Deep abstraction of concepts, such as non-Euclidean geometry, abstract algebra, and the beginnings of mathematical logic, was taking over mathematics at the time Dodgson was writing. Dodgson's delineation of the relationship between cat and grin can be taken to represent the very concept of mathematics and number itself. For example, instead of considering two or three apples, one may easily consider the concept of 'apple', upon which the concepts of 'two' and 'three' may seem to depend. A far more sophisticated jump is to consider the concepts of 'two' and 'three' by themselves, just like a grin, originally seemingly dependent on the cat, separated conceptually from its physical object.

The story is told mainly through the perspectives of the women in Jacob's life, including the repressed upper-middle-class Clara Durrant and the uninhibited young art student Florinda, with whom he has an affair. His time in London forms a large part of the story, though towards the end of the novel he travels to Italy and then Greece. The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders and is presented almost entirely through the impressions other characters have of Jacob. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed with a void in place of the central character if, indeed, the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations.Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations.

Fitzgerald's characters in this novel are complex, especially with respect to marriage and intimacy. The work is generally considered to have drawn upon and be based on Fitzgerald's relationship and marriage with his wife Zelda Fitzgerald. The Beautiful and Damned tells the story of Anthony Patch, a 1910s socialite and presumptive heir to a tycoon's fortune, and his courtship and relationship with his wife Gloria Gilbert. It describes his brief service in the Army during World War I, and the couple's post-war partying life in New York, and his later alcoholism. Gloria and Anthony's love story is much more than just a couple falling in love. Their story deals with the hardships of a relationship, especially when each character has a tendency to be selfish. Joanna Stolarek suggests, Fitzgerald draws on "Zelda, the object of the writer's literary passion" (Stolarek et al. 53).

The book is structured as a series of vignettes revolving around the origins and experiences of African Americans in the United States. The vignettes alternate in structure between narrative prose, poetry, and play-like passages of dialogue. As a result, the novel has been classified as a composite novel or as a short story cycle. Though some characters and situations recur between vignettes, the vignettes are mostly freestanding, tied to the other vignettes thematically and contextually more than through specific plot details.