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Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection. The book explores how dramatic visions of antislavery provided a site for (re)mediating a white metropolitan--and at times a specifically Dutch--identity. It offers insight into the late-eighteenth- and early-nineteenth-century theatrical modes, tropes, and scenarios of racialised subjection and considers them as materials of the "Dutch cultural archive," or the Dutch "reservoir" of sentiments, knowledge, fantasies, and beliefs about race and slavery that have shaped the dominant sense of the Dutch self up to the present day.

Genevra Sforza (ca. 1441-1507) lived her long life near the apex of Italian Renaissance society as wife of two successive de facto rulers of Bologna: Sante Bentivoglio then Giovanni II Bentivoglio. Placed there twice without a dowry by Duke Francesco Sforza as part of a larger Milanese plan, Genevra served the Bentivoglio by fulfilling the gendered role demanded of her by society, most notably by contributing eighteen children, accepting many illegitimates born to Giovanni II, and helping arrange their futures for the success of the family at large. Based on contemporary archival research conducted across Italy, this biography presents Genevra as the object of academic study for the first time. The book also explores how Genevra's life-story, filled with a multitude of successes appropriate for an elite fifteenth-century female, has been transformed into a farraginous body of misogynistic legends claiming she destroyed the Bentivoglio and the city of Bologna.

Most people know little more than fragments of Dutch Jewish history: the Portuguese Jews of Amsterdam; Jewish socialism; the devastating years of the Second World War. So where is the storyline? What happened to the Jews in the Netherlands from the moment they first settled there permanently? This book answers that question. It presents the central points of 700 years of Jewish history in the Netherlands briefly and succinctly. One hundred elements of the story have been chosen that taken as a whole create a balanced and representative picture. Each relates to a central event, place, person or object that helps to illuminate one important aspect of the history of the Jews in the Netherlands, and each is linked to a striking, iconic image. They are grouped by century around unifying themes that make them part of an ongoing story.

Mahasu is the joint name of four gods whose influence is widespread throughout the Indian states of Himachal Pradesh and Uttarakhand. Like other deities in the Western Himalayas, they are regarded as royal gods who rule over territories and people. This book traces changes in faith and practices surrounding the Mahasu brothers, and shows how the locals understand these changes by emphasizing the dominant role of humans in the decisions of the gods. The locals are also constantly testing the authenticity of the human mediumship. Thus, the book presents the claim that the gap between local conceptions of divinity and the perceptions of anthropologists regarding gods may be narrower than we think. The Biography of a God: Mahasu in the Himalayas is based on ethnographic research, resulting in an important contribution to the study of Indian village deities, Himalayan Hinduism, lived Hinduism, and the anthropology of religion.

What unleashed the forces of global capitalism which continue to shape the world that we live in? Economists and economic historians variously point to innovations in logistics and trade, the emergence of a new set of business-friendly values and the emergence of new forms of applied knowledge in early modernity to solve this riddle. This book focuses on the moving image as a factor of economic development. In a series of in-depth cases studies at the intersection of film and media studies, science and technology studies and economic and social history, Films That Work Harder: The Circulations of Industrial Film presents an in-depth, global perspective on the dynamic relationship between film, industrial organization and economic development. Bringing together new research from leading scholars from Europe, Asia, Australia and North America, this book combines the state of the art in the field with an agenda for a future research.

From a much neglected Portuguese colony to independence, Timor-Leste travelled a belated, long and troubled journey that included a 24-year Indonesian occupation. A classic process of European decolonization (1974-1975) was followed by a nationalist struggle against "Third World Colonialism" (1975-1999), and a final phase under the direct aegis of the United Nations (1999-2002). More than a direct relation between coloniser and colonised, this turbulent process involved the participation of many different actors scattered around the world. The "Timor Issue" brought to the scene a martyred people's determination, the diplomacy of several nations (friends or foes), the involvement of the United Nations, and the activism of solidarity networks. This collection adopts a transnational approach that highlights the complexity of Timor-Leste's road to independence.

Monstrous Beings and Media Cultures examines the monsters and sinister creatures that spawn from folk horror, Gothic fiction, and from various sectors of media cultures. The collection illuminates how folk monsters form across different art and media traditions, and interrogates the 21C revitalization of "folk" as both a cultural formation and aesthetic mode. The essays explore how combinations of vernacular and institutional creative processes shape the folkloric and/or folkoresque attributes of monstrous beings, their popularity, and the contexts in which they are received. While it focuses on 21C permutations of folk monstrosity, the collection is transhistorical in approach, featuring chapters that focus on contemporary folk monsters, historical antecedents, and the pre-C21st art and media traditions that shaped enduring monstrous beings. The collection also illuminates how folk monsters and folk "horror" travel across cultures, media, and time periods, and how iconic monsters are tethered to yet repeatedly become unanchored from material and regional contexts.

In the twenty-first century horror television has spread across the digital TV landscape, garnering mainstream appeal. Located within a transmedia matrix, Transmedia Terrors in Post-TV Horror triangulates this boom across screen content, industry practices, and online participatory cultures. Understanding the genre within a post-TV paradigm, the book readdresses what is horror television, analysing not only broadcast TV and streaming platforms but also portals such as YouTube, Twitch.TV, and apps. The book also investigates complex digital media ecologies, blurring distinctions between niche and general audience viewing practices, and fostering new circulation pathways for horror television from around the world. Undertaking netnography, the book further offers an innovative model - abject spectrums - to empirically explore myriad audience responses to TV horror, manifesting in various participatory practices including writing, imagery, and crafts. As such, the book greatly expands what is considered horror television, its formatting and circulation, and the transmedia materiality of audience engagement.

Travel Writing in Mongolia and Northern China, 1860-2020 invites readers to explore Mongolia as an important cultural space for Western travelers and their audiences over three historical eras. Travelers have framed their experiences and observations through imaginative geographies and Orientalizing discourses, fixing Mongolia as a peripheral, timeless, primitive, and parochial place. Readers can examine the travelers' literary and rhetorical strategies as they make themselves more credible and authoritative and as they identify themselves with Mongolians and Mongolian culture or, conversely, distance themselves. In this book, readers can also approach travel writing from the perspective of women travelers, Mongolian socialist intellectuals, twenty-first-century travelers, and a Han Chinese writer, Jiang Rong, who promotes cultural harmony yet anticipates the disappearance of Mongolian culture in China.

How 'green' were people in late antiquity and the Middle Ages? Unlike today, the nature around them was approached with faith, trust and care. The population size was many times smaller than today and human impact on nature not as extreme as it is now. People did not have to worry about issues like deforestation and sustainability. This book is about the knowledge of plants and where that knowledge came from. How did people use earth and plants in ancient times, and what did they know about their nutritional or medicinal properties? From which plants one could make dyes, such as indigo, woad and dyer's madder? Is it possible to determine that through technical research today? Which plants could be found in a ninth-century monastery garden, and what is the symbolic significance of plants in secular and religious literature? The Green Middle Ages addresses these and other issues, including the earliest herbarium collections, with a leading role for the palaeography and beautiful illuminations from numerous medieval manuscripts kept in Dutch and other Western libraries and museums.

Disasters are as much cultural as natural phenomena. For centuries, news about catastrophic events has been disseminated through media such as chronicles, pamphlets, newspapers, poems, drawings, and prints. Nowadays, we are overwhelmed with news about the cataclysmic effects of recent forest fires, floods, and storms. Due to the ongoing climate crisis, extreme weather events will likely have ever greater impacts on our lives. This volume addresses cultural representations of catastrophes such as floods, epidemics, and earthquakes over the centuries. In the past as now, artists and authors try to make sense of disasters, grasp their impact, and communicate moral, religious, or political messages. These creations reflect and shape how people learn and think about disasters that occur nearby or far away, both in time and space. The parallels between past and present underline how this book contributes to modern debates about cultural and creative strategies in response to disasters.

This volume of interdisciplinary essays examines the intersection of religion and literature in medieval China, focusing on the impact of Buddhism and Daoism on a wide range of elite and popular literary texts and religious practices in the 3rd-11th centuries CE. Drawing on the work of the interdisciplinary scholar Stephen Bokenkamp, the essays weave together the many cross-currents of religious, intellectual, and literary traditions in medieval China to provide vivid pictures of medieval Chinese religion and culture as it was lived and practiced. The contributors to the volume are all highly regarded experts in the fields of Chinese poetry, Daoism, Buddhism, popular religion, and literature. Their research papers cut across imagined disciplinary boundaries to show that the culture of medieval China can only be understood by close reading of texts from multiple genres, traditions, and approaches.

The modern research university originated in Europe in the second half of the nineteenth century, largely due to the creation and expansion of the teaching and research laboratory. The universities and the sciences underwent a laboratory revolution that fundamentally changed the nature of both. This revolutionary development began in chemistry, where Justus Liebig is credited with systematically employing his students in his ongoing research during the 1830s. Later, this development spread to other fields, including the social sciences and the humanities. The consequences for the universities were colossal. The expansion of the laboratories demanded extensive new building programs, reshaping the outlook of the university. The social structure of the university also diversified because of this laboratory expansion, while what it meant to be a scientist changed dramatically. This volume explores the spatial, social, and cultural dimensions of the rise of the modern research laboratory within universities and their consequent reshaping.

Non-elite or marginalized early modern women--among them the poor, migrants, members of religious or ethnic minorities, abused or abandoned wives, servants, and sex workers--have seldom left records of their experiences. Drawing on a variety of sources, including trial records, administrative paperwork, letters, pamphlets, hagiography, and picaresque literature, this volume explores how, as social agents, these doubly invisible women built and used networks and informal alliances to supplement the usual structures of family and community that often let them down. Ten essays, ranging widely in geography from the eastern Mediterranean to colonial Spanish America and in time from the sixteenth to the eighteenth centuries, show how flexible, sometimes ad hoc relationships could provide crucial practical and emotional support for women who faced problems of livelihood, reputation, displacement, and violence.

The catastrophic Sicilian earthquake of 1693 led to the rebuilding of over 60 towns in the island's south-west. The rebuilding extended into the eighteenth century and gave opportunities for the reassertion and the transformation of power relations. Although eight of the towns are now protected by UNESCO, the remarkable architecture resulting from this rebuilding is little known outside Sicily. This is the first book-length study in English of this interesting area of early modern architecture. Rather than seek to address all of the towns, five case studies discuss key aspects of the rebuilding by approaching the architecture from different scales, from that of a whole town to parts of a town, or single buildings, or parts of buildings and their decoration. Each case study also investigates a different theoretical assumption in architecture, including ideas of the Baroque, rational planning, and the relegation of decoration in architectural discourse.

In Counter-Hispanization in the Colonial Philippines, the author analyzes the literature and politics of "spiritual conquest" in order to demonstrate how it reflected the contribution of religious ministers to a protracted period of social anomie throughout the mission provinces between the 16th-18th centuries. By tracking the prose of spiritual conquest with the history of the mission in official documents, religious correspondence, and public controversies, the author shows how, contrary to the general consensus in Philippine historiography, the literature and pastoral politics of spiritual conquest reinforced the frontier character of the religious provinces outside Manila in the Americas as well as the Philippines, by supplanting the (absence of) law in the name of supplementing or completing it. This frontier character accounts for the modern reinvention of native custom as well as the birth of literature and theater in the Tagalog vernacular.

The Portuguese Restoration of 1640 ended the dynastic union of Portugal and Spain. This book pioneers in reconstructing the global image discourse related to the event by bringing together visualizations from three decades and four continents. These include paintings, engravings, a statue, coins, emblems, miniatures, a miraculous crosier and other regalia, buildings, textiles, a castrum doloris, drawings, and ivory statues. Situated within the academic field of visual studies, the book interrogates the role of images and depictions before, during, and after the overthrow and how they functioned within the intercontinental communication processes in the Portuguese Empire. The results challenge the conventional notion of center and periphery and reveal unforeseen entanglements as well as an unexpected agency of imagery from the remotest regions under Portuguese control. The book breaks new ground in linking the field of early modern political iconography with transcultural art history and visual studies.

What do we do when we listen? The act of engagement with music in everyday life may seem simple on the surface but participation, interpretation, circulation and cultural production in the digital age are more complex and entangled than ever before. It is especially so in Japan, with its vast multimedia idol and vocaloid industries. This unique ethnographic work at the intersection of cultural, media and music studies covers a wide spectrum of music-related activities embedded in the daily lives of two Japanese cohorts. The varied case studies, including teen idol groups and virtual idols, aid the detailed examination of the relation between music, generation, and society.

In Vienna after WWI and Berlin after WWII, the provision of mass housing not only was a response to a dire social need but also served as a key lever for building variants of socialism and liberalism. Zooming into the interplay between political ideologies and the production of space, this book shows that ideologies, understood as political beliefs that underpin everyday life, are never simply 'written' into space but that their meaning is made and re-made, negotiated and contested, and sometimes cunningly subverted in and through space. How people live was - and continues to be - a profoundly political question that involves negotiations of, and decisions on, norms and ideals of citizenship, freedom, equality, property, democracy, gender, and family life - negotiations and decisions that come with legacies that shape the present.

Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general.

This book is specifically dedicated to film history's own history: It provides insights into the fabrication of film histories and the discourses on their materials and methods in the past in order to better understand and reconsider film history today. The interventions unpack unspoken assumptions and hidden agendas that determine film historiography until today, also with the aim to act as a critical reflection on the potential future orientation of the field. The edited volume proposes a transnational, entangled and culturally diverse approach towards an archaeology of film history, while paying specific attention to persons, objects, infrastructures, regions, institutional fields and events hitherto overlooked. It explores past and ongoing processes of doing, undoing and redoing film history. Thereby, in a self-reflective gesture, it also draws attention to our own work as film historians.

In Calvinists and Indians in the Northeastern Woodlands, Stephen T. Staggs analyzes the impact of the Dutch Reformation upon the cross-cultural relations between those living in and around New Netherland. Staggs shows that Native Americans and New Netherlanders hunted, smoked, ate, and drank together, shared their faith while traveling in a canoe, and slept in each other's bedrooms. Such details emerge in documents written by New Netherlanders like Megapolensis. Author of the most accurate account of the Kanien'kehá ka (Mohawks) by a Dutch Reformed minister, Megapolensis provides a window into the influence and limits of the Dutch Reformation upon the dynamic, multifaceted relationships that developed in the early modern Northeastern Woodlands. Megapolensis came of age when Dutch Reformed theologians looked to the Bible to incorporate Indians into a Reformed worldview. In so doing, they characterized Indians as "blind Gentiles" to whom the Dutch were being called, by God, to present the gospel through the preaching of the Bible and the Christian conduct of colonists, which necessitated social interaction. This characterization ultimately informed the instructions given to those heading to New Netherland, raised expectations among the clergy and lay chaplains who served in the colony, and prefigured the reciprocal, intimate relationships that developed between Indians and New Netherlanders during the seventeenth and eighteenth centuries.

Vietnam: A War, Not a Country explores the conflicting ways in which the American-Vietnamese War has been collectively remembered and represented from the perspective of the war's three primary belligerents: the Vietnamese communists, the South Vietnamese, and the Americans. The book examines how the three different collectives memorialize this traumatizing historical event. Within each of these three groups there exists a number of competing narratives, generating not only a sense of shared meaning and community, but also impassioned social conflict. In order to trace these narratives within each collectivity, the authors develop the concept of arenas of memory, distinct discourses that are tied to specific individuals, organizations, and institutions that advocate specific narratives through specific forms of media. Their analysis leads them to make the case as to whether each of these societies experienced a cultural trauma as a result of the way in which the war is remembered.

This book examines how community remembers one of the most gruesome acts of violence in the 20th century: the anti-communist violence in 1965 in Indonesia. Through a case study in a rural district in East Java, this research presents complexities of memory culture of violence. These memories are not exclusively determined by the state's repressive memory project, but are actually embedded in intricate social relations and local context where the violence occurred. What people remember, forget, or silenced is part of the continuous negotiation to claim one's right, to relate to the state, and to be Indonesian citizen. This book redefines the politics of memory - that it does not necessarily appear in formal arenas, but actually lies in the intricate web of local dynamics, often involving transactional and clientelistic practices.

Social movements are not only remembered in personal experience, but also through cultural carriers that shape how later movements see themselves and are seen by others. The present collection zooms in on the role of photography in this memory-activism nexus. How do iconographic conventions shape images of protest? Why do some images keep movements in the public eye, while others are quickly forgotten? What role do images play in linking different protests, movements, and generations of activists? Have the affordances of digital media made it easier for activists to use images in their memory politics, or has the digital production and massive online exchange of images made it harder to identify and remember a movement via a single powerful image? Bringing together experts in visual culture, cultural memory, social movements, and digital humanities, this collection presents new empirical, theoretical, and methodological insights into the visual memory of protest.

Tradition, translation, and transcription in Henrician verse functioned together in systems of communally created, coded position-taking. Understanding this system as an extensive network of production and reception in which women took on many roles allows for new readings of Henrician verse that emphasize the interpretive range available to contemporary reading and writing communities. This restoration demasculinizes our approach to Henrician verse not only through a more equitable consideration of gender's functions in that social world, but also in de-emphasizing individualized self-fashioning or authorial intent in favor of an engagement with communal production and shared sociopolitical engagement. The creation in this system is not of a code, but of systems for coding and recognizing position-taking. These communal systems offer a site for the intersection of reader and writer, of transcriber and composer, and of King and courtier in a space that questions, creates, and troubles power in the Henrician court.

What can space tell us about our past? Which stories do memory sites narrate? Which memories do they transmit? And, more importantly, how can we read their meanings? Semiotics can provide us with a homogeneous, shareable and theoretically sound methodology to analyse space within a comparable and common frame of reference for scholars of memory studies and traumatic heritage, as well as for historians, architects and museum curators. The book describes in clear and understandable language the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case studies of memory spaces - monuments, museums, post-war urban restoration, filmed and virtual space - in order to show the applicability and efficacy of a semiotic methodology.

Taking up the challenges of the datafication of culture, as well as of the scholarship of cultural inquiry itself, this collection contributes to the critical debate about data and algorithms. How can we understand the quality and significance of current socio-technical transformations that result from datafication and algorithmization? How can we explore the changing conditions and contours for living within such new and changing frameworks? How can, or should we, think and act within, but also in response to these conditions? This collection brings together various perspectives on the datafication and algorithmization of culture from debates and disciplines within the field of cultural inquiry, specifically (new) media studies, game studies, urban studies, screen studies, and gender and postcolonial studies. It proposes conceptual and methodological directions for exploring where, when, and how data and algorithms (re)shape cultural practices, create (in)justice, and (co)produce knowledge.

Is it possible to be religiously exclusive and socially inclusive? How do we deal with those outside of our own religious community who have completely different and sometimes conflicting views on what should be considered true and right behaviour? What if a religious tradition orders the expulsion or killing of those who leave the faith community and adopt another worldview? This book focuses on biblical texts concerning exclusivity and apostasy, studying different interpretations of such texts. It starts with the Jewish and Christian tradition of the Hebrew Bible, continues with texts from the New Testament, and explores diverse social studies to find ways of understanding the relationship between exclusion and inclusion today. Part of this exploration is the interaction with Jewish and Islamic voices. The collection ends with a systematic and missiological reflection on the issues Christian churches and other religious communities must address today.

Characters are a vital aspect of today's transmedia practices. Combining theories on fictional persons from Japanese and Euro-American practices, this book discusses video game characters embedded in our popular media culture in which they are constantly produced and re-imagined. This book introduces the dynamic game character, a type of game character with a development structure that consists of multiple outcomes in a game. Through their actions and choices, players can influence these game characters' identities and affect their possible destinies. Games subvert the idea that fictional persons must maintain a coherent identity. This book shows that dynamic game characters challenge strategies of top-down control through close readings of the Mass Effect series, Persona 5, Hades, Animal Crossing: New Horizons and more. It is directed to all scholars interested in the topics of transmedia storytelling, video games, characters, and Japanese narratology.