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Camille Saint-Saëns schrieb sein Weihnachtsoratorium (Oratorio de Noël)in nur 12 Tagen. In seiner ersten Fassung wurde das Werk an Weihnachten 1858 in der PariserMadeleine raufgeführt. Gedruckt lagen die Vokalpartien und der Klavierauszug 1863 vor. Nochbevor die vollständige Partitur im Druck erschien, nahm Saint-Saëns allerdings einigeÄnderungen im Manuskript vor, was zu Widersprüchen, Fehlern und Auslassungen zwischen deneinzelnen Lesarten führte.Um erstmals den von Saint-Saëns intendierten Notentext möglichst genau darzustellen, wurde fürdie nun erschienene Urtextausgabe des Weihnachtsoratoriums neben den frühen Drucken auchdas Partiturautograph herangezogen.

Vivaldi's Violin Concerto in G (Op. 7) Book 2 No. 2, (RV 299), edited by Manfred Fechner, arranged for violin and piano. Vivaldis Violinkonzert G-Dur op. 7/II, 2, RV 299, herausgegeben mit Nachwort von Manfred Fechner, in einer Ausgabe für Violine und Klavier, enthält Einzelstimme mit Vortragsbezeichnungen von Johann Sebastian Bach, Gasparo Visconti und Johann Georg Pisendel  (Kritischer Bericht in der Hauptausgabe EP9838).

In nur zwei Wochen schrieb der von Zeitgenossen als "Universalist"bezeichnete Camille Saint-Saëns dieses Werk nieder. 1868 erlebte es eine nur mäßig erfolgreicheUraufführung, doch heute ist es aus dem Konzertsaal nicht mehr wegzudenken und gehört zumStandardrepertoire vieler Pianisten.

Die vorliegende Ausgabe der drei Liederzyklen "Die schöne Müllerin","Winterreise" und "Schwanengesang" von Franz Schubert bietet das Ergebnis quellenkritischerForschung in Verbindung mit der Erfahrung internationaler Konzertpraxis.

Music for Solo Piano, By Erik Satie, volume 1. Contains Three Gymnopedies, Je te veux, 3 Sarabandes and 3 Pièces froides. This collection is edited by Roger Nichols and is suitable for intermediate pianists.Klaiverwerke von Erik Satie, Band 1. Enthält Drei Gymnopedien, Je te veux, 3 Sarabandes und 3 Pièces froides. Herausgegeben von Roger Nichols, für Pianisten der Mittelstufe geeignet.

The book offers varied playing material for beginner violinists, ideal for violin lessons and competitions. All eight pieces are to be played in the first position with easy piano accompaniments, so students can play together right from the start.8 leichte Stücke für Violine und KlavierDie Ausgabe bietet abwechslungsreiche Spielliteratur für Anfänger, die sich im Violinunterricht und bei Wettbewerben bestens bewährt hat. Alle acht Stücke sind in der ersten Lage zu spielen; der Klavierpart ist ebenfalls leicht, so dass Schüler von Anfang an zusammen spielen können.

Giovanni Gabrieli's Buccinate from the Sacrae Symphoniae (1615) is a festival Motet for nineteen solo voices in four groups. Text is from Psalm 80, Vulgata 798.Giovanni Gabrielis Buccinate aus den Sacrae Symphoniae (1615) ist eine Festmotette für neunzehn Solostimmen in vier Gruppen. Der Text stammt aus Psalm 80, Vulgata 798.

A lively D-major setting of Psalm 112, Handel composed his Laudate Pueri Dominum in 1707 in Rome. Vocal Score with keyboard reduction of the original orchestral accompaniment.Georg Friedrich Händels lebhafte Vertonung von "Laudate pueri Dominum", Psalm 112, entstand 1707 in Rom.

Brahms' Vocal Quartets, in 3 volumes (Vol. 1) for four solo voices (or mixed choir) and piano, edited by Kurt Soldan. Contains Op. 31, 64, 92 and 112.Brahms' Vokalquartette, in 3 Bänden (Vol. 1) für vier Solostimmen (oder gemischten Chor) und Klavier, herausgegeben von Kurt Soldan. Enthält Op. 31, 64, 92 und 112.

Rustle of Spring (Op. 32, No. 3) is Sinding's most popular piece of music. The work is written for solo piano in 1896 and is in Salon style.Frühlingsrauschen op. 32, Nr. 3 ist Sindings berühmtestes Musikstück. Das Werk wurde 1896 für Klavier geschrieben und ist im Salonstil gehalten.

Mendelssohn's 17 Male Choruses, for a cappella men's chorus (with the exception of Op.50 No.2, which has ad libitum parts for horns and trombone, though the instrumental parts are not included).Mendelssohns 17 Männerchöre für Männerchor a cappella (mit Ausnahme von op. 50 Nr. 2, das ad libitum Stimmen für Hörner und Posaune enthält, wobei die Instrumentalstimmen nicht enthalten sind).

9 Partsongs for SATB & Pianoforte by Haydn. In 1796 Haydn began a series of vocal pieces which later became known as Mehrstimmige Gesänge. There are nine quartets and four terzets in the set. The German texts were selected by the composer from a collection of poems entitled Lyrische Blumenlese, which had been collected by C.W. Ramler (1725 - 98), a slightly older contemporary of Haydn's.Neun Vierstimmige Gesänge für gemischten Chor und Klavier von Joseph Haydn. 1796 begann Haydn die Komposition einer Reihe von Vokalstücken, die später als Mehrstimmige Gesänge bekannt wurden. Es handelt sich dabei um neun Quartette und vier Terzette. Die deutschen Texte wurden vom Komponisten aus einer Gedichtsammlung mit dem Titel "Lyrische Blumenlese" ausgewählt, die von Haydns Zeitgenossen C.W. Ramler (1725-98) herausgegeben worden war.

"Haydn's The Seven Last Words, Vocal Version for Soli, Choir and Orchestra. As the composer explained this work: "Some fifteen years ago I was requested by a Canon of Cadiz to compose instrumental music on the seven last words of Our Savior on the Cross. It was customary at the Cathedral of Cadiz to produce an oratorio every year during Lent, the effect of performance being not a little enhanced by the following circumstances: The walls, windows and pillars of the church were covered with black cloth, and only a large lamp hanging in the centre illuminated the sacred darkness."""The work was commissioned in 1787 for the Good Friday Service at the Grotto Santa Cueva near Cadiz in southern Spain; Haydn added vocal parts to the orchestral work between 1795 and 1796, and published a version for String Quartet (Edition Peters EP289E).""Haydns Die sieben letzten Worte unseres Erlösers am Kreuze in der Vokalfassung für 4 Solostimmen, Chor und Orchester. Der Komponist erklärte dieses Werk wie folgt: "Vor etwa fünfzehn Jahren wurde ich von einem Domherrn von Cádiz gebeten, Instrumentalmusik zu den sieben letzten Worten unseres Erlösers am Kreuz zu komponieren. An der Kathedrale von Cádiz war es üblich, jedes Jahr in der Fastenzeit ein Oratorium aufzuführen, wobei die Wirkung der Aufführung durch die folgenden Umstände nicht wenig verstärkt wurde: Die Wände, Fenster und Pfeiler der Kirche waren nämlich mit schwarzem Tuche überzogen, und nur eine, in der Mitte hängende große Lampe erleuchtete das heilige Dunkel.""Das Werk wurde 1787 für den Karfreitagsgottesdienst in der Grotte Santa Cueva bei Cádiz in Südspanien in Auftrag gegeben. Haydn fügte dem Orchesterwerk zwischen 1795 und 1796 Vokalstimmen hinzu und veröffentlichte eine Fassung für Streichquartett (Edition Peters EP289E)."

Robert Sheldon's Megawatt Rock will light up your next concert. This high-energy rock-style piece with its rhythmic drive and power chords is sure to amp up the spirit in the performance level of the students. Using only the first seven notes that most beginning band students learn, it is written in Mixolydian mode, with the key signature including the added flat. The rhythms, dynamics, articulation, key, and style provide electrifying teachable moments that occur throughout the piece at no extra charge!" (1:53) Correlated to Sound Innovations, Book 1, Level 4. This title is available in MakeMusic Cloud."

Take a journey on the Silk Road, the ancient trade route that linked the Far East with the Western world in this imaginative piece by Robert Sheldon. Exotic harmonies combine with driving rhythms and colorful percussion to create a soundscape of shifting sands and faraway lands. A solo alto saxophone references the sound of a Turkish sorna to open the piece, leading to the persistent rhythm and modal melodies. Finger cymbals, shakers, and hand drums help to represent the culture of this remote part of the world. (2:19) Correlated to Sound Innovations, Book 2, Level 3.

Rebound by Chris M. Bernotas is an innovative piece that will place your first-year percussion students in the spotlight. Faculty members, parents, and other students are given the opportunity to perform as members of the Basketball Percussion Section! This piece focuses on the first six notes students learn and includes choreography for the basketball stars. (2:35) Correlated to Sound Innovations, Book 1, Level 3. This title is available in MakeMusic Cloud.

The Dragon Run is a 40 mile winding stream that flows throughout Virginia and empties into the Piankatank River. It is also known as the Dragon Swamp and even just The Dragon. This immense ecosystem is known for its rich wildlife and preserved beauty. Dragon Run by Chris M. Bernotas features strong rhythms, intentional dissonance, contrasting dynamics, and wonderful musical opportunities for all. It echoes the excitement of exploring the views and experiencing the sometimes intense wildlife visitors encountered when journeying along the river and surrounding swamps. (2:26) Correlated to Sound Innovations, Book 1, Level 6.

The Cherry Tree is a beautiful and lyrical folk song dating back as early as the 15th century in the English Midlands. Having traveled all around western Europe, this folk tune eventually found its way to America, gaining popularity in the South in early 1900s and again in the 1960s. This setting, by composer Brian Beck, captures the beauty and simplicity of the original ballad while encouraging musical expression and smooth phrasing. (3:21) Correlated to Sound Innovations, Book 1, Level 5. This title is available in MakeMusic Cloud.

You're cool, likeable, and confident. You don't walk, you strut. When you enter a party, a hush falls over the room and heads turn because you have a certain je ne sais quoi!" People say you're "the bee's knees" and "the cat's meow." You're Awesome Sauce and this piece is the soundtrack of your life! With its fun, blues-like melody and cool rock beat, Awesome Sauce by Scott Watson is sure to be a player favorite. The limited chromaticism, accessible jazz-esque rhythms, and style-important articulations offer excellent teaching moments for the director. (2:57) Awesome Sauce correlates to Book 1, Level 6 of Sound Innovations for Concert Band. This title is available in MakeMusic Cloud."

Spectral melodies and varied orchestration abound in Twilight Waltz by Randall D. Standridge. This work begins with the mallet percussion setting an eerie mood and grows into a dark dance of harmony and color. Lyrical but not slow, this cinematic piece is sure to engage your performers and audience. Haunting! (2:30)

Heroes Among Us by Gary Fagan is an original overture-style work for string orchestra that was inspired by the many people who worked tirelessly behind the scenes to make sure many school children who could not go to school received at least two hot meals each day throughout the COVID-19 pandemic. School bus drivers and cafeteria workers put in long hours to prepare meals and deliver them to students who otherwise may have gone hungry during the week. While teachers, nurses, doctors, etc. received accolades during the months when schools were out of session, many adults stepped in to take care of other necessities to ensure the well-being of the students they served. (3:30)

A must for any regal ceremony. The traditional Pomp and Circumstance" has been scored for young full orchestra or strings alone. It includes a processional and the majestic "Rondeau" from Premiere Suite as the recessional. This arrangement would be an outstanding graduation choice for any level orchestra performing without graduating seniors. A welcome necessary arrangement for every library. (3:45) This title is available in MakeMusic Cloud."

Give your students the opportunity of playing a piece for beginning band that is upbeat and full of excitement! Violento is an original beginning band composition by veteran composer Victor López. This exciting work is a forceful and rhythmically driven composition that sounds more difficult than written. A mixture of the danzón---Cuba's unique genre of song and dance---and basic rhythmic interplay give this piece a unique touch. The inclusive, simple, and repetitious rhythmic patterns will certainly make an energetic statement at your next concert. (1:53) This title is available in MakeMusic Cloud.

Operation Invictus is a rising band work that checks all the boxes: exciting parts for all players, commanding rhythms, and challenging, yet surmountable melodies that will leave your band feeling great about themselves and their performance. Each instrument gets to play snappy little licks that are so engaging they'll want to practice. Even the low brass gets some fanfare-like material that will sound powerful. The very word invictus is Latin for undefeated." A tremendous piece at the easy level that can be played either at the beginning or end of your next concert or festival. (3:07) This title is available in MakeMusic Cloud."

Solstice Celebration by composer Mike Collins-Dowden depicts the spirit of these celebrations through a joyous, energetic melody passed between all sections of the ensemble, and with a more somber, reflective interlude. (2:13) This title is available in MakeMusic Cloud.

Ideal for younger bands, Joyous Venture by Bruce W. Tippette is brimming with opportunities to put smiles on your ensemble's faces, including tuneful melodies, upbeat tempos, and a majestic climactic moment. Give your group the opportunity to shine! (2:27) This title is available in MakeMusic Cloud.

Spring March by Jonathan Dagenais was written for the Saint-Edmond High School music program in Quebec, Canada. Spring March is a short, lively, and exciting concert march for beginner bands. With several thematic and humorous elements, this piece is a fun way to work on lightness of style, functional balance, tempo stability, and is perfect for teaching cut time and the traditional march form and structure. There are clear stylistic contrasts between all the different sections of the piece and the beautiful lyrical trio section offers a great opportunity to work on phrasing and support. With efficient and exciting percussion parts, the piece also offers interesting lines and melodies for every instrument. (3:00)

Upon completion of an activity, an event, or other meaningful experiences, there is a time for reflection for what has been accomplished and what is to follow. This lyrical piece features a memorable melody that is presented by all sections of the band. These reflective presentations lead into a slightly faster minor section indicating the anticipation of plans for the future. The final presentation of the melody indicates a positive feeling of accomplishment and features a moving countermelody by the woodwinds leading to a quiet, contemplative ending. Check out Journey's End, composed by Steve Hodges. (2:48) This title is available in MakeMusic Cloud.

My Victory Won, by Todd Stalter, explores melodic and metaphorical aspects of the hymn, Be Thou My Vision." Taking inspiration from the little-known third verse of the hymn, the bold, percussive introduction soon gives way to a contemplative section featuring unique and interesting timbres, and a passage for solo flute. The work ends in a triumphant, unabashed burst of energy and affirmation. (3:56) This title is available in MakeMusic Cloud."