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This book delves into creative renditions of key aspects of Jewish Mysticism in Latin American literature, film, and art from the perspective of literary and cultural studies. This book introduces the work of Latin American authors and artists who have been inspired by Jewish Mysticism from the 1960s to the present.

This volume tells the story of the development and the organization of Ottoman libraries from the fourteenth through the twentieth century. The book surveys the phases through which the history of Ottoman libraries evolved and lays out the organization, the personnel, and day-to-day functioning of these institutions.

This volume, the first collection to examine critically the relationship between Jewish education and Jewish identity.

After more than a century of genocides and in the midst of a global pandemic, this book focuses on the critique of biopolitics (the government of life through individuals and the general population) and the counterdevelopment of biopoetics (an aesthetics of life elaborating a self as a practice of freedom) realized in texts by Virginia Woolf, Michel Foucault, and Michael Ondaatje. Their world fiction produces transhistorical, transnational experiences offered to the reader for collective responsibility in these critical times. Their books function as heterotopias: spaces and processes that recall and confront regimes of recognized truths to dismantle fixed identities and actualize possibilities for becoming other. Higgins and Leps define and explore a slant, biopoetic perspective that is feminist, materialist, anti-racist, and anti-war.

This volume is a tribute to Cemal Kafadar from his students, colleagues and friends.

A fusion of documentary and psychological thriller inspired by true events conceived and written over an eight-year period. Drawing on the Indigenous Australian concept of dreamtime, the novel explores a society's collective experience of war and conflict and is based on real events that the author, a war correspondent and photojournalist, witnessed during the war in eastern Ukraine and the migration crises in southern Europe over recent years.

Moses Maimonides-a proud heir to the Andalusian tradition of Aristotelian philosophy-crafted a bold and original philosophical interpretation of Torah and Judaism. His son Abraham Maimonides is a fascinating maverick whose Torah commentary mediates between the philosophical interpretations of his father, the contextual approach of Biblical exegetes such as Saadya, and the Sufi-flavored illuminative mysticism of his Egyptian Pietist circle. This pioneering study explores the intersecting approaches of Moses and Abraham Maimonides to the spark of divine illumination and revelation of the divine name Ehyeh asher Ehyeh, "e;I am that I am / I will be who I will be."e;

Over a career spanning forty years, David G. Dalin has written extensively about the role of American Jews in public life, from the nation's founding, to presidential appointments of Jews, to lobbying for the welfare of Jews abroad, to Jewish prominence in government, philanthropy, intellectual life, and sports, and their one-time prominence in the Republican Party. His work on the separation of Church and State and a prescient 1980 essay about the limits of free speech and the goal of Neo-Nazis to stage a march in Skokie, Illinois, are especially noteworthy. Here for the first time are a collection of sixteen of his essays which portray American Jews who have left their mark on American public life and politics.

Yeshayahu Leibowitz and Emmanuel Levinas were amongst the two leading Jewish thinkers to have emerged in the second half of the twentieth century. This book puts in dialogue these two titanic figures, particularly within the framework of their respective critiques of political theology, European totalitarianism, as well as their doctrinal approaches to the Zionist enterprise. This work constitutes a lens through which to reappraise some of the chief questions of contemporary Jewish identity, including the Holocaust, the State of Israel, Diaspora Jewry, modernity and traditionalism, as well as continuity and change.

This monograph is nothing less than a bold attempt at solving the riddle of Gogol's novel Dead Souls that even inspired a staging of Dead Souls at Schauspiel Stuttgart. Heftrich gives a comprehensive, coherent answer to the question of the novel's meaning by meticulously laying bare its structure. The first part of the monograph is dedicated to one section of Gogol's novel that has been neglected by virtually all critics - a clue that leads to a strictly ethical reading of Gogol's epic. Gogol, as it emerges, constructed Dead Souls strictly according to a moral pattern. It is amazing to discover how flawlessly Dead Souls is built in this regard. The novel thus proves to be a true descendant of medieval romance with its inseparable interrelation between ethics and epics.

Amid ethnic violence, political corruption, and petty professionalintrigue, an artist tries to live free of lies.Set during the last years of the Soviet Union, StoneDreams tells the story of Azerbaijani actor Sadai Sadygly, who landsin a Baku hospital while trying to protect an elderly Armenian man from a gangof young Azerbaijanis. Something of a modern-day Don Quixote, Sadai has longbattled the hatred and corruption he observes in contemporary Azerbaijanisociety. Wandering in and out of consciousness, he revisits his hometown, theancient village of Aylis, where Christian Armenians and Muslim Azeris oncelived peacefully together, and dreams of making a pilgrimage of atonement toArmenia. Stone Dreams is a searing, painful meditation onthe ability of art and artists-of individual human beings-to make change in theworld.

The book presents a broad-scope analysis of piezoelectric electromechanical transducers and the related aspects of practical transducer design for underwater applications. It uses an energy method for analyzing transducer problems that provides the physical insight important for the understanding of electromechanical devices. Application of the method is first illustrated with transducer examples that can be modeled as systems with a single degree of freedom, (such as spheres, short cylinders, bars and flexural disks and plates made of piezoelectric ceramics). Thereupon, transducers are modeled as devices with multiple degrees of freedom. In all these cases, results of modeling are presented in the form of equivalent electromechanical circuits convenient for the calculation of the transducers' operational characteristics. Special focus is made on the effects of coupled vibrations in mechanical systems on transducer performance. The book also provides extensive coverage of acoustic radiation including acoustic interaction between the transducers.The book is inherently multidisciplinary. It provides essential background regarding the vibration of elastic passive and piezoelectric bodies, piezoelectricity, acoustic radiation, and transducer characterization. Scientists and engineers working in the field of electroacoustics and those involved in education in the field will find this material useful not only for underwater acoustics, but also for electromechanics, energy conversion and medical ultrasonics.Part II contains general information on vibration of mechanical systems, electromechanical conversion in the deformed piezoceramic bodies, and acoustic radiation that can be used independently for treatment transducers of different type.

Russia in the 1990s had a ¿Wild West¿ vibe, as reformist and conservative elements struggled for ascendancy. It was a time of heightened media freedom, a burgeoning civil society, and a quest for a new national identity. This volume examines the arc of official political rhetoric during this critical period.

The first detailed study of string quartets in late-eighteenth and early-nineteenth century Europe through the work of nine scholars who explore little-studied aspects of this multi-faceted genre.

A Centennial, writes Hebrew College President Rabbi Sharon Cohen Anisfeld, is an opportunity "to ask ourselves what has changed and what has endured...to articulate our aspirations for the next one hundred years." Gathering incisive essays in Jewish studies alongside powerful personal stories, ¿iddushim celebrates a community connected to its source and brimming with spiritual and intellectual creativity as it looks toward the future.

By examining Jewish experiences between the American Civil War and the African American Civil Rights Revolution, this book focuses on citizens who usually spent their daily lives in Black and white "e;peoplehoods."e; Some of the white ones, commanding the nation's "e;public square,"e; structured a segregated republic and capitalist economy that would experience WWII and the news about the Holocaust that murdered millions of Jews. This political economy sustained a hierarchy of privatized ethnic groups whose race and religion, in their norms of "e;ethnicking,"e; was used to deprive them of legal and equal collective standing. This Was America is a book about those privatized identities that the years of the Civil Rights Revolution would bring into the republic's public square.

As a scientist, philosopher and scholar in Jewish thought, Yeshayahu Leibowitz was one of the most noteworthy thinkers in the twentieth century. He was endowed with a remarkable intellect and was knowledgeable across a variety of fields. Born in Riga (Latvia) in 1903, he later immigrated to Israel, where he taught organic chemistry, biochemistry, neurology, biology, neurophysiology, philosophy and Jewish thought at Haifa and Jerusalem University. He was Chief Editor of the Hebrew encyclopedia, where he wrote about scientific, philosophical, historical and religious topics. Leibowitz was an orthodox Jew, but rejected the notion of divine intervention in nature or history. So what was actually Leibowitz' belief? This volume explores his belief system.

The focus of this study in comparative criticism is close analysis of Dostoevsky's first literary publication-his 1844 translation of the first edition of Balzac's Eug nie Grandet (1834)-and the stylistic choices that he made as a young writer while working on Balzac's novel. Through the prism of close reading, the author analyzes Dostoevsky's literary debut in the context of his future mature aesthetic style and poetics. Comparing the original and the translation side by side, this book focuses on the omissions, additions and substitutions that Dostoevsky brought into the text. It demonstrates how young Dostoevsky's free translation of Eugenie Grandet predicts the creation of his own literary characters, themes, and other aspects of his literary output that are now recognized as Dostoevsky's signature style. It investigates the changes that Dostoevsky made while working on Balzac's text and analyzes the complex transplantation of Balzac's imagery, motifs, and character portraiture from Eugenie Grandet into Dostoevsky's own writing later on.