A novel understanding of the significance of Jesus from a providential perspective: preparations for the Messiah; the rejection, persecution and crucifixion of Jesus by Israel; and the responsibilities of Christians as followers of Christ.
The first-ever collection of works by a vibrant New York artist. Vagabond is an artist, writer, filmmaker, anarchist, and idealist from New York whose work is inflected by fine art, street art, and hip-hop. Nothing to Be Gained Here is the first collection of Vagabond's work, revealing it in all its breadth and diversity across a variety of media, including photography, painting, and drawing. Those works are set alongside Vagabond's poetry, essays, scripts, and interviews, a nod to the influence of the broadsides of the 1960s counterculture. The result is an all-encompassing view of an artist for whom the realms of daily life and creative work constantly overlap.
The fourth volume in the Trailblazers series highlights Black women's contributions in film and television, the sciences, and journalism. Black women have been breaking down barriers and shattering stereotypes for generations, playing a powerful role in American history. In the Trailblazers series, Gabrielle David examines the lives and careers of over four hundred brilliant women from the eighteenth century to the present. Each volume provides biographical information, photographs, and a historical timeline written from the viewpoint of Black women, offering accessible reference resources. This fourth volume of Trailblazers explores the complicated relationship that Hollywood has had with Black women actors; significant Black women in the fields of science, technology, engineering, and mathematics (STEM); and pioneering Black women journalists. David includes actors such as Hattie McDaniel, Fredi Washington, and Nina Mae McKinney who blazed the trail for women like Pam Grier, Halle Berry, and Viola Davis. "Hidden figures" in STEM are brought to light, such as biologist Jewel Plummer Cobb, mathematician Dorothy Vaughan, roboticist Ayanna Howard, and computer scientist Timnit Gebru. In addition, profiles of publishing pioneers like Ida B. Wells-Barnett, Mary Ann Shadd Cary, Josephine St. Pierre Ruffin, and Nancy Hicks Maynard show how they paved the way for Carole Simpson, Yamiche Alcindor, Nikole Hannah-Jones, and Jemele Hill.
A story in verse chronicling the misadventures of a recently divorced Lebanese woman dating in America. Laila Halaby's second collection of poetry, why an author writes to a guy holding a fish is a story in verse. This honest, sensual, and often funny series of narrative poems chronicles the author's decision to leave her two-decades-long relationship with her Palestinian husband. Halaby suddenly finds herself in the world of American dating where she searches for idealized love and genuine connection. Always treated as an "other" and having never dated a white man or an American before, Halaby writes about misadventures and heartbreak amid misread cues and lost nuances. Halaby reassesses her role as a woman, a mother, and a writer, and she learns how to dispense with labels and imagined expectations. In the process, she becomes reacquainted with her womanhood and power.
Revealing mother and daughter memoir chronicling their final conversations, complexities as women and artists, and the rich history of their African American family. Shirley Bradley Price LeFlore, activist and architect of the 1960's Black Arts Movement, and Lyah Beth LeFlore share tears and laughter through intimate conversations during Shirley's final year of life and discuss the childhood tragedy that shaped Shirley's life and artistry. Lyah talks about growing up with a mother in the public eye, tracing Shirley's ancestors' experiences as a midwestern African American family with rich southern roots and a deep belief in God and the spirit world. A testament to the powerful bond between Shirley and her three daughters, the book shines a light on the beauty and toll of caregiving by beautifully interwoven prose, including Shirley's private journal entries and unreleased poetry, discovered by Lyah, alongside stories, ephemera, and photographs
Poems that address the pain caused by gender stereotypes and racial oppression in the American South. Claire Millikin's poetry collection, Dolls, stages a confrontation of gendered and racial oppression. Working through the motif of the doll, the poems interrogate femininity in the traditional culture of the South, where damaging structures of gender and race are upheld. Millikin centers the book on an elegy for Sage Smith, an African American trans woman who disappeared from Charlottesville in 2012. Through the recurring figure of the doll--an ultra-femme figure who is frozen, damaged, silenced--Millikin protests the conditions of sexism in the area she was born in, offering poised responses to the wound of injustice that still shapes the region. With a reflective introduction by poet and scholar Sean Frederick Forbes, Dolls presents a harsh look at the price of traditional femininity.
An exploration of the vegan diet with a focus on African diaspora communities. Green Soul Rising encourages readers to transition into a plant-based, animal-free diet. In her quest to uncover a higher sense of spirituality and being, Nathalie Etienne challenges the Black community's relation to food, culture, and belief. Drawing on her Haitian background and experiences, she shares her personal odyssey away from animal products, processed foods, and unhealthy cooking habits, working to dispel the notion that soul food and traditional African diaspora foods are not conducive to maintaining a healthy lifestyle. Etienne questions whether culture can perpetuate detrimental habits and considers how we can balance health with tradition. With a personable and non-judgmental approach, Green Soul Rising offers guidance, cultural perspective, and encouragement for those seeking to improve their eating habits.
In The Wanderer, Carole J. Garrison fulfills her bucket list by meeting with the people who fascinate her and the places that lead her to them. Through her journeys, she explores the unexpected human connections that transform the experience of travel, and she celebrates the gifts of kindness she encounters around the world from the perspective of a solo female traveler. In each new place she visits, the nomadic Garrison keeps company with a cast of fantastic characters, each of whom opens her eyes to new cultural perspectives while inspiring love and laughter. The Wonderer is a heartfelt and honest memoiristic travelogue that invites us into the life and journeys of Garrison.
In his new collection of poetry, Naked, Abiodun Oyewole unveils his thoughts on self-love, forgiveness, lost love, survival, and cultural identity. Known as a founding member of The Last Poets, a spoken word performance group that arose out of the black nationalism movement in East Harlem in the late 1960's, Oyewole brings his revolutionary voice to this collection. His writing is straight-forward, engaging, and intense, with the poems taking on the shape of various emotions. Inspired by the "naked poetry" of Juan Ramón Jiménez, Naked is rooted in a striving for freedom, for an essential natural state devoid of all external adornment, turning sensations into concepts that express the concrete realization of nature itself. Written in free form, the brief transcendental poems of Naked convey the character of Oyewole, who has evolved into a master poet of his generation.
TRAILBLAZERS by Gabrielle David is a six-volume series that examines the lives and careers of over four hundred brilliant women from the eighteenth century to the present who blazed uncharted paths in every conceivable way. The lives profiled here include recognizable figures alongside some women that readers will be discovering for the first time, as well as those women who are shaping the era we live in today. This second volume of the TRAILBLAZERS series features women who are visual artists, women who served their country as elected officials or working in government, and composers, songwriters, and conductors. Each of these sections is preceded by an introduction, which provides insight into these womenâ¿s stories in a historical timeline. This volume includes biographical essays of eighty-five women, illuminating the significant role each have played in shaping Americaâ¿s greatness, accompanied by powerful photographs that help illustrate who they are. In Volume 2 we learn about the first nationally known Black woman artist, sculptor Edmonia Lewis, the first Black woman cartoonist Jackie Ormes, photographer Carrie Weems, and a new generation of artists such as Kara Elizabeth Walker and Tschabalala Self. We realize that before notable politicians like Lori Lightfoot and Stacey Abrams, women like Crystal Bird Fauset, Velvalea âVelâ? Phillips, and Shirley Chisholm paved the way. This book also shines a light on the handful of Black women who served on presidential cabinets, like Patricia Robert Harris, Condeleeza Rice, and Loretta Lynch. And as we venture into the world of music, we celebrate classical composers like Nora Holt and Florence Beatrice Price, choral conductor Eva Jessye, highly acclaimed singer-songwriters like Valerie Simpson and Missy Elliot, conductor Jeri Lynne Johnson, award-winning film and TV composer Kathryn Bostic, and breakout songwriter rapper Brittany âStarrahâ? Hazzard. Their personal achievements reveal the best qualities of Black women in America. With TRAILBLAZERS, David has created an expansive and accessible reference book that provides significant information on the histories of the movements for feminism and civil rights. The book provides a hopeful and inclusive telling of history, one in which Black women receive the same recognition as their white and male counterparts. From the foremothers who broke gender and racial barriers to the mighty women of today, TRAILBLAZERS turns a much-deserved spotlight on these powerful and inspiring role models. This book is written in accessible prose that contain personal reflections for a broad audience, and it can also serve as a vital reference guide for use in schools and libraries. Â
Entre el sol y la nieve: escritos de fin de siglo / Between the Sun and Snow: Writing at the End of the Century presents a collection of selected newspaper articles by writer, cultural activist, and educator Myrna Nieves. The articles in this bilingual collection, which were originally written in Spanish and translated into English by Chris Brandt, first appeared in Nosotros los latinos, a magazine published in New York, between 1992 and 1995. Here, Nieves has brought together nineteen articles and a new essay in which the author navigates the complex story of a population that varies in many dimensions, including national origin and immigration status. Providing critical viewpoints from a Latinx perspective, these articles address a variety of issues including climate change, domestic violence, women's rights, and trends in literature and the arts. Together, these articles serve as a documentary history not only of the Latinx community, but also of the changing perspectives of the nation as a whole. The articles are accompanied by a generous collection of photographs by Néstor Barreto, Roger Cabán, Betty "BP" Cole, Perla de León, Frank Gimpaya, Nereo López Meza, George Malavé, Hiram Maristany, Eliud Martínez, Marlis Momber, Marina Ortiz, Marwin Schwartz, and Louis Servedio Morales, offering a fresh visual iconography of Latinx experience. Entre el sol y la nieve provides a rich collection of insights into this fast and diverse population.
Carolyn L. Baker grew up in Southern California during segregation and came of age in the counter-cultural climate of the 1960s. Many years later, when Baker was in her mid-sixties, she first learned of the murder of Emmett Till, sparking an investigation of her own position as a white woman in the midst of a world of racial trauma. An Unintentional Accomplice follows Baker's awakening to the realities of her own white privilege, confronting white guilt, navigating aspects of white identity, and searching out ways to be an ally who both acknowledges her own position and seeks to provide active support for those who live with a different set of circumstances. We find Baker facing the painful reality that, no matter how unintentional, she plays a role within a system that continues to inflict racial harm. She comes to realize that, by not actively opposing discrimination, as a white person, she acts as an accomplice. An Unintentional Accomplice offers a non-judgmental personal narrative that invites readers to explore the complexities of race in America and how to navigate the guilt that can arise in the face of these realities. The book defines institutionalized discrimination, illustrates the distance between the American dream and American reality, calls for a radically inclusive feminism, and suggests relevant ways to change direction and take action to build a more humane nation.
A career-spanning collection of essays by a founding voice in ecosocialism.
"The past four hundred years have seen unprecedented growth in virtually every conceivable realm of life, from medicine to the arts, technology to finance. Far too often, however, when we think of the movers, shakers, and innovators behind these transformations, we picture a host of men - and white men, at that. With Trailblazers, Gabrielle David remedies that. The first anthology of black female innovators published in more than fifteen years, Trailblazers introduces us to more than one hundred and fifty American black women who have been instrumental in creating our contemporary life. We learn about activists and politicians like Fannie Lou Hamer, who in 1964 changed the Democratic National Convention forever by protesting efforts to disenfranchise black voters in her native Mississippi, and Lelia Foley, a black woman who overcame racism and poverty to become the first female African American mayor in the United States in 1973. David also introduces us to entertainers, athletes, and businesswomen - though not always in predictable ways. Beyoncâe Knowles-Carter makes an appearance, for example, not for her musical career, but as a businesswoman, reminding us of her multifaceted triumphs. David brings this volume together with a clarion call for recognition of the transformative work black women have done and continue to do. She reminds us of the debt we owe to these unsung heroes--and the place black women deserve at the table."--
Monsters: Mary Shelley's "Frankenstein" and "Mathilda" presents Mary Shelley's most popular works, accompanied by a critical introduction and commentary by scholar Claire Millikin Raymond. Cultures create and ascribe meaning to monsters, endowing them with characteristics derived from their most deep-seated fears and taboos. In this volume, Millikin Raymond explores both Frankenstein and Mathilda from a feminist and cultural studies perspective, illuminating the cultural transgressions that each work presents through its monsters. Frankenstein; or, The Modern Prometheus, conceived by Shelley at the age of nineteen and published before she was twenty, is the most famous and enduring imaginative work of the Romantic era. Shelley was keenly aware of contemporary scientific developments and incorporated them into Frankenstein. Monsters includes the 1831 edition of Frankenstein, which Shelley revised as an adult, respecting the artistic maturity and agency of the author. Mathilda, Shelley's second long work of fiction written between August 1819 and February 1820, deals with taboos that haunt our society to this day: incest and suicide. Published for the first time in 1959, it has become Shelley's best-known work after Frankenstein. The version edited by Elizabeth Nitchie in 1959 is presented here. Frankenstein and Mathilda capture readers by force of their astonishing fantasy and range of implication: the definition of "monster," which Millikin Raymond explores alongside other aspects of Shelley's work. Monsters will resonate profoundly with readers with a background or interest in science fiction, history, and literature, and anyone intrigued by the fundamental questions of creativity and cultural change.
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