Böcker av Yoko Ogawa

Who knows what will vanish next?The Memory Police is a beautiful, haunting and provocative fable about the power of memory and the trauma of loss, from one of Japan's greatest writers. 'One of Japan's most acclaimed authors explores truth, state surveillance and individual autonomy.

He is a brilliant maths professor with a peculiar problem - ever since a traumatic head injury seventeen years ago, he has lived with only eighty minutes of short-term memory.

In a crumbling, seaside hotel on the coast of Japan, quiet, 17-year-old Mari works the front desk as her mother fusses over the off-season customers. When, one night, they are forced to eject a prostitute and a middle-aged man from his room, Mari finds herself drawn to the man's voice, in what will become the first gesture of a long seduction.

A woman goes into a bakery to buy a strawberry cream tart. In the tradition of classical Japanese poetic collections, the stories in Revenge are linked through recurring images and motifs, as each story follows on from the one before while simultaneously introducing new characters and themes.

After the death of her father, twelve-year-old Tomoko is sent to live for a year with her uncle in the coastal town of Ashiya. It is a year which will change her life.The 1970s are bringing changes to Japan and her uncle's magnificent colonial mansion opens up a new and unfamiliar world for Tomoko; its sprawling gardens are even home to a pygmy hippo the family keeps as a pet. Tomok

From the award-winning, psychologically astute author of The Memory Police, here is a hypnotic, introspective novel about an affluent Japanese family navigating buried secrets, and their young house guest who uncovers them.In the spring of 1972, twelve-year-old Tomoko leaves her mother behind in Tokyo and boards a train alone for Ashiya, a coastal town in Japan, to stay with her aunt’s family. Tomoko’s aunt is an enigma and an outlier in her working-class family, and her magnificent home—and handsome, foreign husband, the president of a soft drink company—are symbols of that status. The seventeen rooms are filled with German-made furnishings; there are sprawling gardens, and even an old zoo where the family’s pygmy hippopotamus resides. The family is just as beguiling as their mansion—Tomoko’s dignified and devoted aunt, her German grandmother, and her dashing, charming uncle who confidently sits as the family’s patriarch. At the center of the family is Tomoko’s cousin Mina, a precocious, asthmatic girl of thirteen who draws Tomoko into an intoxicating world full of secret crushes and elaborate storytelling.       In this elegant jewel box of a book, Yoko Ogawa invites us to witness a powerful and formative interlude in Tomoko’s life, which she looks back on briefly from adulthood at the novel’s end. Behind the family's sophistication are complications that Tomoko struggles to understand—her uncle’s mysterious absences, her German grandmother’s experience of the second world war, her aunt’s misery. Rich with the magic and mystery of youthful experience, Mina’s Matchbox is an evocative snapshot of a moment frozen in time—and a striking depiction of a family on the edge of collapse.

"In the spring of 1972, twelve-year-old Tomoko leaves her mother behind in Tokyo and boards a train alone for Ashiya, a coastal town in Japan, to stay with her aunt's family. Tomoko's aunt is an enigma and an outlier in her working-class family, and her magnificent home--and handsome, foreign husband, the president of a soft drink company--are symbols of that status. ... The family is just as beguiling as their mansion--Tomoko's dignified and devoted aunt, her German grandmother, and her dashing, charming uncle who confidently sits as the family's patriarch. At the center of the family is Tomoko's cousin Mina, a precocious, asthmatic girl of thirteen who draws Tomoko into an intoxicating world full of secret crushes and elaborate storytelling. In this elegant jewel box of a book, Yoko Ogawa invites us to witness a powerful and formative interlude in Tomoko's life, which she looks back on briefly from adulthood at the novel's end"--