Böcker av William Shakespeare

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The entire Shakespeare play in comic book form - unabridged!

This play is part of a series of educational editions of the most popular Shakespeare plays studied and taught in secondary schools. The series provides a balanced approach to Shakespeare through the combination of close textual analysis and drama activities.

Exam board: AQA B, Edexcel, Eduqas, Cambridge Assessment International EducationLevel & Subject: AS and A level English LiteratureFirst teaching: September 2015; September 2019First examination: June 2017; June 2021/2/3

'I wish I had copies like this at Drama School. Essential notes on the language for those who will get up and speak it, not purely for those who will sit and study it. An incredibly useful tool with room on every page to make notes. Next time I'm in rehearsal on a Shakespeare play, I have no doubt that a copy from this series will be in my hand.' ADRIAN LESTER, Actor, Director and Writer Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Each edition offers: -Facing-page notes -Short, clear definitions of words -Easily accessible information about key textual variants -Notes on pronunciation of difficult names and unfamiliar words -An easy to read layout -Space to write notes -A short introduction to the play

Julius Caesar is a key link between Shakespeare's histories and his tragedies. Unlike the Caesar drawn by Plutarch in a source text, Shakespeare's Caesar is surprisingly modern: vulnerable and imperfect, a powerful man who does not always know himself. The open-ended structure of the play insists that revealing events will continue after the play ends, making the significance of the history we have just witnessed impossible to determine in the play itself. John D. Cox's introduction discusses issues of genre, characterization, and rhetoric, while also providing a detailed history of criticism of the play. Appendices provide excerpts from important related works by Lucretius, Plutarch, and Montaigne.

Frontmatter -- Die lustigen Weiber von Windsor -- Handelnde Personen -- Erster Aufzug -- Zweiter Aufzug -- Dritter Auszug -- Vierter Aufzug -- Fünfter Aufzug -- Anmerkungen -- Abhandlung über das Lustspiel: die lustigen Weiber von Windsor -- Die beiden Veroneser -- Personen -- Erster Aufzug -- Zweyter Aufzug -- Dritter Aufzug -- Vierter Aufzug -- Fünfter Aufzug -- Anmerkungen -- Abhandlung über das Lustspiel: die beiden Veroneser

Frontmatter -- Der heilige drei Königs Abend, oder was ihr wollt -- Die Komödie der Irrthümer

Frontmatter -- Othello, Der Mohr von Venedig -- Anmerkungen -- Abhandlung über das Trauerspiel: Othello, der Mohr von Venedig -- Ueber Shakespear

Frontmatter -- König Heinrich der Fünfte -- Personen -- Erster Aufzug -- Zweiter Aufzug -- Dritter Aufzug -- Vierter Aufzug -- Fünfter Aufzug -- Anmerkungen -- Abhandlung über das Drama: König Heinrich der Fünfte -- König Heinrich der Sechste. Erster Theil -- Personen -- Erster Aufzug -- Zweiter Aufzug -- Dritter Aufzug -- Vierter Aufzug -- Fünfter Aufzug -- Anmerkungen -- Abhandlung

The authoritative edition Love's Labor's Lost from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.At first glance, Shakespeare's early comedy Love's Labor's Lost simply entertains and amuses. Four young men (one of them a king) withdraw from the world for three years, taking an oath that they will have nothing to do with women. The King of Navarre soon learns, however, that the Princess of France and her ladies are about to arrive. Although he lodges them outside of his court, all four men fall in love with the ladies, abandoning their oaths and setting out to win their hands. The laughter triggered by this story is augmented by subplots involving a braggart soldier, a clever page, illiterate servants, a parson, a schoolmaster, and a constable so dull that he is named Dull. Letters and poems are misdelivered, confessions are overheard, entertainments are presented, and language is played with, and misused, by the ignorant and learned alike. At a deeper level, Love's Labor's Lost also teases the mind. The men begin with the premise that women either are seductresses or goddesses. The play soon makes it clear, however, that the reality of male-female relations is different. That women are not identical to men's images of them is a common theme in Shakespeare's plays. In Love's Labor's Lost it receives one of its most pressing examinations. This edition includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by William C. Carroll The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

The authoritative edition of All's Well That Ends Well from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.Shakespeare's All's Well That Ends Well is the story of its heroine, Helen, more so than the story of Bertram, for whose love she yearns. Helen wins Bertram as her husband despite his lack of interest and higher social standing, but she finds little happiness in the victory as he shuns, deserts, and attempts to betray her. The play suggests some sympathy for Bertram. As a ward to the French king, he must remain at court while his friends go off to war and glory. When Helen cures the King, he makes Bertram available to her. To exert any control over his life, Bertram goes to war in Italy. Helen then takes the initiative in furthering their marriage, undertaking an arduous journey and a daring trick. Few today, however, see a fairy-tale ending. This edition includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by David McCandless The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

A Midsummer Night's Dream is an unchanged, high-quality reprint of the original edition of 1763.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Like many of Shakespeare's comedies, this one centres on mistaken identity performed by Siobhan McKenna, Paul Schofield and cast. For the first time as a digital download. Like many of Shakespeare's comedies, this one centres on mistaken identity. The leading character, Viola, is shipwrecked on the shores of Illyria during the opening scenes. She loses contact with her twin brother, Sebastian, whom she believes is dead. Masquerading as a young page under the name Cesario, she enters the service of Duke Orsino through the help of the sea captain who rescues her. Orsino is in love with the bereaved Lady Olivia, whose father and brother have recently died, and who will have nothing to do with any suitors, the Duke included. Orsino decides to use "e;Cesario"e; as an intermediary to tell Olivia about his love for her. Olivia, believing Viola to be a man, falls in love with this handsome and eloquent messenger. Viola, in turn, has fallen in love with the Duke, who also believes Viola is a man, and who regards her as his confidant. Olivia (1888) by Edmund Blair Leighton. Much of the play is taken up with the comic subplot, in which several characters conspire to make Olivia's pompous head steward, Malvolio, believe that his lady Olivia wishes to marry him. It involves Olivia's uncle, Sir Toby Belch; another would-be suitor, a silly squire named Sir Andrew Aguecheek; her servants Maria and Fabian; and her father's favorite fool, Feste. Sir Toby and Sir Andrew get drunk and disturb the peace of their lady's house by continuously singing catches late into the night at the top of their voices, prompting Malvolio to chastise them. This is the basis for Sir Toby's, Sir Andrew, and Maria's revenge on Malvolio.

When in love, our heart overflows. Whether love is requited or remains a hope and dream, love compels us to express ourselves. This original collection, culled from William Shakespeare's works, testifies to the essential link between love and language, between the experience of falling in love and the urge to express this unique feeling with our beloved and the world. Shakespeare's inventiveness and facility with words is such that even brief lines seem to contain whole galaxies of meaning. This allows us to read the brilliant passages gathered in this book without needing the whole context-the way we can marvel at a gem mined from a vast mountain without accounting for all that compressed it into a spark of beauty. Since their first publication more than four hundred years ago, Shakespeare's lines describe the pangs, pains, and pleasure of love like no other writer before or after him.