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  • av William Shakespeare
    279

    Macbeth, wurde während der gesamten Menschheitsgeschichte als bedeutendes Werk angesehen, und um sicherzustellen, dass dieses Werk niemals verloren geht, haben wir Schritte unternommen, um seine Erhaltung zu gewährleisten, indem wir dieses Buch in einem zeitgemäßen Format für aktuelle und zukünftige Generationen neu herausgeben. Dieses gesamte Buch wurde neu abgetippt, neu gestaltet und neu formatiert. Da diese Bücher nicht aus gescannten Kopien bestehen, ist der Text lesbar und klar.

  • av William Shakespeare
    289,-

    Julius Caesar, wurde während der gesamten Menschheitsgeschichte als bedeutendes Werk angesehen, und um sicherzustellen, dass dieses Werk niemals verloren geht, haben wir Schritte unternommen, um seine Erhaltung zu gewährleisten, indem wir dieses Buch in einem zeitgemäßen Format für aktuelle und zukünftige Generationen neu herausgeben. Dieses gesamte Buch wurde neu abgetippt, neu gestaltet und neu formatiert. Da diese Bücher nicht aus gescannten Kopien bestehen, ist der Text lesbar und klar.

  • av William Shakespeare
    299,-

    Coriolanus, wurde während der gesamten Menschheitsgeschichte als bedeutendes Werk angesehen, und um sicherzustellen, dass dieses Werk niemals verloren geht, haben wir Schritte unternommen, um seine Erhaltung zu gewährleisten, indem wir dieses Buch in einem zeitgemäßen Format für aktuelle und zukünftige Generationen neu herausgeben. Dieses gesamte Buch wurde neu abgetippt, neu gestaltet und neu formatiert. Da diese Bücher nicht aus gescannten Kopien bestehen, ist der Text lesbar und klar.

  • av William Shakespeare
    295,-

    Othello, wurde während der gesamten Menschheitsgeschichte als bedeutendes Werk angesehen, und um sicherzustellen, dass dieses Werk niemals verloren geht, haben wir Schritte unternommen, um seine Erhaltung zu gewährleisten, indem wir dieses Buch in einem zeitgemäßen Format für aktuelle und zukünftige Generationen neu herausgeben. Dieses gesamte Buch wurde neu abgetippt, neu gestaltet und neu formatiert. Da diese Bücher nicht aus gescannten Kopien bestehen, ist der Text lesbar und klar.

  • av William Shakespeare
    299,-

    Richard III, wurde während der gesamten Menschheitsgeschichte als bedeutendes Werk angesehen, und um sicherzustellen, dass dieses Werk niemals verloren geht, haben wir Schritte unternommen, um seine Erhaltung zu gewährleisten, indem wir dieses Buch in einem zeitgemäßen Format für aktuelle und zukünftige Generationen neu herausgeben. Dieses gesamte Buch wurde neu abgetippt, neu gestaltet und neu formatiert. Da diese Bücher nicht aus gescannten Kopien bestehen, ist der Text lesbar und klar.

  • av William Shakespeare
    295,-

    Hamlet, Prinz von Dännemark, wurde während der gesamten Menschheitsgeschichte als bedeutendes Werk angesehen, und um sicherzustellen, dass dieses Werk niemals verloren geht, haben wir Schritte unternommen, um seine Erhaltung zu gewährleisten, indem wir dieses Buch in einem zeitgemäßen Format für aktuelle und zukünftige Generationen neu herausgeben. Dieses gesamte Buch wurde neu abgetippt, neu gestaltet und neu formatiert. Da diese Bücher nicht aus gescannten Kopien bestehen, ist der Text lesbar und klar.

  • av William Shakespeare
    329 - 345,-

  • av William Shakespeare
    265,-

    Kauffmann von Syracus, sage nichts mehr zu deiner Verantwortung; ich kan zum Nachtheil des Gesezes nicht partheylich seyn. Das neuliche grausame Verfahren euers Herzogs gegen einige Kauffleute, unsre getreue Unterthanen, welche, weil sie nicht Gold genug hatten ihr Leben loszukaufen, sein strenges Gesez mit ihrem Blute besiegelt haben, schließt alles Erbarmen aus unsern dräuenden Bliken aus. Denn seitdem diese verderbliche Zwietracht zwischen deinen aufrührischen Landsleuten und uns ausgebrochen, ist in der allgemeinen Versammlung des Volks, sowol von den Syracusern als von uns, beschlossen worden, keine Handlung noch Gemeinschaft zwischen unsern feindseligen Städten zu erlauben; noch mehr, welcher gebohrne Epheser sich auf den Märkten und Jahrsmessen von Syracus betreten läßt, der stirbt; und hinwieder, welcher gebohrne Syracuser in der Bay von Ephesus gefunden wird, der stirbt, und seine Güter werden zu Handen des Staats eingezogen; es sey dann, daß er tausend Mark zu seinem Lösegeld bezahlen könne. Nun belauft sich alles was du hast, nach der äussersten Schazung, kaum auf hundert Mark; du bist also nach dem Geseze zum Tode verdammt.

  • av William Shakespeare
    169

    The Tempest is a play by William Shakespeare. Acted in 1611, it might have been the last play that Shakespeare at any point composed. It was surely among the last. Since it was among Shakespeare's later works, some read The Tempest as a sort of goodbye to a dramatic profession. However it is in no way, shape, or form sure that Shakespeare knew that he would before long quit composing plays at the time that he wrote The Tempest. Even though it is more obscure in tone than a portion of Shakespeare's different plays, The Tempest is by and large viewed as a satire, as it closes with characters drawn in to be hitched as opposed to others in which lovers faced an awful passing.

  • av William Shakespeare
    169

    The Life and Death of King John, a historical play by William Shakespeare, portrays the rule of John, King of England (ruled 1199-1216), child of Henry II of England and Eleanor of Aquitaine and father of Henry III of England. It is believed to be written during the 1590s but was not published until it showed up in the First Folio in 1623. John (24 December 1166 - 19 October 1216), also known as John Lackland or Softsword, was the King of England from 6 April 1199 until he died. His rule saw the loss of the duchy of Normandy to the French ruler Philip II in 1204, bringing about the breakdown of the vast majority of the Angevin Empire and the development in the force of the Capetian line over the next of the thirteenth 100 years. The baronial revolt toward the finish of John's rule saw the marking of the Magna Carta, a record frequently viewed as an early advance in the development of the constitution of the United Kingdom. Contemporary chroniclers were generally condemning John's activities as lord, and his rule has been an important topic for discussion and intermittent modification by historians from the sixteenth century onwards. Antiquarian Jim Bradbury has summed up the contemporary authentic assessment of John's positive characteristics, it is today typically viewed as a "focused overseer, a capable man, a capable general to see that John". In any case, present-day students of history concur that he likewise had many deficiencies as lord, including what antiquarian Ralph Turner depicts as "disagreeable, even perilous character attributes", like insignificance, resentment, and brutality.

  • av William Shakespeare
    249

    The Tragedy of Hamlet, Prince of Denmark is a misfortunate tale by William Shakespeare. Set in the Kingdom of Denmark, the play sensationalizes the retribution Prince Hamlet demands on his uncle Claudius for killing King Hamlet, Claudius' sibling and Prince Hamlet's dad, and afterward prevailing to the lofty position and taking as his better half Gertrude, the old ruler's widow, and Prince Hamlet's mom. The play distinctively depicts both valid and pretended franticness - from overpowering sorrow to fuming rage - and investigates topics of bad form, vengeance, interbreeding, and moral defilement.

  • av William Shakespeare
    195,-

    The Taming of the Shrew is a satire by William Shakespeare, accepted to have been composed somewhere in the range of 1590 and 1592. The play starts with an outlining gadget, frequently alluded to as the enlistment, wherein a wicked aristocrat deceives a tanked tinker named Christopher Sly into accepting he is an aristocrat himself. The aristocrat then has the play performed for Sly's redirection. The fundamental plot portrays the romance of Petruchio and Katherina, the willful, resolved wench. At first, Katherina is a reluctant member of the relationship; nonetheless, Petruchio "restrains" her with different mental and actual tortures, like holding her back from eating and drinking, until she turns into an attractive, agreeable, and respectful lady for him to marry. The subplot highlights a rivalry between the admirers of Katherina's more youthful sister, Bianca, who is viewed as the "ideal" lady. Whether or not the play is sexist has turned into the subject of significant contention, especially among current researchers, crowds, and perusers. The Taming of the Shrew has been adjusted various times for stage, screen, drama, artful dance, and melodic theater. The most renowned transformations are Cole Porter's Kiss Me, Kate; McLintock, a 1963 American Western satire film, featuring John Wayne and Maureen O'Hara; and the 1967 film of the play, featuring Elizabeth Taylor and Richard Burton. The 1999 secondary school satire film 10 Things I Hate About You, and the 2003 lighthearted comedy Deliver Us from Eva are likewise inexactly inspired by the play.

  • av William Shakespeare
    249

    It was among Shakespeare's most famous plays during his lifetime.Othello the moore of venice is a tragic play composed by William Shakespeare, most likely in 1603, set in the contemporary Ottoman-Venetian War period(1570-1573) battling to conquer the Island of Cyprus, beginning around 1489 an ownership of the Venetian Republic. The port city of Famagusta, at last, tumbled to the Ottomans in 1571 after an extended attack. The story revolves around two characters, Othello and Iago. Othello is a Moorish military commandant who was working as a general of the Venetian armed force in Cyprus against attack by Ottoman Turks. He got married to Desdemona, a lovely and well-off Venetian woman who is younger than himself, against the desires of her father. Iago is Othello's malignant ensign, who perniciously stirs up his lord's envy until the normally apathetic Moor kills his dearest spouse in an attack of mindless fury. Because of its persevering through subjects of enthusiasm, envy, and race, Othello is as yet effective and famous and is broadly performed, with various transformations.

  • av William Shakespeare
    195,-

    The Life and Death of Julius Caesar is a far-reaching check of the existence of this incredible tyrant. From the time he was youthful and liberated from his dad's impact, Caesar had incredible aspirations. He continually attempted to better his political position and endeavored to ascend inside the Roman frameworks and acquire political significance. He was an inventive and motivating pioneer, a heartless military power ready for success, as well as a man with a family and individuals. We mostly fail to remember that this extraordinary man was all the while also a man with daily existence and family very much like us. We would like to give you a text that is drawing in and instructive while permitting you to associate with him on an individual level rather than simply seeing his political and military achievements.

  • av William Shakespeare
    179,-

    Macbeth (full title The Tragedy of Macbeth) is a story of misfortune by William Shakespeare; it is remembered to have been first acted in 1606. It sensationalizes the harming physical and mental impacts of political aspiration on the individuals who look for power for the well-being of its own. A fearless Scottish general named Macbeth gets a prediction from a triplet of witches that one day he will become King of Scotland. Consumed by aspiration and prodded to activity by his significant other, Macbeth murders King Duncan and takes the Scottish lofty position for himself. He is then wracked with responsibility and suspicion. Compelled to carry out an ever-increasing number of murders to safeguard himself from enmity and doubt, he turns into an oppressive ruler in no time. The bloodbath and resulting nationwide conflict quickly take Macbeth and Lady Macbeth into the domains of demise and craziness.

  • av William Shakespeare
    179,-

    Timon of Athens is William Shakespeare's 29th play, composed around 1606. Literary enthusiasts accept that he co-composed the play with Thomas Middleton, one of his best counterparts. Considered a misfortune, it has a few components; it is interesting among Shakespeare's works for being fragmented and not so perfect as his different plays. The play's topics incorporate human avarice, lack of appreciation, and the potentially bad repercussions of outrageous liberality.

  • av William Shakespeare
    195,-

    This tragic play is composed by one of the stalwarts of writers, William Shakespeare, about two "star-crossed lovers" whose deaths, at last, join their fighting families.In Romeo and Juliet, Shakespeare utilizes a few sensational strategies that have earned acclaim from critics; outstandingly the sudden turn from comedy to tragedy.The Montagues and the Capulets, Verona's two quarrelling honourable houses, are continually fighting and therefore the Prince of Verona gives a decree that will force a capital punishment on anybody found dueling. Romeo, a Montague is charmed by Rosaline, a niece of Capulet. Rosaline is immediately forgotten when Romeo and his companions mask themselves and slip into a masque ball at Capulet's home. During the ball, Romeo gets his first look at Juliet, Capulet's daughter. In one of Shakespeare's most famous scenes, Romeo takes into the garden and claims his love for Juliet, who remains above her gallery. The two young lovers, with the guide of Friar Laurence, make arrangements to get married soon. Tybalt, Juliet's cousin, attempts to show Romeo how to battle with a sword yet Romeo dodges the duel because he discreetly knows that Tybalt is Juliet's family member.Romeo's dearest companion, Mercutio, responds to Tybalt's call and dies. As revenge, Romeo rather kills Tybalt. Romeo is banished from Verona for disregarding the prince's order. However, he consummates his marriage to Juliet.While Romeo is away, the Capulets unknown about Juliet's marriage decide to get her married to Paris who is the prince's cousin. Juliet meets Friar Laurence who helped in their marriage to devise a plan to keep her away from her parent's desires. She acquires a medicine that will allow her to appear dead for 42 hours. Friar Laurence reaches out to Romeo so he can protect her from her tomb. Tragically, Friar Laurence delays, and word arrives at Romeo that Juliet has died.Romeo, misery stricken, chooses to take poison and dies in her tomb.The Montagues and Capulets, when confronted with the terrific truth that their fight has claimed, promise to stop the feud between the two houses. ...

  • av William Shakespeare
    195,-

    Shakespeare's "merry wives" are Mistress Ford and Mistress Page of the town of Windsor. The two pull-down tricks on Mistress Ford's desirous spouse and a meeting knight, Sir John Falstaff. Happy spouses, desirous husbands, and ruthless knights were normal in a sort of play called "citizen comedy" or "city comedy." In such plays, subjects, courteous fellows, or knights utilize social prevalence to tempt residents' wives. The Windsor spouses, however, don't follow that example. All things considered, Falstaff's proposal of himself as darling rouses their torture of him. Falstaff answers with the very etymological office that Shakespeare gives him in the set of experiences plays in which he shows up, making him the "legend" of the play for some crowds.

  • av William Shakespeare
    195,-

    Measure for Measure is a play by British playwright William Shakespeare, first performed in 1604 and collected in the First Folio of 1623. It is viewed as one of Shakespeare's "problem plays" due to its more obscure subjects for a satire and how it isn't effortlessly ordered. It centres around a hopeful sister named Isabella, who is confronted with an unimaginable decision when her sibling is condemned to death for having sex. An awful and degenerate authority offers to save her sibling, but he requests Isabella's virginity in return. It investigates topics including justice, morality, mercy, and the differentiation between debasement and immaculateness. It is viewed as his editorial on the equity arrangement of the time, despite the fact that it happens in Vienna instead of his native England. Despite the fact that it isn't one of Shakespeare's most profoundly respected plays, Measure for Measure is still broadly perused and contemplated, and is as yet performed once in a while. It had just a single Broadway commitment, in 1973, despite the fact that it was subsequently performed in 1993 at the New York Shakespeare Festival. It has been adapted on various occasions into film, generally broadly in 1979 for the BBC, and has likewise been the reason for a drama and a melodic transformation. Measure for Measure starts in Vienna, a city where sex and sin are ordinary. Duke Vincentio, the pioneer, is hoping to take action against transgression, but he would rather not be viewed as a weighty implementer of sexual regulations. In this way, he reports he's leaving town for an excursion and chooses a representative named Angelo to assume responsibility. Angelo, a famously severe authority, is entrusted with tidying up the city. The regulations in Vienna haven't been upheld in around fourteen years, and Angelo is hoping to make the new request understood. He soon captures a youngster named Claudio for extramarital sex and has sex with a young lady named Juliet. The news of Claudio's capture and subsequent death sentence soon reaches his idealistic sister Isabella's ears. Isabella is hoping to become a sister in a community she really wishes was stricter and more strict, yet when she hears that her sibling is facing passing, she sets up a gathering with Angelo to ask for her sibling's life. From the start, Angelo is totally uninterested in her requests for benevolence, yet he soon finds himself drawn to Isabella's blameless and passionate nature. He makes an awful recommendation to her-on the off chance that she surrenders her virginity to him, he will liberate Claudio. Isabella winds up in a horrible situation and is rapidly rejected. Claudio appears to be ill-fated, yet a far-fetched guardian angel might arise. Duke Vincentio has really been hidden as the modest Friar Lodowick, keeping an eye on Vienna, and he devises a game plan. He confesses to Isabella that he is organising a mysterious evening meeting with Angelo, but she will really send Angelo's abandoned fiancee, Mariana. Angelo left Mariana when her settlement was adrift somewhere out in the ocean. However, he'll be compelled to wed her once he engages in sexual relations with her outside of marriage. It's dim in the nursery where they organise a gathering, which works impeccably. In any case, notwithstanding imagining that Isabella surrendered her virginity to him, Angelo has no expectation of staying faithful to his commitment. He makes an impression on the jail manager, advising him to ensure that Claudio is executed and to send him his head. The Duke l...

  • av William Shakespeare
    169

    Pericles, Prince of Tyre is a Jacobean play written in parts by William Shakespeare that is remembered for modern versions of his collected works, despite questions about its origins due to its omission from the First Folio. While different critics support that Shakespeare is the sole writer of the play (eminently DelVecchio and Hammond's Cambridge release of the play), present-day editors by and large concur that Shakespeare is answerable for close to precisely a large portion of the play (827 lines) - the primary part after scene 9 that follows the story of Pericles and Marina. ([a] Modern text-based examinations demonstrate that the initial two demonstrations of 835 lines itemising the many journeys of Pericles were composed by a teammate, who solid proof recommends to have been the victualler, panderer, screenwriter, and pamphleteer George Wilkins. John Gower presents each demonstration with a preamble. The play opens in the court of Antiochus, lord of Antioch, who has offered the hand of his wonderful young daughter to any man who answers his question; however, the individuals who fizzle will die. I am no snake, yet I fed on my mother's tissue, which did make me breed. I looked for a spouse, where labour tracked down that generosity in a father: he's a dad, a child, and a husband; I'm a mother, wife, but his child. I will resolve it for you while you are here. In a split second, the youthful Prince (leader) of Tire in Phoenicia (Lebanon) hears the enigma, and in a split second gets its importance: Antiochus is preoccupied with a depraved relationship with his daughter. On the off chance that he uncovers this reality, he will be killed. But assuming he answers incorrectly, he will also be killed. Pericles implies that he knows the response and requests an additional opportunity to think. Antiochus awards him forty days, and afterward sends a professional killer after him. Nonetheless, Pericles escaped the city in disgust. Pericles gets back to Tire, where his trusted companion and instructor, Helicanus, encourages him to leave the city, for Antiochus will definitely chase him down. Pericles passes on Helicanus as an official and sails to Tarsus, a city plagued by starvation. The liberal Pericles gives the legislative leader of the city, Cleon, and his better half, Dionyza, grain from his boat to save their kin. The starvation is over, and Pericles continues on after being graciously thanked by Cleon and Dionyza. A storm wrecks Pericle's boat and washes him up on the shores of Pentapolis. He is guarded by a gathering of unfortunate anglers who inform him that Simonedes, King of Pentapolis, is holding a competition the following day and that the winner will get the hand of his little girl, Thaisa, in marriage. Luckily, one of the anglers hauls Pericles' suit of covering on shore at that exact instant, and the sovereign chooses to enter the competition. In spite of the fact that his hardware is corroded, Pericles wins the competition and the hand of Thaisa (who is profoundly drawn to him) in marriage. Simonedes at first communicates uncertainty about the association, but before long comes to like Pericles and permits them to wed. A letter sent by the aristocrats arrives at Pericles in Pentapolis, who chooses to get back to Tire with the pregnant Thaisa. Once more, a tempest emerges while adrift, and Thaisa seems to pass on bringing forth her kid, Marina. The mariners demand that Thaisa's body be set over the edge to quiet the tempest. Pericles hesitantly concurs, and chooses to stop at Tarsus since he fears that Marina may not endure the storm. Luckily, Thaisa's coffin washes aground at Ephesus, close to the home of Lord Cerimon, a doctor who resuscitates her. Imagining that Pericles kicked the bucket in the tempest, Thaisa turns into a priestess in the sanctuary of Diana.Pericles withdraws to control Tire, leaving Marina under the watchful eye of Cleon and Dionyza.

  • av William Shakespeare
    195,-

    One of William Shakespeare's initial comedies, Love's Labour's Lost, follows four Spanish men's endeavours to oppose the charm of four ladies. The title infers the troubles and disillusionments that frequently go with the quest for heartfelt love. The five-act play was written during the 1550s and first performed for Queen Elizabeth I before long. The play's topics incorporate the power of craftsmanship, the discussion among aspiration and genuine longings, and the opportunities for adoration to give the main training. The play has been commended for its wit, delightful sentence structure, and learned suggestions to the court of Navarre. The King of Navarre, a previous Spanish domain arranged on the French boundary, is quick to talk. He announces that he and his three aristocrats - Berowne, Longaville, and Dumaine - will take a promise precluding them to act in an epicurean design, which incorporates contemplating love or seeking after ladies. Ferdinand maintains that Navarre should be a widely acclaimed focal point of scholarly thought and appreciation for workmanship and theory. Longaville and Dumaine joyfully consent to a quick, and spotlight on fortifying their insight into theory. In any case, Berowne falters; he's consented to concentrate in the imperial court for a considerable length of time, yet he doesn't completely accept that he can surrender people for three entire years. Be that as it may, at last, he's convinced to attempt. The expectations of the promise incorporate that no lady ought to go inside one mile of the court. This standard applies not exclusively to the three aristocrats, yet to each of the ones who live in the castle. Very quickly, somebody disregards Ferdinand's most recent rule. The primary rule-breaker is Costard, the court buffoon, a clodhopper who frequently has the cleverest lines in the play. He is brought to court by an absurd Spanish neighborhood, Don Adriano de Armado, who blames Costard for investing energy in a recreation area with a straightforward, cowgirl, Jaquenetta. The ruler reproves Costard; as discipline, he's to be lorded over by the affected Don Armado and to just drink water and eat bread for a multi-week. After Costard's condemnation, Don Armado uncovers to his page, Moth, that he was the person who was in the recreation area partnering with Jaquenetta. The main demonstration closes with Don Armado composing a letter to Jaquenetta, and afterward constraining Costard to convey it. The subsequent demonstration opens with the Princess of France, and her specialist women, showing up to examine a political matter for the benefit of her dad, the King of France. However, as a result of the announcement, they have been compelled t...

  • av William Shakespeare
    179,-

    Much Ado About Nothing by William Shakespeare is considered to have been written in 1598 or 1599. The play was recognised in the First Folio, distributed in 1623. The play is set in Messina and revolves around two heartfelt lovers that arise when a gathering of fighters shows up in the town. The first, between Claudio and Hero, is almost changed by the allegations of the reprobate, Don John. The subsequent sentiment, between Claudio's companion Benedick and Hero's cousin Beatrice, becomes the overwhelming focus as the play goes on, with the two characters' minds and exchanges providing a significant part of the humour. Through "noticing" (seeming like "nothing", and significant tattle, gossip, catching wind of), Benedick and Beatrice are fooled into admitting their adoration for one another, and Claudio is fooled into accepting that Hero is certainly not a lady (virgin). The title's figure of speech references the privileged insights and guile that structure the foundation of the play's parody, interest, and activity.

  • av William Shakespeare
    155,-

    In light of a couple of comic shows from old Rome, The Comedy of Errors presents a scene of an unadulterated joke in the soul of most extreme tomfoolery and - as the title proposes - entertaining disarray. One of Shakespeare's earliest sensational endeavors, the play has large amounts of his brand name vanities, quips, and different types of whimsical pleasantry. It additionally hints at his later and most noteworthy comedies, offering understudies and researchers an important key to the writer's turn of events in the play.

  • av William Shakespeare
    195,-

    Helena, a ward of the Countess of Roussillon, becomes hopelessly enamored with the Countess's son, Bertram. A little girl of a renowned specialist, and a gifted doctor, Helena cures the King of France-who dreaded he was destined to die and married her. Bertram. The disparity of the marriage gave rise to a war swearing he won't live with his spouse until she can give him a son as a child, and with his ring-two assignments which he trusts not to be possible. Anyway, with the guide of a bed trick, Helena satisfies his errands. But Bertram understands the blunder of his methodologies, and they are reconciled. We are glad to distribute this exemplary book as a feature of our broad Classic Library assortment. A significant number of the books in our assortment have been no longer in production for a long time, and in this way have not been open to the overall population. The point of our publishing program is to work with fast admittance to this immense repository of writing, and our view is that this is a huge artistic work, which should be brought once more into print after numerous many years. The books in by far most of the titles in the Classic Library have been examined from the first works. To guarantee an excellent item, each title has been carefully handled and organized by our staff. Our way of thinking has been directed by a longing to give the reader a book that is just about as close as conceivable to responsibility for unique work. We trust that you will partake in this magnificent exemplary work and that for you it turns into an advancing encounter.

  • av William Shakespeare
    179,-

    Henry VI, Part 1 is a solid festival of early English patriotism that stands out the English from the French, depicted here as feminine and conspiring. A kid ruler, Henry VI, is on the English lofty position, and the dauntless Talbot drives the English reason in France. Joan La Pucelle (Joan of Arc), who becomes skipper of the French, cases to be picked by the Virgin Mary to free France. The English, notwithstanding, think of her as an erotic witch. Large numbers of the English respectability remain, quarreling, at home. Once in France, a look for authorization to battle each other there. Talbot and his child can't win; the English loss themselves by going after one another.

  • av William Shakespeare
    235,-

    Shakespeare's King Lear challenges us with the size, force, and sheer span of the aggravation that it addresses. Its figures solidify their hearts, participate in savagery, or attempt to reduce the enduring of others. Lear himself seethes until his mental soundness breaks. What, then, continues taking us back to King Lear? For all the power of its language, King Lear is similarly strong while interpreted, recommending that it is the story, to a great extent, that attracts us to the play. The play educates us regarding families battling among insatiability and savagery, from one viewpoint, and backing and encouragement, on the other. Feelings are outrageous, amplified to monstrous extents. We likewise see advanced age depicted in the entirety of its weakness, pride, and, maybe, shrewdness one explanation this generally annihilating of Shakespeare's misfortunes is additionally maybe his generally moving.

  • av William Shakespeare
    289,-

    Romeo und Julia, wurde während der gesamten Menschheitsgeschichte als bedeutendes Werk angesehen, und um sicherzustellen, dass dieses Werk niemals verloren geht, haben wir Schritte unternommen, um seine Erhaltung zu gewährleisten, indem wir dieses Buch in einem zeitgemäßen Format für aktuelle und zukünftige Generationen neu herausgeben. Dieses gesamte Buch wurde neu abgetippt, neu gestaltet und neu formatiert. Da diese Bücher nicht aus gescannten Kopien bestehen, ist der Text lesbar und klar.

  • av William Shakespeare
    195,-

    [THE LIFE OF KING HENRY THE EIGHTH ] . Henry VIII is a cooperative history play, composed by William Shakespeare and John Fletcher, in light of the existence of Henry VIII. An elective title, All Is True, is kept in contemporary records, with the title Henry VIII holding off on showing up until the play's distribution in the First Folio of 1623. Expressive proof demonstrates that singular scenes were composed by one or the other Shakespeare or his partner and replacement, John Fletcher. It is likewise to some degree normal for the late sentiments in its construction. It is noted for having more stage bearings than any of Shakespeare's different plays. During a presentation of Henry VIII at the Globe Theater in 1613, a cannon shot utilized for embellishments touched off the theater's covered rooftop (and the bars), setting the first Globe building ablaze.

  • av William Shakespeare
    295,-

    Das Leben und der Tod des Königs Lear, wurde während der gesamten Menschheitsgeschichte als bedeutendes Werk angesehen, und um sicherzustellen, dass dieses Werk niemals verloren geht, haben wir Schritte unternommen, um seine Erhaltung zu gewährleisten, indem wir dieses Buch in einem zeitgemäßen Format für aktuelle und zukünftige Generationen neu herausgeben. Dieses gesamte Buch wurde neu abgetippt, neu gestaltet und neu formatiert. Da diese Bücher nicht aus gescannten Kopien bestehen, ist der Text lesbar und klar.

  • av William Shakespeare
    279

    Der Sturm, oder Die bezauberte Insel, wurde während der gesamten Menschheitsgeschichte als bedeutendes Werk angesehen, und um sicherzustellen, dass dieses Werk niemals verloren geht, haben wir Schritte unternommen, um seine Erhaltung zu gewährleisten, indem wir dieses Buch in einem zeitgemäßen Format für aktuelle und zukünftige Generationen neu herausgeben. Dieses gesamte Buch wurde neu abgetippt, neu gestaltet und neu formatiert. Da diese Bücher nicht aus gescannten Kopien bestehen, ist der Text lesbar und klar.

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