Böcker av Willa Cather

The Finest family in Sweet Water, The Forresters are known for their gatherings, and Mrs. Forrester, to be an enchanting hostess. Neil Herbert, finds himself at the Forester estate playing with friends, and he falls in love with Mrs. Forrester, and what she represents. As he grows up, he finds it increasingly harder to keep his boyhood image of her, and she does nothing to help.

These seven stories by Willa Cather, edited by Patricia T.O'Conner and Stewart Kellerman for Rushwater Press, arepublished here under the title Tales of Town & Country. Allbut one first appeared in periodicals.';A Death in the Desert' originally appeared in Scribner'sMagazine, January 1903.';The Bohemian Girl' was first published McClure's Magazine,August 1912.';A Gold Slipper' originally appeared in Harper's MonthlyMagazine, January 1917.';On the Divide' was first printed in Overland Monthly,January 1896.';Flavia and Her Artists' originally appeared in a collectionof Cather's stories, The Troll Garden, published inMarch 1905 by McClure, Phillips & Co.';The Bookkeeper's Wife' first appeared in The Centuryllustrated Monthly Magazine, May 1916.';Her Boss' was first published in October 1919 in boththe American and the British editions of the magazineSmart Set. The version included here is from the Americanedition.

April Twilights is Bernice Slote's landmark edition of Cather's first book, a collection of Willa Cather's poems with an introduction by Slote and a new introduction by Robert Thacker that provides new insights into Cather and her poetry.

A powerful novel of the American Midwest by Pulitzer Prize-winning author Willa Cather, with an afterword by Bridget Bennett.

Willa Cather was born in Virginia in 1873 and moved to Nebraska, with its wide open plains and immigrant farming communities, at the age of nine. This landscape would deeply affect her later writing. She attended university and became a journalist and teacher in Pittsburgh, and then a magazine editor in New York. Her first major novel, O Pioneers!, appeared in 1913 and was followed by two more in her prairie trilogy, The Song of the Lark and My ¿ntonia, as well as her masterpiece Death Comes for the Archbishop. She lived with the editor Edith Lewis for thirty-nine years until her death in 1947.

A portrait of an enduring friendship, from one of America's most celebrated novelists. 'Quite simply a masterpiece' Daily Telegraph Two priests are despatched from Rome to New Mexico to reinvigorate Catholicism among the locals, knowing little of the challenges that await them.

Willa Cather's best-loved novel, and the final book in the Great Plains trilogy, is a beautiful portrayal of friendship, longing and growing up in frontier Nebraska. When young orphan Jim Burden is sent to live with his grandparents in Nebraska, he finds himself growing up alongside Bohemian immigrant Antonia Shimerda.

The second novel in Willa Cather's Great Plains trilogy, is a lyrical coming-of-age story charting the struggles of an artists life. 'Lingers long in the memory' Joyce Carol Oates Thea Kronberg, gifted with a beautiful voice, defies her humble beginnings in Colorado and finds success far from her small hometown.

Willa Cather's first Great Plains novel, is at once a love letter to Nebraska and the tale of a remarkable heroine who remains resilient in the face of tragedy. 'She is undoubtedly one of the greatest American writers' Observer Alexandra Bergson inherits the family farm when her father dies early.

Alexandra Bergson anländer till den blåsiga prärien i Nebraska. Här lever hon tillsammans med de andra nybyggarna, och skapar med tiden en välmående gård. Men vägen till framgång är inte enkel för en ung kvinna. Hennes resa är fylld av förlust och sorg, och i slutändan riskerar den hängivenhet hon har till landskapet att kosta henne det största av allt – kärleken. "Hell, Banbrytare!" är den första romanen av Willa Cather, och oftast sedd som hennes främsta verk. Det är en levande skildring av ett förändrande landskap, och om de människor som bosatte sig där och bidrog till förändringen.Willa Cather (1873-1947) var en amerikansk författare. Hon växte upp i Nebraska med en far som var nybyggare. Hennes romaner skildrar främst nybyggarna på Nebraskas prärie, oftast med fokus på kvinnorna.

Willa Cather's Pulitzer Prize-winning narrative of the making of a young American soldier.Claude Wheeler, the sensitive, aspiring protagonist of this beautifully modulated novel, resembles the youngest son of a peculiarly American fairy tale. His fortune is ready-made for him, but he refuses to settle for it. Alienated from his crass father and pious mother, all but rejected by a wife who reserves her ardor for missionary work, and dissatisfied with farming, Claude is an idealist without an ideal to cling to. It is only when his country enters the First World War that Claude finds what he has been searching for all his life.In One of Ours Willa Cather explores the destiny of a grandchild of the pioneers, a young Nebraskan whose yearnings impel him toward a frontier bloodier and more distant than the one that vanished before his birth. In doing so, she creates a canny and extraordinarily vital portrait of an American psyche at once skeptical and romantic, restless and heroic.BONUS: The edition includes an excerpt fromThe Selected Letters of Willa Cather.

"The best thing I''ve done is My Antonia," recalled Willa Cather. "I feel I''ve made a contribution to American letters with that book."Ántonia Shimerda returns to Black Hawk, Nebraska, to make a fresh start after eloping with a railway conductor following the tragic death of her father. Accustomed to living in a sod house and toiling alongside the men in the fields, she is unprepared for the lecherous reaction her lush sensuality provokes when she moves to the city. Despite betrayal and crushing opposition, Ántonia steadfastly pursues her quest for happiness—a moving struggle that mirrors the quiet drama of the American landscape.

In this powerful portrait of the self-making of an artist, Willa Cather created one of her most extraordinary heroines. Thea Kronborg, a minister''s daughter in a provincial Colorado town, seems destined from childhood for a place in the wider world. But as her path to the world stage leads her ever farther from the humble town she can''t forget and from the man she can''t afford to love, Thea learns that her exceptional musical talent and fierce ambition are not enough.  It is in the solitude of a tiny rock chamber high in the side of an Arizona cliff--"a cleft in the heart of the world"--that Thea comes face to face with her own dreams and desires, stripped clean by the haunting purity of the ruined cliff dwellings and inspired by the whisperings of their ancient dust. Here she finds the courage to seize her future and to use her gifts to catch "the shining, elusive element that is life itself--life hurrying past us and running away, too strong to stop, too sweet to lose." In prose as shimmering and piercingly true as the light in a desert canyon, Cather takes us into the heart of a woman coming to know her deepest self.

An infamous clause in the author's will, forbidding publication of her letters and other papers, has long caused consternation among her scholars. For her, a complex and private person who seldom made revelatory public pronouncements, personal letters provide a valuable key to understanding. This title tells her story.

A collection of thirty-seven poems, which also contains Professor Slote's introduction.

Willa Cather was born in Virginia in 1873 and moved to Nebraska, with its wide open plains and immigrant farming communities, at the age of nine. This landscape would deeply affect her later writing. She attended university and became a journalist and teacher in Pittsburgh, and then a magazine editor in New York. Her first major novel, O Pioneers!, appeared in 1913 and was followed by two more in her prairie trilogy, The Song of the Lark and My ¿ntonia, as well as her masterpiece Death Comes for the Archbishop. She lived with the editor Edith Lewis for thirty-nine years until her death in 1947.

One of America's greatest women writers, Willa Cather established her talent and her reputation with this extraordinary novel—the first of her books set on the Nebraska frontier. A tale of the prairie land encountered by America's Swedish, Czech, Bohemian, and French immigrants, as well as a story of how the land challenged them, changed them, and, in some cases, defeated them, Cather's novel is a uniquely American epic. Alexandra Bergson, a young Swedish immigrant girl who inherits her father's farm and must transform it from raw prairie into a prosperous enterprise, is the first of Cather's great heroines—all of them women of strong will and an even stronger desire to overcome adversity and succeed. But the wild land itself is an equally important character in Cather's books, and her descriptions of it are so evocative, lush, and moving that they provoked writer Rebecca West to say of her: "The most sensuous of writers, Willa Cather builds her imagined world almost as solidly as our five senses build the universe around us.”Willa Cather, perhaps more than any other American writer, was able to re-create the real drama of the pioneers, capturing for later generations a time, a place, and a spirit that has become part of our national heritage.

Willa Cather's My Antonia is considered one of the most significant American novels of the twentieth century. The novel is important both for its literary aesthetic and as a portrayal of important aspects of American social ideals and history, particularly the centrality of migration to American culture. This Broadview edition includes a rich selection of primary source materials.

Not the least remarkable feature of this collection is the range and variety of forms and subject matter--reviews (of books, plays, operas, concerts, art exhibits, lectures), feature stories, interviews, straight reportage, columns of miscellaneous comment, and travel letters. Seemingly, with no apparent effort Willa Cather could adjust her sights to any assignment and any audience. And if it is astonishing that she could write so much about so many matters at so many levels, it is perhaps even more astonishing that so much of it was so good. Undeniably, however, the chief interest to the general reader and the peculiar value to the scholar of these journalistic writings reside in their manifold and crucial connections with Cather's later work and in the unparalleled insights they afford into the process by which a gifted writer becomes a great artist.

Not the least remarkable feature of this collection is the range and variety of forms and subject matter--reviews (of books, plays, operas, concerts, art exhibits, lectures), feature stories, interviews, straight reportage, columns of miscellaneous comment, and travel letters. Seemingly, with no apparent effort Willa Cather could adjust her sights to any assignment and any audience. And if it is astonishing that she could write so much about so many matters at so many levels, it is perhaps even more astonishing that so much of it was so good. Undeniably, however, the chief interest to the general reader and the peculiar value to the scholar of these journalistic writings reside in their manifold and crucial connections with Cather's later work and in the unparalleled insights they afford into the process by which a gifted writer becomes a great artist.

Willa Cather¿s twelfth and final novel, Sapphira and the Slave Girl, is her most intense fictional engagement with political and personal conflict. Set in Cather¿s Virginia birthplace in 1856, the novel draws on family and local history and the escalating conflicts of the last years of slavery¿conflicts in which Cather¿s family members were deeply involved, both as slave owners and as opponents of slavery. Cather, at five years old, appears as a character in an unprecedented first-person epilogue. Tapping her earliest memories, Cather powerfully and sparely renders a Virginia world that is simultaneously beautiful and, as she said, ¿terrible.¿ The historical essay and explanatory notes explore the novel¿s grounding in family, local, and national history; show how southern cultures continually shaped Cather¿s life and work, culminating with this novel; and trace the progress of Cather¿s research and composition during years of grief and loss that she described as the worst of her life. More early drafts, including manuscript fragments, are available for Sapphira and the Slave Girl than for any other Cather novel, and the revealing textual essay draws on this rich resource to provide new insights into Cather¿s composition process.

The seven stories in this volume were written during the ascending and perhaps most triumphant years of Willa Cather's career, the period during which she published nine books, including My Antonia, A Lost Lady, and Death Comes for the Archbishop. For the most part ironic in tone, these stories are bound by the geometrics of urban life.