Böcker av Will Eaves

Broken Consort is a chronicle of close attention (to books, films, plays, paintings and life itself) by Will Eaves, author of Murmur (winner of the 2019 Wellcome Prize)

Murmur evokes the extraordinary life of Alan Turing, the beauty and sorrows of love, and the nature of consciousness. Winner of the Wellcome Prize and shortlisted for the Goldsmiths Prize

The Absent Therapist is a book of soundings, a jostle of voices that variously argue, remember, explain, justify, speculate and meander ... Sons and lovers, wanderers, wonderers, stayers, leavers, readers and believers. These are gripping narratives, with intriguing shifts of register, but they are also technically experimental and daring. Each .

The Alldens live in a ramshackle house in suburban Bath. Don and Emily have four children: confident Liz, satirical Clive, shy Lotte, and Benjamin, the late arrival. Together they take the usual knocks, go to work, go abroad, go to university, go to pieces. Don and Emily stick it out, their strong marriage tested by experience and frustrated by love for Clive, the ardent boxing fan at odds with himself, their special child. But then ordinary is special, too, as the Alldens will discover thirty years later when Emily falls ill and her children come home to say goodbye. Their unforgettable story is an intimate record of survival that is clear-eyed, funny and deeply moving.

An earthquake strikes at the heart of London, its epicenter a theatre where a lavish production of The Tempest has just opened. Thus the scene is set for Will Eaves's gloriously deft tragicomedy of our time. Nothing To Be Afraid Of is both a lament for hope abandoned and innocence betrayed, and an exquisite comic pageant of Shakespearian vitality and compassion: an incidental theatrical history, across the twentieth century, of the art of pretence; of patience, trust and loyalty; of folly in youth and unforgivable old age. 'Tender, playful and full of beautifully observed descriptions of growing up and growing old . . . with some terrific comic set-pieces the equal of anything in Waugh and Wodehouse. Now that's good writing' Daily Telegraph 'In the case of his novel, Eaves has nothing to be afraid of. This deft, absorbing book more than confirms the promise of The Oversight. Eaves is a master of the dark arts of city fiction. He is to be read, relished and watched very closely' Independent 'Nothing To Be Afraid Of provides several coups de theatre . . . [it] is a tragicomic tale of secrets, a drowned daughter, infidelity and mistaken identity . . . It is so clever, so apt, so right that you have no option but to read the novel with its built-in encore all over again. It seems even better the second time round' Sunday Telegraph