Böcker av Walter Pater

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A collection of Walker Pater's essays that gave memorable expression to an aesthetic view of life. It provides a set of critical and explanatory notes on each of Pater's essays; headnotes outlining the story of its composition, publication, and reception; and an essay on the history of the book as a whole.

Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. Published alongside Pater's collected works of 1900-1, this collection reprints his essays from The Guardian, composed in the late 1880s. Pater turns to literary topics with these reviews of new editions of Wordsworth and anthologies of poetry, academic studies on Browning and on the English theatre, Mrs Humphrey Ward's novel Robert Elsmere and her translation of the philosopher Henri-Frederic Amiel's private diary, as well as works by Edmund Gosse, Ferdinand Fabre and Augustin Filon.

Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. The Renaissance, first published as Studies in the Renaissance (1873), is his best known work, made up of essays on Italian art and the Renaissance. This version forms part of his collected works (1900-1).

Studies in the History of the Renaissance is a highly influential defence of aestheticism. Pater redefined the practice of criticism through his readings of some of the paintings, sculptures, and poems of the Renaissance, and shocked contemporaries for sponsoring a hedonistic ethic with his infamous 'Conclusion'.

Pater's graceful essays discuss the achievements of Botticelli, Leonardo, Michelangelo, and other artists. The book concludes with an uncompromising advocacy of hedonism, urging readers to experience life as fully as possible.