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  • av Vladimir Sharov
    199,-

    At the center of Be As Children is an ailing Vladimir Lenin, infected not with syphilis, as some historians have claimed, but with Christian fervor. Regressing stroke by stroke to an infancy of his own, he renounces his faith in the proletariat and puts all his hope in the many children left homeless and orphaned by the Civil War. Only they will be loyal to the cause and only they can save it. Around this story Sharov weaves two other plots: a murderer who converts a Siberian people to Christianity and the life story of a female holy fool. Epic in scope and highly original in execution, Be as Little Children shows exactly why, since his untimely death in 2018, Vladimir Sharov has been widely celebrated in Russia as one of the few outstanding novelists of his era and a true heir to the classic authors of the nineteenth century.

  • av Vladimir Sharov
    189,-

    New Jerusalem Monastery, seventeenth-century Moscow. Patriarch Nikon has instructed an itinerant French dramatist to stage the New Testament and hasten the Second Coming. But this will be a strange form of theatre. The actors are untrained, illiterate Russian peasants, and nobody is allowed to play Christ. They are persecuted, arrested, displaced, and ultimately replaced by their own children. Yet the rehearsals continue... A stunning reflection on art, history, religion and national identity, Rehearsals is the seminal work in the unique oeuvre of Vladimir Sharov, Russian Booker Prize winner (2014) and author of Before & During (Read Russia award for best translation, 2015).

  • av Vladimir Sharov
    199,-

    Set in a psychiatric clinic in Moscow in the long decades of late-Soviet stagnation, Before and During sweeps the reader away from its dismal surroundings on a series of fantastical excursions into the Russian past.e ]We meet Leo Tolstoy's twin brother, eaten by the great writer in his mother's womb, only to be born as Tolstoy's 'son'; the philosopher-hermit Nikolai Fyodorov, who believed that the common task of humanity was the physical resurrection of their ancestors; a self-replicating Madame de Staa-l who, during her second life, is carried through plague-ridden Russia in a glass palanquin and becomes Fyodorov's lover; and the composer Alexander Scriabin, who preaches to Lenin on the shores of Lake Geneva.e ]Out of these intoxicating, darkly comic fantasies -- all described in a serious, steady voice -- Sharov seeks to retrieve the hidden connections and hidden strivings of the Russian past, its wild, lustful quest for justice, salvation and God. 'Before and During is not a historical novel. Rather, it is closer to one of Mikhail Bakhtin's carnivalesque venues, a Menippean satire in which historical reality, in all its irreversible awfulness, is for a moment scrambled, eroticized ... and illuminated by hilarious monologues of the dead... There are wonderful stretches: an exegesis of Tolstoy's failure to achieve the good in his own family;... an astonishing olfactory history of the First World War and Revolution through Scriabin's music. How Sharov resolves the rejection of death is especially good... With this elegant and dry-eyed translation by Oliver Ready, anglophone audiences can finally weigh in.' Caryl Emerson in The Times Literary Supplement 'Sharov has assimilated, perhaps more than any of his contemporaries, the artistic and philosophical legacy of both the nineteenth and twentieth centuries of Russian literature. Like Dostoevsky, he is excessive not in order to deny, misrepresent, or flee reality but, rather, to capture it more accurately.' Thomas Epstein, Boston College

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