Since its inception the world of cinema has embraced the image of the child and both extended and challenged its representations. This title explores the complex and adventure of childhood on screen and examines how the child in film has been used to embody the aspirations and anxieties of modern life.
With readings of key 'youth' films of the 1980s, this book expands the psychoanalytic framework within which current debates regarding fantasy and spectatorship have been taking place.
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