Böcker av University of Wisconsin Press

Frank Marshall Davis (1905-1987) was a prominent African American poet and journalist in the 1930s and 1940s. Although not as familiar a name as his contemporaries Zora Neale Hurston, Richard Wright, and Langston Hughes, Davis was a significant figure during the Depression and the Second World War. Born in Arkansas City. Kansas, and educated at Kansas State College, he spent much of his career in Chicago and Atlanta. He wrote and published four important collections of poetry: Black Man's Verse (1935), I Am The American Negro (1937), Through Sepia Eyes (1938), and 47th Street: Poems (1948), which brought him high esteem and visibility in the literary world. Davis turned his back on a sustained literary career by moving to Hawaii in 1948. There he cut himself off from the busy world of Chicago writers and virtually disappeared from literary history until interest in his work was revived in the 1960s Black Arts Movement, which hailed him as a pioneer of black poetry and established him as a member of its canon. Because of his early self-removal from the literary limelight, Davis' life and work have been shrouded in mystery. Livin' the Blues offers us a chance to rediscover this talented poet and writer and stands as an important example of black autobiography, similar in form, style, and message to those of Langston Hughes and Richard Wright. In addition to his literary achievements, Davis was an editor for several African American newspapers in the 1930s: the Chicago Evening Bulletin, the Chicago Whip, the Chicago Star, and the Atlanta World. In the early 1940s he began teaching what he believed to be the first history of jazz course, at the Abraham Lincoln School in Chicago, and in 1945he began broadcasting his own radio jazz show, "Bronzeville Brevities", on WJJD in Chicago. Active in the civil rights movement, Davis served as vice chairman of the Chicago Civil Liberties Committee from 1944 to 1947 and was a member of the national board of the Civil Rights Congress from 1947 to 1948. His autobiography, Livin' the Blues, chronicles Davis' battle to overcome a negative self-image and to construct a healthy, self-assured life. Realizing early on that the white world aimed to silence black men, Davis devoted his life to self-empowerment through the written and spoken word and to vigorous promotion of black expression through art and activism. The common thread connecting the disparate events of Davis' life is the blues. By rooting itself in a blues sensibility, Davis' life story is one of triumph over economic hardship and racial discrimination. Davis was a powerful, dramatic writer, and his autobiography vividly captures what it was to grow up black and poor, and what it was like to struggle toward both economic and emotional self-sufficiency.

Looks at the ""linguistic relativity principle"" of American linguist Benjamin Whorf, which is a focus of controversy among scholars. The author rereads Whorf in terms of Russian theorist Mikhail Bakhtin and aims to offer a new dialogic interpretation of linguistic relativity.

The Rise of the Entrepreneurial State charts the development of state and local government initiatives to influence the market and strengthen economic development policies. This trend marked a decisive break from governments' traditionally small role in the affairs of private industry that defined the relationship between the public and private sector for the first half of the twentieth century. The turn to state and local government intervention signaled a change in subnational politics that, in many ways, transcended partisan politics, regional distinctions, and racial alliances. Eisinger's meticulous research uncovers state and local governments' transition from supply-side to demand-side strategies of market creation. He shows that, instead of relying solely on the supply-side strategies of tax breaks and other incentives to encourage business relocation, some governments promoted innovation and the creation of new business approaches.

As warriors, freedom fighters and victims, as mothers, wives and prostitutes, and as creators and members of peace movements, women are inevitably caught up in the net of war. Yet women's participation in warfare and peace campaigns has often been underestimated or ignored. Images of Women in Peace and War explores women's relationships to war, peace, and revolution, from the Amazons, Inka and Boadicea, to women soldiers in South Africa, Mau Mau freedom fighters and the protestors at Greenham Common. The contributors consider not only the reality of women's participation but also look at how their actions have been perceived and represented across cultures and through history. They examine how sexual imagery is constructed, how it is used to delineate women's relation to warfare and how these images have sometimes been subverted in order to challenge the status quo. The book raises important questions about whether women have a special prerogative to promote peace and considers whether the experience of motherhood leads to a distinctive women's position on war. The authors find that their analyses lead them to deal with arguments on the basic nature of the sexes and to reevaluate our concepts of "peace," "war," and "gender."

This work addresses the central constitutional issues that divided the American colonists from their English legislators: the authority to tax, the authority to legislate, the security of rights, the nature of law, and the foundation of constitutional government in custom and contractarian theory.

This work addresses the central constitutional issues that divided the American colonists from their English legislators: the authority to tax, the authority to legislate, the security of rights, the nature of law, and the foundation of constitutional government in custom and contractarian theory.

In this powerful study, Michael Cohen captures as never before the complex consciousness, vision, and legacy of the pioneering environmentalist John Muir. More than just another biography.

In the seventeenth century, the Dutch established a trading base at the Indonesian site of Jacarta. What began as a minor colonial outpost under the name Batavia would become, over the next three centuries, the flourishing economic and political nucleus of the Dutch Asian Empire. In this pioneering study, Jean Gelman Taylor offers a comprehensive analysis of Batavia s extraordinary social world its marriage patterns, religious and social organizations, economic interests, and sexual roles. With an emphasis on the urban ruling elite, she argues that Europeans and Asians alike were profoundly altered by their merging, resulting in a distinctive hybrid, Indo-Dutch culture. Original in its focus on gender and use of varied sources travelers accounts, newspapers, legal codes, genealogical data, photograph albums, paintings, and ceramics "The Social World of Batavia," first published in 1983, forged new paths in the study of colonial society."

The poems in Mrs. Dumpty are about a great fall, the dissolution of a long and loving marriage, but they are not simply documentary or elegiac. What interests Bloch is the inner life; how we are formed by our losses and our parents' losses, how we learn what we need to know through our intuitions and confusions, how we finally discover ourselves.

John and Beth Ross revisit the Aldo Leopold Memorial Reserve in south-central Wisconsin 50 years after Leopold's death. They explore the terrain, encounter its natural citizens, and relate life here to its physical underpinnings, following Leopold's own practice of phenology.

Children s series fiction comprises tales incorporating innocence and hard reality along with romance, wit, and character. Heavy streaks of morality diminished as the entertainment element increased. Heroes performed in a wide range of adventures, but restrictions often kept heroines close to home. Series fiction peaked, then waned, but such writers as Beverly Cleary and Madeleine L Engle carried on the style."

Through detailed analyses of documentary photography and radical literature, Silent Witnesses explores how working-class identity has been repressed and manipulated to fit the expectations of liberal politicians, radical authors, Marxist historians, feminist academics, and contemporary cultural theorists.

This work describes and analyses at length the prophetic voice and the everyday voice in postwar and contemporary American poetry. It considers the work of Robert Lowell, A.R. Ammons, James Merrill and Adrienne Rich.

This is a sequel to the author's Crunching Gravel: A Wisconsin Boyhood in the Thirties. This account covers from when Robert Peters leaves the farm and is drafted into the Army during World War II. It is in Paris where he hears Marlene Dietrich sing Lili Marlene.

Explores ideas about human physical appearance expressed in French novels of the 18th/19th centuries (by Lavater, Marivaux, Balzac, Gautier, Zola), as well as the pseudoscience of physiognomy that influenced them. This science ""reads"" the body as an index to spiritual and intellectual qualities,

These nine essays examine "how print educates” in settings as diverse as depression-era work camps, religious training, and broadcast television, all the while revealing the enduring tensions that exist among the controlling interests of print producers and consumers. Offering multiple perspectives, including print culture history, literary studies, labour history, gender history, the history of race, and the history of childhood and adolescence, this is a pioneering investigation into the intersection of education and print culture.

The Glorious Revolution of 1688 represented a crucial turning point in modern British history by decisively shifting political power from the monarchy to Parliament. In this cogent study, first published in 1972, Stuart Prall offers a well-balanced account of the Revolution, its roots, and its consequences. The events of 1688, Prall argues, cannot be viewed in isolation. Examining the tempestuous half-century that preceded and precipitated William and Mary's accession, he provides a comprehensive overview of the Revolution's context and of its historical meaning. "[Prall] insists that the Revolution of 1688 was the culmination of a long crisis begun back in 1640, and the revolution settlement was the resolution of problems which the Puritan Revolution and the Restoration had left unsolved. This is an admirable combination of analysis, commentary upon views of historians, and chronological narrative, starting with the Restoration in 1660 and continuing through the Act of Settlement in 1701."--Choice

Although libraries and museums for many centuries have taken the lead, under one rational or another, in recovering, storing, and displaying various kinds of culture of their periods, lately, as the gap between elite and popular culture has apparently widened, these repositories of artifacts of the present for the future have tended to drift more and more to what many people call the aesthetically pleasing elements of our culture. The degree to which our libraries and museums have ignored our culture is terrifying, when one scans the documents and artifacts of our time which, if history in any wise repeats itself, will in the immediate and distant future become valuable indices of our present culture to future generations. As Professor Schroeder dramatically states it, No doubt about it, it is the contemporary popular culture that is the endangered species. The essays in this book investigate the reasons for present-day neglect of popular culture materials and chart the various routes by which conscientious and insightful librarians and museum directors can correct this disastrous oversight."

The history of the study of popular culture in American academic since its (re)introduction in 1967 is filled with misunderstanding and opposition. From the first, proponents of the study of this major portion of american culture made clear that they were interested in making popular culture a supplement to the usual courses in such fields as literature, sociology, history, philosophy, and the other humanities and social sciences; nobody proposed that study of popular culture replace the other disciplines, but many suggested that it was time to reexamine the accepted courses and see if they were still viable. Opposition to the status quo always causes anxiety and oppostion, but when the issues are clarified, often oppoosition and anxiety melt away, as they are now doing.

This book of essays carefully written by twenty-four authorities on their subjects provides a deep understanding of and appreciation for the coherence, primacy, and importance of the search for identity in the divergent areas of Latin America, the Caribbean, and Europe."