The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History.
Tells thirteen variants of Uncle Tom's journey, explicating the novel's significance for Canadian abolitionists; nineteenth-century French theatregoers; liberal Cuban, Romanian, and Spanish intellectuals; Dutch colonizers and Filipino nationalists; Eastern European Cold War communists; Muslim readers and spectators in the Middle East; Brazilian TV audiences; and German holidaymakers.
A biographically based study of George Bernard Shaw and his milieu, this book offers a non-laudatory reading of Shaw's economic practices and theories, augments feminist and postcolonial critiques that preoccupy the study of literary history in the 1990s, and provides a long overdue revisionist reading of Shaw for an undergraduate readership.
Using historical evidence and personal accounts, Davis examines the reality of conditions for ordinary actresses, their working environments, employment patterns, and the reasons why acting continued a popular, though insecure, profession.
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