Böcker av Tom Mitchell

When an unfortunate incident in a space shuttle simulator turns twelve year old Franklin Wilson into an accidental viral sensation, he attracts the attention of Xavier Drake, the third richest person in the world, who invites Franklin to take part in a competition to become the actual first kid in space.

Colin Coleridge is facing a long, boring summer holiday with NOTHING to do. But when he notices some weird markings outside his house, and some strangers acting VERY suspiciously in his neighbour¿s garden, he decides to investigate.

'Mitchell is well aware of what will make kids laugh. An observant and captivatingly funny story'Sunday Times Children's Book of the WeekA hilarious adventure for readers aged 9+ from the author of Escape from Camp Boring. When Things Went Wild is also a timely call to protect our environment.When Kit's family move to a crumbling house in the Scottish Highlands, he's got a lot to deal with - terrible Wi-Fi, a new school in the middle of nowhere, and, as always, his annoying little brother, Jack. But it's not until the brothers find a strange object on the moors that Kit's problems really begin.A policewoman comes knocking, and the boys learn that they have found a tracker that has been removed from the leg of a golden eagle. The illegal killing of these majestic birds is all too common, and now a pair of nesting eagles are under threat. Kit and Jack start to investigate, soon joined by Tamora - the most popular girl in school - and her younger sister, Bea.Who is trying to harm the eagles, and why? Chief suspects are landowner Lord Cavendish, local farmer McNab and sinister game keeper Mosby . . . Can the city kids cope with the country - and catch the culprit?

Second hilarious novel from the author of the funny, filmic and fast-paced crime-caper HOW TO ROB A BANK.

A hilarious, filmic and fast-paced crime-caper by 2019's funniest new voice in teen fiction, ideal for readers aged 11 and up.

As the authors write, 'We tell a story because only a story can expose the real workings of a culture, and only a story can express our protest against time.'