Böcker av Thomas Hardy

A tale of love, seduction and betrayal.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ...rendered him less desirable as a husband than she had at first thought him to be.' 'I cannot answer, ' said Elizabeth-Jane thoughtfully. 'It is so difficult. It wants a Pope to settle that!' 'You prefer not to, perhaps?' Lucetta showed in her appealing tone how much she leant on Elizabeth's judgment. 'Yes, Miss Templeman, ' admitted Elizabeth. 'I would rather not say.' Nevertheless, Lucetta seemed relieved by the simple fact of having opened out the situation a little, and was slowly convalescent of her headache. 'Bring me a looking-glass. How do I appear to people?' she said languidly. 'Well--a little worn, ' answered Elizabeth, eyeing her as a critic eyes a doubtful painting; fetching the glass she enabled Lucetta to survey herself in it, which Lucetta anxiously did. 'I wonder if I wear well, as times go!' she observed after a while. 'Yes--fairly. 'Where am I worst?' 'Under your eyes--I notice a little brownness there.' 'Yes. That is my worst place, I know. How many years more do you think I shall last before I get hopelessly plain?' There was something curious in the way in which Elizabeth, though the younger, had come to play the part of experienced sage in these discussions. 'It may be five years, ' she said judicially. 'Or, with a quiet life, as many as ten. With no love you might calculate on ten.' Lucetta seemed to reflect on this as on an unalterable, impartial verdict. She told Elizabeth-Jane no more of the past attachment she had roughly adumbrated as the experiences of a third person; and Elizabeth, who in spite of her philosophy was very tender-hearted, wept that night in bed at the thought that her pretty, rich Lucetta did not treat her to the full confidence of names and dates in her confessions. For by the 'she' of Lucetta's story...

This is the first complete scholarly edition of one of Hardy's greatest novels. The Return of the Native engages ambitiously with contemporary ideas and problems of existence, and would go on to become one of the major 'Wessex novels'. When composed in 1878, however, Hardy's Wessex did not yet exist, and this edition, which is based on meticulous analysis of Hardy's holograph manuscript and every significant print edition of the novel to appear in his lifetime, situates The Return of the Native within the historical context of its first publication, encouraging readers to trace its evolution over the following four decades. Tim Dolin provides a wealth of supporting materials, including an original, authoritative text, comprehensive annotation, commentary and glossary, and illustrated appendices of both Arthur Hopkins's illustrations and the topography of Egdon Heath, thus creating an invaluable tool for students and scholars of Hardy and nineteenth-century literature alike.

Thomas Hardy's perennially popular and oft-adapted fourth novel follows the intertwining lives of its characters - free-spirited Bathsheba Everdene, infatuated neighbour William Boldwood, dashing soldier Sergeant Troy, tragic Fanny Robin and faithful shepherd Gabriel Oak - to unfold as one of the greatest love stories of all time.

Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Tess d'Urberville est un roman de Thomas Hardy, publié en 1891 en époque victorienne. En France, il est paru pour la première fois en 1901. Il est initialement paru sous une version feuilletonesque et censurée, publiée par le journal illustré britannique The Graphic.Jeune paysanne innocente placée dans une famille, Tess est séduite puis abandonnée par Alec d'Urberville, un de ses jeunes maîtres. L'enfant qu'elle met au monde meurt en naissant.Dans la puritaine société anglaise de la fin du xixe siècle, c'est là une faute irrémissible, que la jeune fille aura le tort de ne pas vouloir dissimuler. Dès lors, son destin est une descente aux enfers de la honte et de la déchéance....Thomas Hardy (1840-1928) signe avec cette oeuvre pessimiste, où la richesse des tableaux rustiques du Wessex ne fait que souligner la noirceur de l'univers social, un des chefs-d'oeuvre du roman anglais, magnifiquement porté à l'écran par le cinéaste Roman Polanski.