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Böcker av Thomas DaCosta Kaufmann

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  • av Thomas DaCosta Kaufmann
    259,-

    A fresh, corrective view of 'mad' Habsburg ruler Rudolf II.

  • av Thomas DaCosta Kaufmann
    609,-

    Central Europe occupies a prominent place in many realms of eighteenth-century culture. This volume is the catalogue of an exhibition of drawings, organized in 1989 by The Art Museum, Princeton University, which presents some of the little-known accomplishments of artists from the region of present-day East and West Germany, Austria, Switzerland, and parts of Poland, Czechoslovakia, and Hungary. Providing the first available survey of drawings of the period in English, the illustrated introduction to the catalogue considers the works in historical and artistic context. The book includes important drawings by artists such as Cosmas Damian Asam, Egid Quirin Asam, Matthus Gnther, and Adrian Zingg. Published for the first time are unique drawings by such important sculptors as Georg Raphael Donner and Franz Xaver Messerschmidt. The fully illustrated catalogue contains 105 entries, many of which deal with major issues of art of the time and treat the drawings exhibited in relation to works elsewhere. Biographies are presented for all the artists exhibited.

  • av Thomas DaCosta Kaufmann
    545,-

    'Toward a Geography of Art' offers essays that examine the intricacies of accounting for the geographical dimension of art history during the early modern period in Europe, Latin America and Asia.

  • - Visual Jokes, Natural History, and Still-life Painting
    av Thomas DaCosta Kaufmann
    1 125,-

    In Giuseppe Arcimboldo's famous paintings, grapes, fish, and even the beaks of birds form human hair. This title offers an overview of Arcimboldo's life and work, exploring the artist's early years in sixteenth-century Lombardy, his grounding in Leonardesque traditions, and his tenure as a Habsburg court portraitist in Vienna and Prague.

  • - The Art of Franz Anton Maulbertsch, 1724-1796
    av Thomas DaCosta Kaufmann
    585,-

    A thorough foundation for the fresh recognition of one of the great painters of eighteenth-century Europe, a leading fresco painter who is a colorist worthy of comparison to the best of his contemporaries.

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