Böcker av Susan Campbell

Walled kitchen gardens were found in the grounds of most large country houses in Britain and Ireland. They were designed to provide a continual supply of fruit, flowers and vegetables. The remains of these gardens can still be seen, some converted to other uses, some simply abandoned. This book examines the history of these old kitchen gardens.

In 1986, Susan Campbell made the chance discovery of a hitherto unknown garden diary. She spent the next 35 years researching its background before writing this book. The diary was written between 1838 and 1865 by the father of Charles Darwin, Doctor Robert Darwin and after his death in 1848 it was continued by his sister, Susan. It describes the horticultural and domestic activities at The Mount, a large house with extensive, beautiful gardens and pastures on the banks of the River Severn, in Shrewsbury. It was the home of the Darwin family from 1800 until Susan's death in 1866 and, in 1809, it was Charles's birthplace. Apart from revealing that Doctor Darwin made his garden available for several of Charles's early horticultural experiments (1838-1841) the diary describes all the plants that grew in this garden, whether ornamental and exotic, utilitarian or edible, as well as the keeping of cows and pigs, the exchanges of plants with neighbours and family, and occasional events of local importance.

For the first time, Craigie Aitchison and the Beaux Arts Generation tells the story of Craigie Aitchison¿s role amongst the bright young figurative painters of post-war London. Along with Michael Andrews, Frank Auerbach, Leon Kossoff and Euan Uglow, Aitchison belonged to ¿the Beaux Arts generation¿: a set of highly talented painters first shown at the Beaux Arts Gallery by Helen Lessore. Under her discerning gaze, the early careers of these five artists were launched and close friendships formed, even as a wild divergence of artistic styles took place. By the time of its closure in 1965, Lessore¿s gallery had laid the foundations for the next five decades of British art. The book accompanies Piano Nobile¿s exhibition of the same title. A memoir by Susan Campbell provides a first-hand insight into the student days of Aitchison, Andrews and Uglow. Herself a student at the Slade School of Fine Art and an erstwhile visitor to the Beaux Arts Gallery, Campbell contributes a vivid account of these artists and their early careers. The book further includes three definitive texts by Aitchison, Andrews and Auerbach. First published in 1959 and 1960 by the literary arts magazine X: A Quarterly Review, these short essays provide a cogent insight into the three artists¿ thinking. The book also comprises a fully-illustrated catalogue of forty-eight works. A first section presents a significant group of works by Aitchison, followed by a second section with paintings, watercolours and drawings by Andrews, Auerbach, Kossoff and Uglow. Many works are drawn from private collections and have not previously been published.

Although Jesus doesn't use the exact words ';wild and wonderful,' he does make promises about what a life with him might look like. Your wild life does not have to be defined only by hard, crazy, and difficult circumstances. Wild can also describe a wonderful, exciting, and passionate life.Using seven wordsfriendship, transformation, love, life, childlike faith, hope and wholeheartedSusan Campbell describes how life is wild for sure: wildly difficult, but also wildly good. No matter what, though, Jesus promises to join you right where you are, and that makes life wonderful. Using seven wordsfriendship, transformation, love, life, childlike faith, hope and wholeheartedSusan Campbell describes how life is wild for sure: wildly difficult, but also wildly good. No matter what, though, Jesus promises to join you right where you are, and that makes life wonderful.

Synopsis coming soon.......

Your round-trip ticket to the wildest, wackiest, most outrageous people, places, and things the Nutmeg State has to offer!