Böcker av Steven Hyden

The making and meaning of Radiohead's groundbreaking, controversial, epoch-defining album, Kid A.

"A thought-provoking exploration of Bruce Springsteen's iconic album, Born in the U.S.A.--a record that both chronicled and foreshadowed the changing tides of modern America. On June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. Bruce Springsteen's Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general and even the larger American culture over the next 40 years. Because this record ended up being much more than just an album-it is a document of what this country was in its moment, a dream of what it might become, and a prescient forecast of what it actually turned into decades later. In There Was Nothing You Could Do, veteran rock critic Steven Hyden explores the essential questions that explain this classic album - what it means, why it was made, and how it changed the world. By mixing up his signature blend of personal memoir, criticism, and journalism, Hyden digs deep into the songs that made Born In The U.S.A. as well as the scores of tunes that didn't, including the tracks that make up the album's sister release, 1982's Nebraska. He investigates how the records before Born In The U.S.A. set the table for the album's tremendous success, following Springsteen as he tries to balance his commercial ambitions with his fear of losing artistic control and being co-opted by the machine. Hyden also takes a closer look how Springsteen's work after Born In The U.S.A. reacted to that album, discussing how 'The Boss' initially ran away from his most popular (and most misunderstood) LP until he learned to once again accept his role as a kind of living national monument. But the book doesn't stop there. Hyden also looks beyond Springsteen's career, placing Born In The U.S.A. in a larger context in terms of how it affected rock music as well as America. Though he aspired to be as big as Elvis and as profound as Dylan, he was equally aware of his heroes' shortcomings and eager to avoid their mistakes-all while navigating the tumultuous aftermath of Vietnam and Watergate, a time when America was coming apart at the seams. Born In The U.S.A. simultaneously chronicles that coming apart and pushes for a more united future, a duality that made him a hero to a younger generation of bands - from Arcade Fire to The Killers to The War On Drugs - who openly emulated the sound of Born In The U.S.A. in the hopes of somehow, in their own way, achieving a measure of that album's impact in the 21st century. By the aughts, when Springsteen fan (and future podcast partner) Barack Obama entered the White House, it appeared that the hopeful promise of Born In The U.S.A. might be realized. But the election of Donald Trump seemed to confirm an opposite truth that was closer to the darkness of songs like 'My Hometown' and 'Born In The U.S.A.' than Springsteen's revival-like shows. As Springsteen himself reluctantly conceded, the working-class middle American progressives he wrote about in 1984 had turned into the resentful and scored Trump voters of the 2010s. How did we lose Springsteen's heartland? And what can listening to these songs teach us about the American decline that Born In The U.S.A. forecasted? In There Was Nothing You Could Do, Hyden takes readers on a journey to find out"--

How can classic rock live on when its idols are dying all around us?Twilight of the Gods is a bold, often humorous, and provocative book about our rock gods and the undeniable messages they leave behind. Since the 1960s, artists like the Rolling Stones, the Who, Fleetwood Mac, the Eagles, Black Sabbath, and Bruce Springsteen have ushered the classic rock canon forward. Even groups that are no longer active?the Beatles, Pink Floyd, Led Zeppelin?continue to wield an outsized amount of cultural capital. But no matter how entrenched these classic rockers have been, you can already see signs of their decline.Mixing personal memoir, criticism, and journalism, Steven Hyden, author of the critically acclaimed Your Favorite Band Is Killing Me, explores the ways that classic rock changed the culture?how it established the album as music's answer to the novel and rock concerts as the secular equivalent to church?and asks whether any of these signposts can endure. He investigates the rise and fall of classic rock radio and asks whether the Rock and Roll Hall of Fame is telling the right version of rock history. Twilight of the Gods explains what we can learn from rock gods and their music, and tries to answer the most important question: Is classic rock ephemeral or forever?