Böcker av Stephen Crane

This posthumously published collection of stories, sketches, and articles includes the story "An Episode of War," one of Crane's most important works, plus "The Reluctant Voyagers," "Spitzbergen Tales," "Wyoming Valley Tales," "London Impressions," "New York Sketches," "Irish Notes," "Sullivan County Sketches," and much more.

In 1863, facing battle for the first time at Chancellorsville, Virginia, a young Union soldier matures to manhood and comes to grips with his conflicting emotions about war.

Through the purchase of this book, you have assisted 1st World Library-Literary Society (a nonprofit organization) in achieving it's goals: www.1stworldlibrary.org 1. Creating a free, user-friendly, Internet library accessible from any computer worldwide. 2. Hosting writing competitions and offering book publishing scholarships. It hardly profits us to conjecture what Stephen Crane might have written about the World War had he lived. Certainly, he would have been in it, in one capacity or another. No man had a greater talent for war and personal adventure, nor a finer art in describing it. Few writers of recent times could so well describe the poetry of motion as manifested in the surge and flow of battle, or so well depict the isolated deed of heroism in its stark simplicity and terror. To such an undertaking as Henri Barbusse's "Under Fire," that powerful, brutal book, Crane would have brought an analytical genius almost clairvoyant. He possessed an uncanny vision; a descriptive ability photographic in its clarity and its care for minutiae - yet unphotographic in that the big central thing often is omitted, to be felt rather than seen in the occult suggestion of detail. Crane would have seen and depicted the grisly horror of it all, as did Barbusse, but also he would have seen the glory and the ecstasy and the wonder of it, and over that his poetry would have been spread.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Through the purchase of this book, you have assisted 1st World Library-Literary Society (a nonprofit organization) in achieving it's goals: www.1stworldlibrary.org 1. Creating a free, user-friendly, Internet library accessible from any computer worldwide. 2. Hosting writing competitions and offering book publishing scholarships. It hardly profits us to conjecture what Stephen Crane might have written about the World War had he lived. Certainly, he would have been in it, in one capacity or another. No man had a greater talent for war and personal adventure, nor a finer art in describing it. Few writers of recent times could so well describe the poetry of motion as manifested in the surge and flow of battle, or so well depict the isolated deed of heroism in its stark simplicity and terror. To such an undertaking as Henri Barbusse's "Under Fire," that powerful, brutal book, Crane would have brought an analytical genius almost clairvoyant. He possessed an uncanny vision; a descriptive ability photographic in its clarity and its care for minutiae - yet unphotographic in that the big central thing often is omitted, to be felt rather than seen in the occult suggestion of detail. Crane would have seen and depicted the grisly horror of it all, as did Barbusse, but also he would have seen the glory and the ecstasy and the wonder of it, and over that his poetry would have been spread.

The story of a young soldier, Henry Fleming, who flees a Civil War battle, The Red Badge of Courage has been celebrated for its depiction of both the physical action of battle and the protagonist's internal struggle. Despite the precise and vivid descriptions of the scenes of battle in his fiction, Stephen Crane was not born until six years after the war had ended and never saw military service. His novel altered the tradition of war literature in its naturalistic emphasis on a single, ordinary man facing the horrors of battle. This edition includes an important new introduction by James Nagel, author of the book Stephen Crane and Literary Impressionism and former president of the Stephen Crane Society. Historically significant reviews and commentary from the publication of the novel in 1895 are included, along with the deleted Chapter 12 from the novel. The short story "The Veteran," in which the protagonist appears as an elderly man, is also included.

First published in 1893, when Stephen Crane was only twenty-one years old, Maggie is the harrowing tale of a young woman's fall into prostitution and destitution in New York City's notorious Bowery slum. The appendices provide an unrivalled range of documentary sources.

The John Harvard Library presents the first American edition of Stephen Crane's The Red Badge of Courage, one of the first non-romantic novels of the Civil War-and the first account to gain wide popularity. Paul Sorrentino introduces Red Badge to a new generation of readers for a fuller appreciation of the novel and its effects.

"A classic work of American literature . . . in full, as the author wrote it." -New York Times......"This is Red Badge as Crane actually wrote it." - Boston Globe

HarperCollins is proud to present its new range of best-loved, essential classics.'He felt that in this crisis his laws of life were useless. Whatever he had learned of himself was here of no avail. He was an unknown quantity.'Following one soldier's journey from naive recruit to hardened survivor, The Red Badge of Courage is a vivid and powerfully psychological take on the American Civil War. Fighting for the Union army, Henry Fleming is thrown into a bloody war where the harsh realities and horrors of battle quickly become evident. Fearful, occasionally vain, but always viewing the war with honest eyes, Henry eventually comes to thrive as a soldier in combat, and it is with a a new conscience and outlook that he matures into manhood.