Bringing together buildings, people and plays, this Introduction examines the features that characterise modern and current British theatre. These features include experimental performances under motorways alongside plays by Stoppard and Ayckbourn, amateur theatre and virtual spaces, the emergence of the director, the changing role of writers and political shows.
This text explores the concept of these related terms and considers the complex relationship that exists between all three. This useful guidebook is an essential read for any student of literature, drama, theatre and performance studies.
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