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  • av Sara Jeannette Duncan
    349,-

    This book has been deemed as a classic and has stood the test of time. The book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations.

  • av Sara Jeannette Duncan
    509,-

  • av Sara Jeannette Duncan
    355,-

  • av Sara Jeannette Duncan
    355,-

  • av Sara Jeannette Duncan
    369,-

  • av Sara Jeannette Duncan
    335,-

  • av Sara Jeannette Duncan
    199,-

  • av Sara Jeannette Duncan
    335,-

  • av Sara Jeannette Duncan
    275,-

  • av Sara Jeannette Duncan
    335,-

  • av Sara Jeannette Duncan
    335,-

  • av Sara Jeannette Duncan
    379,-

  • av Sara Jeannette Duncan
    419,-

    Set in the fictional Ontario town of Elgin at the beginning of the twentieth century, this 1904 novel was in its own time addressed largely to British readers. It has since become a Canadian classic, beloved for its ironic and dryly humorous portrait of small-town life. But The Imperialist is also a fascinating representation of race, gender, and nationalism in Britain's "settler colonies." This Broadview edition provides a wealth of contextual material invaluable to understanding the novel's historical context, and particularly the debate, central to the story, over Edwardian Canada's role in the British Empire. This edition includes a critical introduction and, in the appendices, excerpts from Sara Jeannette Duncan's journalism and autobiographical sketches (including an essay on "North American Indians"), speeches by Canadian and British politicians, political cartoons, and recipes for the dishes served at the novel's social gatherings. Contemporary reviews of the novel from British, Canadian, and American periodicals are also included.

  • av Sara Jeannette Duncan
    495,-

    In 1906, two years after the appearance of her best-known novel, The Imperialist, Duncan published its darker twin, an Anglo-Indian novel which returns to political themes but with a deeper and more clinical irony than in her previous work. Set in Authority is about illusions: the imperial illusions of those who rule and are ruled; the illusions of families about their members; the illusions of men and women about each other. The setting moves between the political drawing rooms of London and the English station at Pilaghur in the province of Ghoom, where the murder of a native by an English soldier changes the lives of a cast of ruthlessly observed characters.

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