The pontianak, a terrifying female vampire ghost, is a powerful figure in Malay cultures. Exploring how and why the pontianak found new life in postcolonial Southeast Asian film and society, Rosalind Galt reveals the importance of cinema to histories and theories of decolonization.
Offers innovative readings of several popular and influential European films of the 1990s. This title considers how these films, made around the time of the revolutions of 1989, grappled with contemporary anxieties relating to the reunification of Germany, the disintegration of the Balkans, and a sense of historical loss and disenchantment.
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