Unpacks Adorno's critique of popular culture in an engagingly, looking at the development of theories of authority, commodification and negative dialectics. Goes on to consider Adorno's writing on specific aspects of popular culture.
In clear, non-technical language, Robert Witkin guides the reader through the complexities of Adorno's argument about the link between music and morality and the detailed analytic discussions of specific musical works with which he supported it.
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