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  • av Robert Hugh Benson
    349 - 485

  • av Robert Hugh Benson
    295 - 445

  • av Robert Hugh Benson
    269 - 415,-

  • av Robert Hugh Benson
    295 - 445

  • av Robert Hugh Benson
    389 - 529,-

  • av Robert Hugh Benson
    335 - 459

  • av Robert Hugh Benson
    269 - 415,-

  • av Robert Hugh Benson
    249 - 399,-

  • av Robert Hugh Benson
    389 - 529,-

  • av Robert Hugh Benson
    249 - 399,-

  • av Robert Hugh Benson
    269 - 415,-

  • av Robert Hugh Benson
    319 - 459

  • av Robert Hugh Benson
    329,-

    The Necromancers, has been considered an important book throughout the human history. So that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. The whole book has been reformatted, retyped and designed. This book is not made of scanned copies and hence the text is clear and readable.

  • av Robert Hugh Benson
    345 - 475,-

  • av Robert Hugh Benson
    365 - 515,-

  • av Robert Hugh Benson
    269 - 415,-

  • av Robert Hugh Benson
    319 - 459

  • av Robert Hugh Benson
    269 - 415,-

  • av Robert Hugh Benson
    335 - 459

  • av Robert Hugh Benson
    239,-

  • av Robert Hugh Benson
    345,-

  • av Robert Hugh Benson
    349,-

  • av Robert Hugh Benson
    359,-

  • av Robert Hugh Benson
    239,-

  • av Robert Hugh Benson
    299 - 329,-

  • av Robert Hugh Benson & Becket
    569,-

  • av Robert Hugh Benson
    285,-

    "Even to me, Protestant as I am, it did seem completely suitable that an event so stupendous could scarcely be approached by any other process than that of a sacred dramatic dance, with an accompaniment of rigid and minute Court etiquette. To leave the conduct of such a thing to the individual personality and the private taste of a simple clergyman in a surplice, would be nothing else than bathos of the worst description; human outlines must be obliterated by some overpowering uniform, personal tastes and methods of behaving must be rigidly supplanted by set movements and gestures. In fact, for such a drama as this we need not clericalism, but the most emphatic sacerdotalism. Originality in the sanctuary, as has been well observed, is the grossest vulgarity known to men."In this work of imaginative fiction, Catholic priest and writer Robert Hugh Benson "edits the notes" of a non-Catholic actor who is attempting to understand the belief and worship of Catholics. Only moderately successful in his career, the author of these "papers" finds himself quite alone in the world, his wife having died within a year of their marriage. His own health beginning to fail, he pays serious attention to the subject of religion for the first time. After a brief dalliance with the Anglican Church, he is drawn to the local Catholic church, where he attends various liturgies-a Requiem, a Low Mass, Benediction, and the ceremonies of Holy Week. He struggles with "a great deal of inchoate agnosticism" while writing about the powerful impressions these ceremonies make on him. Finally, the actor is received into the Church shortly before he dies. Benson, himself a convert from Anglicanism, creatively weaves surprising, poignant, and profound insights into the traditional beliefs and customs of Catholics by viewing them through the eyes of "a pariah"-a lonely outcast.Robert Hugh Benson (1871-1914), the son of the Archbishop of Canterbury, was educated at Eton and Trinity College. Drawn toward the High-Church tradition, Benson was ordained an Anglican priest by his father, but began to investigate the claims of the Catholic Church during a trip to the Middle East in 1896. He converted to Roman Catholicism in 1903 and was ordained to the Catholic priesthood the following year. Amid his various ecclesial duties, he was a well-known preacher and a prolific writer, and his works span many genres, including science and historical fiction, contemporary novels, children's books, apologetics, plays, poetry, and devotional material.

  • av Robert Hugh Benson
    285,-

    Christ desires to be our Friend. But how can we respond? Taking up themes from great mystical writers, Benson gives a prophetic corrective for those in the Church who mistake "Christ's gifts for Christ, religiosity for religion, and the joys possible on earth for the joys awaiting us in heaven." Benson steers the soul away from temptations to despair and from presumption upon Christ's friendship, pointing to the consoling truth: "I am in all things His debtor, but He bids me call Him Friend." In these pages, Benson will guide you in the ways of Christ's friendship, from first love, through purgation, to illumination. You will see how to be friends with Christ in Himself, but also in the modes by which He offers Himself; some more obvious, such as the saints and the Eucharist; others more strangely disguised, such as the Average Man and the Sinner. Lastly, through the historical life of our Friend crucified and vindicated, Benson will bring you to that crowning moment when Christ pledged His friendship and won ours. This book reveals how one can be friends with Him who asks for our "adoration, dependence, obedience". Wherever you are in your friendship with Christ, whether it is the initial exhilaration of attending "every instant to this new intimate," or whether you are in the thralls of "disillusionment"; whether you perceive Him in the chalice, or whether you are blinded to Him by the sins of the Church and the cry of the Sufferer, Benson shows how in each of these to see the face of your Friend.

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