Böcker av Robert Gottlieb

Attorney Sam Weisman is having a bad day. His wife wants a divorce and his law practice is threatened by a hostile takeover. Pulled one way by two hilarious con artists who plan to steal his dream, and another by his family and the real estate professional who has worked her way into his heart, Sam uncovers the wisdom he has so often criticized in his father's madness as he struggles to hold onto his sanity, his self-esteem, and the woman he loves. Grasping the end of his rope in one hand and the end of his rainbow in the other, he teeters between the abyss … and the pot of gold!

"Care-Centered Politics provides a framework for the vision and the linkages needed to help create a more care-centered society and planet"--

A New York Times Book Review Editors' Choice | One of Literary Hub's most anticipated books of 2021Award-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshipped her"Wherever you look in the period between 1925 and 1941," Robert Gottlieb writes in Garbo, "Greta Garbo is in people's minds, hearts, and dreams." Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world's subconscious, and the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world-and that indescribable, transcendent presence she possessed-was rivaled only by Marilyn Monroe's. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naïve, and always on her guard. When she arrived in Hollywood at age nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world's most famous actress.In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world-her desperate, futile striving to be "left alone." He takes us through the films themselves, from M-G-M's early presentation of her as a "vamp"-her overwhelming beauty drawing men to their doom, a formula she loathed-to the artistic heights of Camille and Ninotchka ("Garbo Laughs!"), by way of Anna Christie ("Garbo Talks!"), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York-"a hermit about town"-and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee-were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know-and still wants to know.In addition to offering his rich account of her life, Gottlieb, in what he calls "A Garbo Reader," brings together a remarkable assembly of glimpses of Garbo-from other people's memoirs and interviews (ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes); from literature (she turns up everywhere-in Hemingway's For Whom the Bell Tolls, in Evelyn Waugh and Graham Greene); from the letters of Marianne Moore and Alice B. Toklas; from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures-more than 250 ravishing movie stills, formal portraits, and revealing snapshots-all reproduced here in superb duotone. Garbo had no personal vanity, no interest in clothes and makeup, yet her story is essentially the story of a face-and the camera.

After careful research and extensive interiviews, the authors have prepared this compelling and controversial portrait of the Mormon's organizational structure and economic empire-and the men who control both. Index.

A New York Times Book Review Editors'' Choice | One of Esquire''s 125 best books about HollywoodAward-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshiped her.“Wherever you look in the period between 1925 and 1941,” Robert Gottlieb writes in Garbo, “Greta Garbo is in people’s minds, hearts, and dreams.” Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world’s subconscious; the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world—and that indescribable, transcendent presence she possessed—was rivaled only by Marilyn Monroe’s. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naïve, and always on her guard. When she arrived in Hollywood, aged nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world’s most famous actress.In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world—her desperate, futile striving to be “left alone.” He takes us through the films themselves, from M-G-M’s early presentation of her as a “vamp”—her overwhelming beauty drawing men to their doom, a formula she loathed—to the artistic heights of Camille and Ninotchka (“Garbo Laughs!”), by way of Anna Christie (“Garbo Talks!”), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York—“a hermit about town”—and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee—were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know—and still wants to know.In addition to offering his rich account of her life, Gottlieb, in what he calls “A Garbo Reader,” brings together a remarkable assembly of glimpses of Garbo from other people’s memoirs and interviews, ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes; from literature (she turns up everywhere—in Hemingway’s For Whom the Bell Tolls, in Evelyn Waugh, Graham Greene, and the letters of Marianne Moore and Alice B. Toklas); from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures—250 or so ravishing movie stills, formal portraits, and revealing snapshots—all reproduced here in superb duotone. She had no personal vanity, no interest in clothes and make-up, yet the story of Garbo is essentially the story of a face and the camera. Forty years after her career ended, she was still being tormented by unrelenting paparazzi wherever she went.Includes Black-and-White Photographs

Talks about the reformers and radicals who have struggled for alternative visions of social and economic justice. This book reflects on the momentum of LA's progressive movement, including the 2005 landslide victory of Antonio Villaraigosa as mayor.

Originally published in 1993, this book links the environmental movement that emerged in the 1960s to earlier movements that had not previously been defined as environmental. It was the first to consider the importance of race, ethnicity, class, and gender issues in the history and evolution of environmentalism.