Böcker av Richard Hayman

A beautifully illustrated introduction to the seventeenth-to-nineteenth-century mania for all things Chinese, from blue-and-white china tea sets to entire suites of Chinese-inspired rooms, including parts of the sumptuous Brighton Pavilion.Chinoiserie is the taste for Chinese-inspired designs that were fashionable in Europe from the seventeenth to nineteenth centuries. British and other European designers adapted the visual culture of the Far East, reinterpreting what they perceived to be a mysterious, faraway place with little attempt at authenticity, creating a fantasy world of exotic birds, dragons, men in Chinese dress, and buildings with roofs with upturned eaves inspired by Chinese temples. Chinoiserie was produced in various forms -- in interior design (especially the fashionable ''Chinese rooms'' with their wallpaper and lacquered furniture), in tea sets when tea drinking was in vogue, and in the pagodas and pavilions of eighteenth-century gardens.Chinoiserie provides a beautifully illustrated introduction to this fascinating style of decorative art and explains how it evolved from direct contact between Western Europe and the Far East.

A beautifully illustrated guide to timber-framed buildings and how they have been constructed from medieval times to the nineteenth century.Timber-framed buildings are a distinctive and treasured part of Britain''s heritage. The oldest of them are medieval but their numbers peaked in the sixteenth and seventeenth centuries, with a revival again in the nineteenth. The majority of timber-framed buildings are houses, but timber was used in all kinds of other buildings, including shops, inns, churches, town halls and farm buildings. This book outlines the history of timber-framed buildings, including their construction techniques, regional variations in style, and their social status. It also shows how the buildings have been treated in subsequent centuries and guides the reader in identifying timber-framing that is concealed behind later work. Illustrated with color photographs, it is the ideal primer for anyone interested in timber-framed buildings who wants to explore them further.

A brief history of the design and construction of bridges in the UK from medieval times to the modern day, including famous and notable examples such as Tower Bridge and the Forth Bridge. From the famous bascules of Tower Bridge and the august span at Westminster, through the engineering masterpieces at Ironbridge and the Forth, bridges are some of the most iconic landmarks of Britain. From the smallest arch to the largest overpass, they have a rich architectural, economic, social, and sometimes even religious history. This beautifully illustrated introduction by Richard Hayman explains how piety built and maintained bridges in the Middle Ages; how economic forces inspired a new generation of road bridges in the eighteenth century, including Iron Bridge in Shropshire and the Menai Bridge in North Wales; and how technological prowess gave us the soaring railway viaducts of the nineteenth century and road bridges of the twentieth.

An engaging introduction to the workings of church buildings and churchyards, explaining the integral elements of a working church and how they have changed over time.The parish church is a symbol of continuity, a cornerstone of the urban and rural landscape, and a treasure trove often as rich in cultural history as any museum. This compact and accessible guide explores all of these aspects of the parish church. It begins by examining why churches are built where they are, and then goes on to explain how both church buildings and churchyards have changed over time. It also describes the fixtures and furnishings in the parish church, including fonts, screens, stained glass, and monuments, explaining their ritual and symbolic purpose and how their significance has shifted over time. Lavishly illustrated with color photographs, this book will provide an indispensable introductory guide to anyone who is curious about the nation''s parish churches and wants to explore them further.

The rood screen was the visual focus of the medieval parish church, dividing the nave from the chancel. Most were built of wood and were adorned with intricate carved decoration painted in bright colours, often with images of saints. Defaced and often dismantled during the Reformation in the mid-sixteenth century, most surviving screens have been restored to their former glory since the nineteenth century and are now among the most prized treasures of our parish churches. This fully illustrated book explains the symbolic and practical significance of rood screens and describes the ways in which they were constructed and decorated. There is also an extensive list of churches in England and Wales where screens can be found.

Who built Avebury and Stonehenge? Why and when were more than 600 stone circles, and thousands of barrows and cairns, erected in prehistoric Britain? What were they used for and what do they tell us about the beliefs and culture of their builders? This is a history of the variety of answers that have been given to these questions.

An illustrated history of Britain's coal mines and the lives of the miners who worked in them.Coal heated the homes, fuelled the furnaces and powered the engines of the Industrial Revolution. In the nineteenth and twentieth centuries the coalfields - distinct landscapes of colliery winding frames, slag heaps and mining villages - made up Britain's industrial heartlands. Coal was known as 'black gold' but it was only brought to the surface with skill and at considerable risk, with flooding, rock falls and gas explosions a constant danger. Coal miners became a recognised force in British political life, forming a vociferous and often militant lobby for better working conditions and a decent standard of living.This beautifully illustrated guide to Britain's industrial heritage covers not just the mines, but the lives of the workers away from the pits, with a focus on the cultural and religious life of mining communities.

Illuminated manuscripts are among the most beautiful, precious and mysterious works of Western art. Before the printing press was invented, books were produced by hand, and their illustration using brightly colored pigments and gold embellishments was a labor of love and an act of piety in itself. The results are stunning. The works emanating from the scriptoria of monasteries were mainly religious texts, including illuminated bibles, psalters, and works for private devotion known as books of hours. Illuminated Manuscripts describes the origin and history of illumination in the Middle Ages, covering the artists and their techniques, and the patrons who commissioned them. It explains the subject matter found in medieval works, such as saints and Bible stories and the use of ornamental flourishes, and is illustrated with many fine examples of the genre including the Lindisfarne Gospels and the Book of Kells.

Shows the growth of iron making from the Middle Ages, covering the importation of blast-furnace methods in the fifteenth century, the adoption of coke as a fuel in the eighteenth century, and the invention of mass-produced steel in the nineteenth century.

Explores the legends of King Arthur and Joseph of Arimathea at Glastonbury and how their influence has been felt from medieval to modern times.

The Reformation transformed England forever. From peasants in the lanes and fields to the court of Henry VIII, no life was left untouched as the Roman Catholic Church was replaced as the centre of the nation's religious life. Illustrates emergence of European ecclesiastical and political controversy and Tudor dynastic ambition.

Wrought iron has been used as a decorative element in architecture from the eleventh century to the twentieth. At first a device to strengthen and embellish doors, wrought iron was soon adopted for free-standing screens and railings, examples of which can still be seen in churches and cathedrals.

Green men are figures or heads that were carved in churches, abbeys and cathedrals from the twelfth to the sixteenth centuries. This book discusses the origins and definitions of these figures and traces their many declines and revivals throughout history. It is suitable for any church history enthusiast.

Trees are special, being bigger than us both physically and metaphorically. This book offers an account of our relationship with them. It states that throughout history, our views of trees have been affected by the changing use of woodland and the effects of deforestation and urbanisation.

1500 years of Christian heritage