R.G. Moyles and Doug Owram explore the British idea of Canada in the heyday of empire. They discover close links between the romantic images and the British ideal of imperialism, the dream of a vast empire steeped in British tradition and Christian values.
This study traces the transmission history of the poem, Paradise Lost, from its first appearance in 1667, through the eighteenth century with its emphasis on conjectural criticism, to the present century when it was subjected to unwarranted 'restoration.'
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