Böcker av Rafael Sabatini

The Sea Hawk is a novel by Rafael Sabatini, originally published in 1915. The story is set over the years 1588-1593 and concerns a retired Cornish seafaring gentleman, Sir Oliver Tressilian, who is villainously betrayed by a jealous half-brother. After being forced to serve as a slave on a galley, Sir Oliver is liberated by Barbary pirates. He joins the pirates, gaining the name "Sakr-el-Bahr" (the hawk of the sea), and swears vengeance against his brother. (wikipedia.org)

Rafael Sabatini (29 April 1875 - 13 February 1950) was an Italian-English writer of romance and adventure novels.Rafael Sabatini was born in Iesi, Italy, to an English mother, Anna Trafford, and Italian father, Vincenzo Sabatini. His parents were opera singers who then became teachers.After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. In 1905, he married Ruth Goad Dixon, the daughter of a Liverpool merchant. It took Sabatini roughly a quarter of a century of hard work before he attained success with Scaramouche in 1921. The novel, an historical romance set during the French Revolution, became an international bestseller. It was followed by the equally successful Captain Blood (1922). All of his earlier books were rushed into reprints, the most popular of which was The Sea Hawk (1915). Sabatini was a prolific writer; he produced a new book approximately every year and maintained a great deal of popularity with the reading public through the decades that followed.Several of his novels were adapted into films during the silent era, and the first three of these books were made into notable films in the sound era, in 1940, 1952, and 1935 respectively. His third novel Bardelys the Magnificent was made into a famous 1926 "lost" film of the same title, directed by King Vidor, starring John Gilbert, and long viewable only in a fragment excerpted in Vidor's silent comedy Show People (1928). A few intact reels have recently been discovered in Europe. The fully restored version premièred on TCM on 11 January 2010.Two silent adaptations of Sabatini novels which do survive intact are Rex Ingram's Scaramouche (1923) starring Ramón Novarro, and The Sea Hawk (1924) directed by Frank Lloyd and starring Milton Sills. The 1940 film The Sea Hawk, with Errol Flynn, is not a remake but a wholly new story which just used the title. A silent version of Captain Blood (1924), starring J. Warren Kerrigan, is partly lost, surviving only in an incomplete copy in the Library of Congress. The Black Swan (1942) was filmed starring Tyrone Power and Maureen O'Hara. (wikipedia.org)

Anthony Wilding is in love with Ruth Westmacott and if she had no brother, the course of their story might be quite different. Set against the Monmouth Rebellion, Mr Wildling makes a key change to win again the love of his wife. (Pushpa Rao)

Utterly confident in its brave defense of a notorious character, The Life of Cesare Borgia is a must read for any serious scholar of the period or a fan of the Borgias.Sabatini pulls off a polemic against the historians who disparage the Borgias because he relies on evidence and a superior understanding of the human psyche, also bolstered by a few truths of Machiavelli.I thoroughly enjoyed this book, and hope to read more courageous efforts by biographers in the future. (Awet Moges)

Captain Blood: His Odyssey is an adventure novel by Rafael Sabatini, originally published in 1922. Sabatini was a proponent of basing historical fiction as closely as possible on history. Although Blood is a fictional character, much of the historical background of the novel is loosely based on fact. A group of Monmouth rebels was indeed condemned to ten years' hard labor in Barbados, though not chattel slavery as described in the book; and the shifting political alliances of the Glorious Revolution of 1688 are used in the novel as a plot device to allow Blood's return to respectability.Sabatini based the first part of the story of Blood on Henry Pitman, a surgeon who tended the wounded Monmouth rebels and was sentenced to death by Judge Jeffreys, but whose sentence was commuted to penal transportation to Barbados where he escaped and was captured by pirates. Unlike the fictional Blood, Pitman did not join them, and eventually made his way back to England where he wrote a popular account of his ordeal. For Blood's life as a buccaneer, Sabatini used several models, including Henry Morgan and the work of Alexandre Exquemelin, for historical details.Sabatini first introduced the character Captain Blood in a series of eight short stories in Premier Magazine as Tales of the Brethren of the Main, published from December 1920 to March 1921, and reprinted in Adventure Magazine from January to May 1921, with a novella "Captain Blood's Dilemma", published in Premier Magazine in April 1921 (and Adventure Magazine in October 1921). The Odyssey-like story arc of these tales was then woven by Sabatini into a continuous narrative in novel form, published as Captain Blood: His Odyssey in 1922. (wikipedia.org)

The problem was traitors in high places: traitors secretly opposing his methods and playing the spy for the enemy. All depended on secrecy and unity of action. And then a young British officer made a moronic blunder, and gave the plotters their chance to upset the delicate balance. Their influence caused the Portuguese Council of Regency to demand that the culprit be made a scapegoat. He was at large -- and the man responsible for his capture and execution was his own brother-in-law, Sir Terrence Amoy. Amoy, British adjutant-general at Lisbon.

It was an unlikely romance -- it started as a challenge from one of her scorned suitors: she was a woman, said the scorned one, who not even Bardelys the Magnificent could woo. Bardelys (called Magnificent for the fine quality of his hospoitality) tried to demur. It was madness, plain and simple. But them the rustic Gascon pointed out that it had become a matter of honor, and then there was no hope for it. All bad enoough -- and then the French Revolution intervened! O tempore! O more!

A condottiero, nobleman, politician and cardinal, whose fight for power was a major inspiration for The Prince by Machiavelli. Most people consider Cesare Borgia one of history's great question marks.After initially entering the church and becoming a cardinal on his father's election to the Papacy, he became the first person to resign a cardinalcy after the death of his brother in 1498. His father set him up as a prince with territory carved from the Papal States, but after his father's death he was unable to retain power for long. According to Machiavelli this was due to his planning for all possibilities but his own illness.

This is a modern revision of Rafael Sabatini's classic "Captain Blood", which chronicles the life of Peter Blood, bachelor of medicine and several other things besides. Sabatini also wrote "Scaramouche".

Cesare Borgia (13 September 1475 - 12 March 1507) was an Italian and Aragonese politician and condottiero (mercenary leader) whose fight for power was a major inspiration for The Prince by Machiavelli. He was an illegitimate son of Pope Alexander VI. After initially entering the church and becoming a cardinal on his father's election to the Papacy, he became, after the death of his brother in 1498, the first person to resign a cardinalate.

The French Revolution is well under way when Quentin de Morlaix, already sympathetic to these disenfranchised French aristocrats, finds that he too has his own personal reasons to pray for an end to the Revolution. He sets off for France, and enters a life of confusion, mystery and suspense - and bloody execution.

The Tavern Knight is a 1904 historical adventure novel written by the British-Italian writer Rafael Sabatini. It is set during the English Civil Wars. In 1920 it was turned into a film The Tavern Knight directed by Maurice Elvey, it was made by Britain's largest studio of the silent era, Stoll Pictures. A proposed silent version by Warner Brothers was to star John Barrymore in 1927 but instead the Manon Lescaut story was substituted under the title When a Man Loves.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!