Focuses on the printmaking milieu of Paris during the 1860s and early 1870s, when Edouard Manet produced the majority of his graphic works. This catalogue discusses seventeen of Manet's etchings and lithographs, as are an equal number of prints by several of his colleagues and associates, including Felix Bracquemond, and Alphonse Legros.
Henry Pearson is often linked to the Op Art movement of the 1960s because his best-known paintings feature a labyrinth of undulating parallel lines. This text accompanied an exhibition of Pearson's drawings from 1959 to the mid-1970s, the years when the artist moved toward geometric abstraction.
Will Barnet has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. This book examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction.
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