Explores how the mechanisms of modernism, German cinema and feminist film theory have evolved, and discusses the directions in which they are headed. The book aims to locate the debate over the place of cinema within modernity in a complex matrix of contending sensibilities, voices and impulses.
Challenges the conventional assessment of German film history, which sees classical films as responding solely to male anxieties and fears. Exploring the address made to women in melodramatic films and in illustrated magazines, this work she shows how Weimar Germany had a commercially viable female audience.
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