Böcker av Oliver Onions

With haunting prose and imaginative storytelling, Oliver Onions transports readers to another world in Back o the Moon and Other Stories. From a man haunted by a cursed coin to a ghostly presence in a haunted house, each tale is a masterclass in gothic horror. Fans of classic horror literature won't want to miss this collection--but be sure to leave the lights on!This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book "" Gray youth: The story of a very modern courtship and a very modern marriage "" has been considered important throughout the human history. It has been out of print for decades.So that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

At first blush, Widdershins a conventional haunted house story involving an unsuccessful writer, who moves into an empty house in hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. . . .The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the psychotic subject's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case.

"As far as the chief business of his life--his writing--was concerned, Paul Oleron treated the world a good deal better than he was treated by it; but he seldom took the trouble to strike a balance, or to compute how far, at forty-four years of age, he was behind his points on the handicap. To have done so wouldn't have altered matters, and it might have depressed Oleron. He had chosen his path, and was committed to it beyond possibility of withdrawal. Perhaps he had chosen it in the days when he had been easily swayed by some thing a little disinterested, a little generous, a little noble and had he ever thought of questioning himself he would still have held to it that a life without nobility and generosity and disinterestedness was no life for him. Only quite recently and rarely, had he even vaguely suspected that there was more in it than this; but it was no good anticipating the day when, he supposed, he would reach that maximum point of his powers beyond which he must inevitably decline, and be left face to face with the question whether it would not have profited him better to have ruled his life by less exigent ideals."

A collection of nine marvellous stories of the supernatural. The Edwardian era was the last great period of the English ghost story, and Oliver Onion's "Widdershins" is one of the classic collections of the age. Although each of the nine stories here is worth reading, the collection is famous because of "The Beckoning Fair One," a novella of ghostly obsession and mental disintegration just as powerful as Henry James' "The Turn of the Screw." "The Beckoning Fair One" is one of the most oft-anthologized horror tales. This ghost story has been called one of the best in the English language by such luminaries as Algernon Blackwood and H. P. Lovecraft. The tale concerns an author who moves into a deserted house and starts to become influenced by its ghostly female occupant? Or...is it just in his mind?