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Böcker av Nicholas Royle

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  • av Nicholas Royle
    155,-

    The 'shadow line' is a term Royle uses to describe the faint line on the top edge of the text block that allows him to see whether a book on a shelf contains an inclusion - those items inserted into books and long forgotten.

  • av Nicholas Royle
    275 - 1 399

  • av Nicholas Royle
    285,-

    "An uncanny effect often arises when the boundary between fantasy and reality is blurred . . ." - Sigmund FreudNicholas Royle's stories are "immaculately sinister", according to Olivia Laing in the Times Literary Supplement, while Phil Baker, in the Sunday Times, described Royle as "a real craftsman of disquiet".In his third collection, The Dummy & Other Uncanny Stories, Royle focuses on archetypes and phenomena that, through their particular melding of the familiar and the unfamiliar, produce uneasy, or uncanny, effects. These stories reflect Royle's continuing development as an exponent of the form, in which he is always seeking to learn and to grow, and to push against boundaries.

  • - Confessions of a Book Collector
    av Nicholas Royle
    145

    A mix of memoir and narrative non-fiction, White Spines is a book about Nicholas Royle's passion for Picador's fiction publishing from the 1970s to the end of the 1990s.

  • av Nicholas Royle
    135

    Before the exquisitely painful ''loss of her marbles'', Mrs Royle, a nurse by profession, is a marvellously no-nonsense character, an autodidact who reads widely and voraciously from Trollope to Woolf, White to Winterson - swears at her fox-hunting neighbours, and instils in the young Nick a love of reading and wildlife that will form his character and his career. He captures the spirit of post-war parenting as well as of his mother whose dementia and death were triggered by the tragedy of losing her other son - Royle''s younger brother - to cancer in his twenties.

  • - Dreamer, Realist, Analyst, Writing
    av Nicholas Royle
    389 - 1 339

    A lucid, original and inventive critical introduction to Helene Cixous (1937-). Royle offers close readings of many of her works, from Inside (1969) to the present. He foregrounds Cixous's importance for 'English literature' as well as creative writing, autobiography, narrative theory, psychoanalysis, ecology, gender studies and queer theory. -- .

  • av Nicholas Royle
    279

    Intent upon letting the reader experience the pleasure and intellectual stimulation in reading these classic authors, the How to Read series provides a context and an explanation that will facilitate and enrich your understanding of texts vital to the canon.

  • av Nicholas Royle
    209

    Paul Kinder, a novelist with one forgotten book to his name, teaches creative writing in a university in the north-west of England. Either you'll laugh, or you'll cry. Or maybe both.

  • av Nicholas Royle
    119

    Facing the disarray and disorientation around his father's death, a man contends with the strange and haunting power of the house his parents once lived in.He sets about the mundane yet exhausting process of sorting through the remnants of his father's life -- clearing away years of accumulated objects, unearthing forgotten memories and the haunted realms of everyday life. At the same time, he embarks on an eccentric side-project. And as he grows increasingly obsessed with this new project, his grip on reality seems to slip.Nicholas Royle challenges and experiments with literary form to forge a new mode of storytelling that is both playful and inquisitive. Tender, absorbing and at times shockingly funny, this extraordinary novel is both mystery and love story. It confronts the mad hand of grief while embracing the endless possibilities of language.

  • av Nicholas Royle
    310

    This is the first book-length study of the uncanny, an important topic for contemporary thinking on literature, film, philosophy, psychoanalysis, feminism and queer history. -- .

  • - A User's Guide
    av Nicholas Royle
    709

    Backed up by an unusually detailed index, this User's Guide demonstrates the innumerable and altering contexts in which deconstructive thinking and practice are at work, both within and beyond the academy, both within and beyond what is called 'the West'.

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