Böcker av Nathaniel Tarn

A Nowhere for Vallejo was first published in the UK 1972, and was a major staging post in the author's career, the penultimate volume to appear from a UK publisher before we issued the selected edition, Palenque, in the 1980s.The dramatic title sequence takes the form of an imaginary journey to the Inca empire, seen through the eyes of the first and last of the Inca emperors and of two great half-Inca writers, both of them exiles: Garcilaso de la Vega and César Vallejo. This sequence and 'Choices' were written in Guatemala during the summer of 1969 by Lake Atitlán where the author had carried out fieldwork as an anthropologist many years earlier. The book is completed by the 'October' sequence, which ends with the moving "in memoriam" poem 'Requiem pro duabus filiis Israel'.

Palenque was first published jointly by Shearsman Books and Oasis Books in 1986, and sought to offer British readers an overview of what the poet had been up to since his expatriation to the USA in the early 70s. This book is revived here as part of the Shearsman Library series, which is devoted to recovering significant out-of-print, or hard-to-find editions of modern poetry.

In this literary memoir and autoethnography, poet and anthropologist Nathaniel Tarn reflects on a life lived in an array of times, cultures, and environments, from the Battle of Britain and postwar Paris to conducting fieldwork in Guatemala and the halls of academe and beyond.

The Desert Mothers was first published as a chapbook in Mississippi in 1985, and here it is accompanied by three long sequences from the same period, as part of the Shearsman Library series, which is devoted to recovering significant out-of-print, or hard-to-find editions of modern poetry.

The House of Leaves was first published in 1976, and was a significant statement of intent by Nathaniel Tarn - alongside his New Directions volume, Lyrics for the Bride of God - which set the tone for what he wanted to achieve now as an American poet after his emigration from England.

An epic poem on the war-in-the-air, 1939-1945, that focuses on the European theatre and also visits the Asia-Pacific conflict.

A theory of poetic production and reception based on both literary and anthropological studies and models.