Böcker av Mikhail Bulgakov

Part of Alma Classics Evergreens series, The Master and Margarita is here presented in a new translation and a wealth of extra material.

In Soviet Moscow, God is dead, but the devil - to say nothing of his retinue of demons, from a loudmouthed, gun-toting tomcat, to the fanged fallen angel Koroviev - is very much alive. As death and destruction spread through the city like wildfire, condemning Moscow's cultural elite to prison cells and body bags.

TRANSLATED BY MICHAEL GLENNYWith the ink still wet on his diploma, the twenty-five-year-old Dr Mikhail Bulgakov was flung into the depths of rural Russia which, in 1916-17, was still largely unaffected by such novelties as the motor car, the telephone or electric light.

The acclaimed, bestselling translation of Mikhail Bulgakov¿s masterwork, an undisputed classic of Russian and world literatureAn audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is recognized as one of the essential classics of modern Russian literature. The novel¿s vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author¿s lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech. Now The Overlook Press is reissuing this acclaimed translation in an all-new package.One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing to literally go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances splendidly emerge in Diana Burgin¿s and Katherine Tiernan O¿Connor's superb English translation, with an afterword and extensive commentary by Ellendea Proffer.

Set in 1928 but written four years earlier, during Stalin's rise to power, The Fatal Eggs is both an early piece of science fiction reminiscent of H.G. Wells and a biting, brilliant satire of the consequences of the abuse of power and knowledge.

'A masterpiece - a classic of twentieth-century fiction' New York TimesBulgakov paints a powerful picture of Stalin's regime in this allegorical classic. The devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat.

A Dog's Heart was banned by the censors in 1925 and circulated only in samizdat form. Nowadays this hugely entertaining tale has become very popular in Russia, and has inspired many adaptations across the world.

WITH A NEW INTRODUCTION BY ANDREY KURKOVA rich, successful Moscow professor befriends a stray dog and attempts a scientific first by transplanting into it the testicles and pituitary gland of a recently deceased man.

This edition (Classic Wisdom Reprint) is non-censored, based on a samizdat version and translated in Russia by an unknown translator. Widely held as one of the best novels of the 20th century the book depicts a story in a story, a manuscript of a Biblical story that the Master cannot publish and locked up in the asylum for. The story concerns a visit by the devil to the officially atheistic Soviet Union. The Master and Margarita combine supernatural elements with satirical dark comedy and Christian philosophy, defying a singular genre. Literary critic, assistant professor at the Russian State Institute of Performing Arts Nadezhda Dozhdikova notes that the image of Jesus as a harmless madman presented in ″Master and Margarita″ has its source in the literature of the USSR of the 1920s, which, following the tradition of the demythologization of Jesus in the works Strauss, Renan, Nietzsche, and Binet-Sanglé, put forward two main themes - mental illness and deception. The mythological option, namely the denial of the existence of Jesus, only prevailed in the Soviet propaganda at the turn of the 1920s and 1930s.

Tsenzurirovannaya versiya byla opublikovana v moskovskom zhurnale v 1966-1967 gg. Posle smerti pisatelya. Rukopis' ne byla opublikovana v vide knigi do 1967 goda v Parizhe. Rasprostranena versiya samizdata, vklyuchayushchaya chasti, vyrezannyye ofitsial'noy tsenzuroy, i oni byli vklyucheny v versiyu 1969 goda, opublikovannuyu vo Frankfurte. S tekh por roman byl opublikovan na neskol'kikh yazykakh i v raznykh izdaniyakh. V otchayanii, ne v silakh opublikovat' Uchitelya i Margaritu, Bulgakov snachala napisal lichnoye pis'mo Iosifu Stalinu (iyul' 1929 goda), a zatem 28 marta 1930 goda pis'mo Sovetskomu pravitel'stvu. On zaprosil razresheniye na emigratsiyu, yesli Sovetskiy Soyuz ne smog nayti yemu primeneniye v kachestve pisatelya.

Drawing closely on Bulgakov's personal experiences of the horrors of civil war as a young doctor, The White Guard takes place in Kiev, 1918, a time of turmoil and suffocating uncertainty as the Bolsheviks, Socialists and Germans fight for control of the city.

Kiev - Kyiv - is in chaos. Russia has withdrawn from World War I but the Germans have set up a puppet government in Ukraine. Civil war rages: the Bolsheviks have seized power in Russia, but the anti-revolutionary White Guard who have fled to Ukraine, are rallying to resist. In the meantime, Ukrainian nationalists are camped outside the capital, and a Red army is on its way to bring everyone to heel. While all this is going on, the Turbin family try to eke out their existence in Kyiv and discuss what they should do. They are exactly the sort of family - monarchist intelligentsia - for whom the future looks particularly menacing.Bulgakov's brilliant and evocative prose brings the city and the moment unforgettably to life and sheds some fascinating light on the complex interwoven histories of Ukraine and Russia.

A fully annotated translation of the most complete text of Bulgakov's exuberant comic masterpiece

New translations of two poignant and controversial plays by Russian writer Mikhail Bulgakov.

Charts the life of the French playwright - Moliere - from humble beginnings to later theatrical triumphs and political controversies.

From the author of MASTER AND MARGARITA, BLACK SNOW and DIABOLIAD, a novel which features a Moscow professor who befriends a stray dog and transplants into it the testicles and pituitary gland of a dead man, unleashing a human dog which turns the professor's life into a nightmare beyond endurance.

Set in the Ukrainian capital of Kiev during the chaotic winter of 1918-19, The White Guard, Bulgakov's first full-length novel, tells the story of a Russian-speaking family trapped in circumstances that threaten to destroy them.

This selection from the diaries and letters of the Bulgakovs, mostly translated for the first time into English, provides an insightful glimpse into a fascinating period of Russian history and literature, telling the tragic tale of the fate of an artist under a totalitarian regime.

Featuring explorations of the absurd and bizarre, this title, here presented in a new translation, provides a glimpse into the artistic development of the author of "Master and Margarita".

Unpublished in Bulgakov's own lifetime, Black Snow (also known as A Theatrical Novel) - here presented in a new translation - is peppered with darkly comic set pieces and draws on its author's own bitter experience as a playwright with the Moscow Arts Theatre, showcasing his inimitable gift for shrewd observation and razor-sharp satire.

See? All we need is... a map and...some kind of plan.This overcoat is neutral darling, neither Bolshevik nor Menshevik. Just essence of Prole. In Kiev during the Russian Civil War, the Turbin household is sanctuary to a ragtag, close-knit crowd presided over by the beautiful Lena. As her brothers prepare to fight for the White Guard, friends charge in from the riotous streets amidst an atmosphere of heady chaos, quaffing vodka, keeling over, declaiming, taking baths, playing guitar, falling in love. But the new regime is poised and in its brutal triumph lies destruction for the Turbins and their world. And those are the real enemies we face, deep in the shadows. This modern man with no name, no past, no love. This desperate hate-filled man born of loneliness and frustration. This man with nothing to be proud of, nothing he is part of. . .

The five, irreverant, satirical and imaginative stories contained in Diaboliad caused an uproar upon the book's first publication in 1925. Full of invention, they display Bulgakov's breathtaking stylistic range, moving at dizzying speed from grotesque satire to science fiction, from the plainest realism to the most madcap fantasy.

White Guard, Mikhail Bulgakovs semi-autobiographical first novel, is the story of the Turbin family in Kiev in 1918. Alexei, Elena, and Nikolka Turbin have just lost their mothertheir father had died years beforeand find themselves plunged into the chaotic civil war that erupted in the Ukraine in the wake of the Russian Revolution. In the context of this familys personal loss and the social turmoil surrounding them, Bulgakov creates a brilliant picture of the existential crises brought about by the revolution and the loss of social, moral, and political certainties. He confronts the reader with the bewildering cruelty that ripped Russian life apart at the beginning of the last century as well as with the extraordinary ways in which the Turbins preserved their humanity.In this volume Marian Schwartz, a leading translator, offers the first complete and accurate translation of the definitive original text of Bulgakovs novel. She includes the famous dream sequence, omitted in previous translations, and beautifully solves the stylistic issues raised by Bulgakovs ornamental prose. Readers with an interest in Russian literature, culture, or history will welcome this superb translation of Bulgakovs important early work.This edition also contains an informative historical essay by Evgeny Dobrenko.